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34" 5-string: anti-floppy B query

Man, I wish I had played some of the tight 34" scalers you guys have. I have a Carvin LB76 with a 132 B. (D'Addario Half-Rounds.) It's squishy. :( Bad enough that I have to change my attack. Prolly from the 1 piece Malpe neck-through?

The B on my BTB455 is solid. I can hammer on it, but I think the scale is a tad long ... but from everything I've played, I refer abck to what I said about 34s.

Side question: Has anyone ever thought about pulling the fretboard on a squishy neck and installing some type of extra support?
 
Man, I wish I had played some of the tight 34" scalers you guys have. I have a Carvin LB76 with a 132 B. (D'Addario Half-Rounds.) It's squishy. :( Bad enough that I have to change my attack. Prolly from the 1 piece Malpe neck-through?

The B on my BTB455 is solid. I can hammer on it, but I think the scale is a tad long ... but from everything I've played, I refer abck to what I said about 34s.

Side question: Has anyone ever thought about pulling the fretboard on a squishy neck and installing some type of extra support?

Before you try to change the neck try installing a string retainer to hold the B string down. Its a 5$ experiment and it made my B string much nicer.
 
distance between ball-end and tuner make the most significant difference to the B string getting a better feel as well as playing better the higher up the neck (towards 12th fret and beyond) you go.

also. .125 - .128 for a B are great gauges that do speak a lot better than strings .130 and thicker.
 
Before you try to change the neck try installing a string retainer to hold the B string down. Its a 5$ experiment and it made my B string much nicer.

Er.... can't you try a good plucking technique first before you start tearing up your bass for a problem it doesn't actually have?

It's free and will make the rest of the strings sound good too.....

Even I can get a good chug out of the B on my L2500 strung with flats because I pluck over the bridge PU. And played up near the neck that's the "floppiest" sounding B you could ever come up with - a Leo Fender design with flats is The formula for flop with weak plucking technique (LF basses all have a kind of acoustic tone to them).....
If I can fix this, you can be sure it's not the bass's problem ;)......

LS