Recent content by Spacehead_

Hey guys two (and a half) quick questions: 1) Can the Tap/Tune only be assigned to switch 3? or can it be assigned to any switch. I've only ever seen it on switch 3 but would personally prefer it elsewhere. 2) Does it take a block to separate the signal from inputs A and B? I plan two run...

POG wet: Quint, Crunch Box, CR-7 (a), DS-1 (mute), RV500 (a) --> Fender Blues Jr POG dry: OD20, CR-7 (b), TU-3 (mute), RV500 (b) --> Markbass CMP mini 151

It's finally finished!! Royal Blood inspired dual octave signal paths board :D:D

I don't really like ampegs much either tbh. Stingrays on the other hand...

Sorry for the late reply, haven't been on here in a while. As far as the POG choice, I liked the idea of using the wet / dry outputs rather than buying a separate aby box. As for the harmoniser, I wanted one that would harmonise up a fifth and up an octave at the same (root, fifth, root). The...

wrong guy. OP is 2003, joined late last year

There's a '94 62 reissue Jazz Bass at a music shop nearby and it's so cool. If only I had the money to spare drool

English flag? No. Wait. Defs Australian!

It's got a few great sounds and a lot of average ones. Honestly, I rarely use it for anything besides the Oct Fuzz mode. That fuzz is ridiculous. Occasionally I use it for an overdrive but I'm not huge on overdriven bass in general. That said, it's there when I need it.

I use a Nano POG to send the octave up to a second amp. I often like to stack it with a T-Rex Quint to make the octave up a power chord. My main 2 sounds with it are either a dirty marshall kinda sound or a spacey ambient sound.

Either the Hardwire CR-7 Chorus or the T-Rex Quint Machine

I prefer the B9 myself

Looking to get into some Pino Palladino but don't know where to start. What would you say are some of his more iconic / best recordings?