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P bass in Jazz?

Not to be that guy who brings up James Jamerson
But James Jamerson was essentially a jazz bassist and he liked the P-bass. Honestly you can use any kind of bass in any kind of music, as long as it's what you personally like.
 
I don't know if its possible, but if anyone can help me figure it out, it's you guys.

To actually give you a serious response:p, I think your question is legit, since most electric players (IMO and IME) who play in most jazz contexts (e.g., cocktail jazz gigs, fusion, pop jazz, smooth jazz, even some straight ahead gigs, etc.) tend to play basses with two pickups and, in many cases, flatter radius necks with a more 'modern' flattened neck/board feel.

The P Bass doesn't have that feeling of 'space between the notes' that many 'jazz' players like, and the frequency response results in the upper register to not feel quite as articulate. Combine that with many P Basses having relatively round, fat neck profiles, and it seems easy to understand why other basses (more influenced by the Fender J than the Fender P) are more popular among players who play this type of music.

For me, who at most, plays 'cocktail jazz' sets on occasion at this point (i.e., pretty straightforward 'Real Book' type tunes at medium tempos), I love my P Bass on those types of gigs. Fat and a bit bloomy down low. It puts a nice pillow under the group, and also (at least in my case) forced me to move away from at least some of the cliche's and ruts I'd fallen into over the years, since the feel and reaction of the P is so different than a J or 'J inspired' bass (like Fodera, MTD, etc., etc.).

Pure IMO, and lots of over-generalizations, but I am TOTALLY digging the P (in my case, a Nordy passive 5 string) for virtually every playing context I perform in at this point.
 

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