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2013 Ampeg V-4B 100W Reissue Pt2

As a former Fender 100T owner (their 100-watt tube amp), I can tell you it has more clean headroom than that.
Absolutely correct. As a former Fender 100T owner myself I can tell you this is precisely why I sold the 100T and moved to a V4B. The V4B seems to move into overdrive in a far more euphonious way than the 100T. I found the 100T moved into overdrive too quickly and was too harsh sounding for my purposes. The V4B was a significant improvement. Of course YMMV - horses for courses and I know many prefer the 100T simply because of this.
 
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Technically, I said that the two 210AV's were "a good bit louder," and I definitely stand by that. And while the 212AV is probably deeper, the two 210AV's did present a more full/warm/round tone (with the 212AV being more defined).
Well, since I happen to have a V4B, two 210AVs and a 212AV outside in the band room at the moment I just popped out and did a very quick five minute side by side comparison. Of course, Tom is right (is he ever wrong?:)). To my ears the 212AV sounded tighter and the two 210AVs were louder in a "room filling" kind of way, if you get my drift. But to be honest, I don't think the difference in volume was sufficient to make me choose one over the other on volume alone - if I was in a situation where one 212AV did not suffice I think I would be reaching for more than a pair of 210AVs to make the difference.
 
Well, since I happen to have a V4B, two 210AVs and a 212AV outside in the band room at the moment I just popped out and did a very quick five minute side by side comparison. Of course, Tom is right (is he ever wrong?:)). To my ears the 212AV sounded tighter and the two 210AVs were louder in a "room filling" kind of way, if you get my drift. But to be honest, I don't think the difference in volume was sufficient to make me choose one over the other on volume alone - if I was in a situation where one 212AV did not suffice I think I would be reaching for more than a pair of 210AVs to make the difference.

Thanks for the second opinion, Tim! And yes, it's not a huge volume difference between the two.
 
Thank you Tom!

I'm in rig rethink mode, and have a pair of the 210AV cabinets in my arsenal. I'm going for that juicy New York blues meets jazz tone - think Saturday Night Live band. I run a Sadowsky with this band. Is the V4B the missing link?

If you like a warm, full, thumping, somewhat gritty/growly tone, then boo-yah! :woot: :woot: :woot: :D
 
Tonight.
Warmoth 51P. Ampeg V4B. Fender Bassman Pro 115 neo
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Still setting up
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@Tim1 The Fender Neo 115 just does it all really well. Sounds great, handles gobs of power and is light as budgery!
A couple of gigs recently I could easily have used the NV412 but for ease I took the 115.
But there has been a few smaller gigs of late. ...... so, again, the 115 is enough.
On my side. ..I'd love em to bring the neo 610 down here for me to have a go at. :crying:
 
Awesome soxhats! I'm glad to know you have enough sound with a 410. Are you using an AV62 Pbass? Id do we have the same OW pbass
I can't find the Bassman 410 neo sensivity specs anywhere . I would be curious to know if it's more than 99dB.
I can't wait to receive my V4B :)
I'm pretty sure my back won't regret I didn't pick an SVT-CL
 
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Awesome soxhats! I'm glad to know you have enough sound with a 410. Are you using an AV62 Pbass? Id do we have the same OW pbass
I can't find the Bassman 410 neo sensivity specs anywhere . I would be curious to know if it's more than 99dB.
I can't wait to receive my V4B :)
I'm pretty sure my back won't regret I didn't pick an SVT-CL

That's actually a 2009 American Standard P Bass (with Lindy Fralin pickups that I installed to replace the stock), strung with LaBella FS flats. One of my best scores ever -- picked it up on eBay four years ago for a relative bargain. It plays *really* well. I often gig with a '69 P Bass, but this one gets its share of the action too.

'Fraid I don't know about the sensitivity specs. I'm looking to see if a manual came with the cab, but so far no luck.