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Yes. He was quite the charmer...

Eric looks scared... :laugh:

She was awesome.

I did my first ampless tour in November and December. My "rig" was basses - Boss switcher - tuner - REDDI - Tonex - Neve RNDI. My IEM mix was about 60/40 DI/Tonex using the SVT capture. It worked out really well. For the second half of the tour I replaced the REDDI and RNDI with a stereo Neve...

Ok, nearly a year later and flickr seems to be working for me here again, so - My 4th Reimer - alder, pau ferro, Ocean Turquoise, fretless. Came out every bit as good as I expected... that is to say, its f'n awesome. Feels great and sounds just like you'd want an old fretless fender jazz to...

Mine too. Sad I only get to use it every couple of years now.

I recently picked up a Neptunium... the power supply I currently have is a Voodoo Lab pedal power 2 plus. You can combine 2 of the 250mA outlets which the manual says will give you 400 mA, the minimum for the neptunium. I'm not generally a "bare minimum" guy but can anyone confirm if this will...

I'd go NYC... and I'd buy it used.

Something must have changed either with flickr or this site as I'm having problems embedding pics on the site. Oddly the old ones I posted earlier in the thread still work fine. I'm stumped.

I had a Fender custom shop 55P that weighed 6lbs 14oz without covers. Pretty bad neck dive. Could have put lightweight tuners on it, evened it out and got the weight down another 1/2 lb.

And Reimer guitars (north vancouver)

My first was a 75 P my parents bought me in 76. I sold it to my bass teacher in 82 to fund a 5 string Warmoth build. I did regret selling it, eventually. He sold it back to me 20 years later, for the same $400 he paid me for it. Still have it, never play it, but it's nice to have it.

This 100%

Reimer... though you'd have to check on pricing with him.

I bow to your superior memory :roflmao:

Totally different. Fat Albert said "hey Hey HEY" Raj said "hey HEY Hey" ;)

Just curious, does anyone ever get the name?

I went the opposite direction of you 25 years ago - from years of 6 strings through rack gear and hartke cabs to a '64 P bass and a 70s SVT. Don't care for the modern thing still, so it worked out just fine I'd say.

And shooting ranges and drag strips/race tracks.

A truly great DI will be useful for the rest of your career and unlikely to be a buy you'd ever regret.

On top of being a brilliant guitar player, Warren is a class act.

Started the 90s with a 6 string I'd had built back in '85 or 86 when they barely existed, into a rack rig - Groove Tubes preamp into a Carver 1201 (the Rev7 and SPX 90 may have been gone by then, lol) into a pair of Hartke 4x10s. By the end of the 90s I'd dumped all of it and got a '64 P bass...

Love my REDDIs, hate the Neutrik input jack. After having major intermittent problems with both of mine, I'm trying this: Considered removing the neutrik, making a small metal plate to bolt in it's place then drilling for a 1/4", but after talking with someone smarter than me, decided to leave...

I sold mine 5 or 6 years ago. Have never had a single call for it since, yet I still kick myself for letting it go.

Its Kenney. Great track that really should have been on a Faces record. EPTAS is indeed a great record, but Faces Rod is best Rod :D

FWIW I think the Vintage cabs look terrific, and when I finally bite the neo bullet I'll be looking closely at them. Still using my old HT112ER and EX all the time, and I don't disagree with you! Though the NV610 is still the best bass cab of all time :thumbsup:

Gord Miller, GM Vintage Restorations in Victoria BC is awesome. His vintage bursts kill. '60 '64 and on a new Reimer

SVT is my favourite amp and I used one for many years. Would not be my choice for a home amp. Fan is noisy at low volumes, and getting it in the sweet spot means its loud. Where they shine is obviously loud live gigs. For the house I'd go with a V4-B (or B-15), but if you must scratch the itch...

I wound up with another Reimer. Dave was trying to get as close as possible to an early 60s feel and he nailed it. The neck profile really feels like an old bass. Very old slab of brazilian rosewood for the fingerboard. Another Gord Miller 2.5 tone burst. Pic does not do justice, as is usual for...

His book Me, the Mob, and the Music is a good read.

When I think Osmonds, I'll admit a fender bass through a marshall stack is not the first image that comes to mind. That's awesome!

They go for $130 canadian at the local big box store here, so $100 US seems pretty much in line - not so much a deal as the going rate.

NGD... er, week. Welcome Gordon the Explorer! Scratch built, not started by but finished by Gord Miller of GM Vintage Restorations (note the headstock logo...). Korina, awesome Sheptone pickups. Killer neck, very comfortable to play... and it rips.

100% class.

^^ Dave's Dano/Jerry basses are awesome.

Unicorn!!

Gladys Knight is right up there.

They should learn it, you should not unlearn it. My lawn, get off it!