- Jan 29, 2008
- 29,772
- 30,452
- Disclosures
- I like 5, 8, 10, and 12 string basses
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I think of you move the bridge pickup back towards the bridge a tiny bit more you could fit a single coil in between them.Make the front of the bass “all pickups all the time!”
Interesting. I take it the forward saddle (closest to the nut) is for the octave string, and rear saddle for the bass string? And the idea is to file down the opposite side of either saddle from the string so that other string can pass right over? It's a pretty smart way to get around the complete lack of OTS hardware. I bet you could have the saddles drawn up in a CAD program and then laser cut, too.I made more progress on the bridge. I still have to cut slots on the bridge.
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Interesting. I take it the forward saddle (closest to the nut) is for the octave string, and rear saddle for the bass string? And the idea is to file down the opposite side of either saddle from the string so that other string can pass right over? It's a pretty smart way to get around the complete lack of OTS hardware. I bet you could have the saddles drawn up in a CAD program and then laser cut, too.
Looks like fun to (try to) play, but I'd never figure out how to restring it.wow I found this on the internet ... 15 string bass
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"How I spent my Summer Vacation" hahahow to restring it.
A note about intonation adjustment on 10-strings:
On the 10-strings that Keith and I built, I put 10 individual saddles in the bridge. But when it was all built and set up, I was surprised to find that there was very little difference in intonation position between each pair. The B string was about 0.060", but the other four were 0.020"-0.040". Barely noticeable. And the amounts were predictable.
So, I don't see any problem with using a 5-saddle bridge to build a 10-string bass. If the saddles have 0.060" of thickness, so you can file a small angle correction, you could pre-set the intonation difference between each octave.
The intonation adjustment needed for each octave pair was typical for a 5-string bass: About 0.060" on the G down to about 0.350" on the B.
You can see what I mean here. All that work to make the paired saddles, and there's hardly any difference between the root and octave of each pair. The octaves are back slightly farther.
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