Yeah, the PCB and surface-mount versus hand-soldered comes up from time to time on TalkBass. Musicians are a very conservative group in general; we tend to place a premium on tradition. This manifests in many ways, but most obviously in the obsession with vintage gear, historical tonewoods, and old-school construction techniques. But I myself prefer PCB and surface-mount components because they allow for small circuit boards and thus smaller enclosures. Pedalboard real estate is valuable and smaller pedals help me get the most out of a given board. Sure, there can be shoddy PCBs and surface-mounted components, but humans can also suck at soldering. The idea that one is
inherently better than the other doesn't hold water: it comes down to the quality of the examples in question.
Say what you will about Spencer—and I sure have—the man clearly cares about the little details. It's why he posts about supply chains; color coordinates the finish of a pedal with the ink of his signature and serial number, the photo of the announcement email, the packaging tissue in the pedal box, and the ink of the user manual; reconfigured his logo as Mt. Fuji for the Japanese edition of the Sakura Proton; designs custom enclosures for his pedals; and uses higher quality materials and components like 304 stainless steel and Switchcraft jacks.
I have
many qualms with the owner and aspects of how he has run his business lol. Read my past posts. And I'm not alone in that. Read the past 20 months of this thread. "Discovery pricing," "bundled preamps," "Chinesium," etc.
I agree he has managed to generate hype around his brand, but his business model is definitely
not built around generating grassroots hype here on TalkBass. He is no fan of this forum. Read the early pages in this thread to see why. Regardless, this place is a bubble and there are plenty of musicians who want his products who aren't active on here.
Welcome to TB and this thread!

I didn't realize you were so new. I'm glad you were spared the 3 Leaf Audio prices of the pandemic. $800-1000 for a Doom 2 at the peak. Rough times. Those prices still scar many of us today, though they no longer inform the market.
I concur with your general observation, but I do not think that's an instructive lens through which to view the Doom 2. The Doom 2 has been in production since 2019 and 3 Leaf Audio has existed since 2008. As of this latest batch, 1,799 units of the Doom 2 have been produced. For
comparanda, there are less than 100 units of most Broughton circuits and less than 500 of most Iron Ether circuits. At this point, therefore, I'd hardly call it "hype" or "one-and-done."