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Big String said:Most Excellent! Glad you're enjoying it.
However I do find the 750 to do a fine job a lower volumes, but I hardly ever do .... ah hmmm.![]()
I did a little more ABCing last night. Broke out the NV215, BMS, and EW. Lined them all up using the TFB550 and DB750.
I'm starting to really get a hold on the DB750 even though it's EQ challenged to a point. My formula is pretty much the same with all three cabs setups pretty much keeping the Bright Switch engaged and Treble at 1:00, Mid 1:00, Bass 11-12:00 depending. All other EQ is done on my Sadowskys. The EW has a little less Treble and does well without the Bright switch on or off. The Bergs, especially the NV sounds the best with the Bright Switch engaged, as well as the BMS. I add a little more Bass from my instrument on the BMS.
With the TF, the EW and the BMS sound the best. The NV also sounds great but seems a bit strained. The BMS is the most versitale out of the bunch though, sounding superb with either amp. I ended up my trial with the 750 atop the NV215 and the TF on the BMS and pretty well matched them. I was amazed and went off to eat my dinner with a big smile.
pickles said:For ME, the bergantinos (HT115 and especially HT310) are a little too bright, not as plump as I like. Jims cabs seems to be geared toward producing lots of clarity in the upper end of the spectrum, which isn't always my thing, though I can see why some people swear by them. I want some juicy highs when I need them (slapping, picking, or playing hard finger funk), but want them to drop into the background a bit when I dont ... so I can get my round/fat fingerstyle on.
tombowlus said:Good point about trying before you buy, but did you ever try turning down the Berg tweeters? Just curious. It sounds like in realm of all things Bergantino, the NV series might be more up your alley.
tombowlus said:But if the Aggie GS410 is your favorite cab, then maybe just stick with that?
Tom.
pickles said:Yes, I did turn down the tweeter, it was actually the sound of the upper range of the 10's that made the 310 too bright for me (with my bass, my amp, my band ... yadda yadda). The too-bright comment really just applies to the 310 actually, the 115 has a very balanced sound with the tweet about 1/4 of the way up. Like I said, I can really see someone being gaga over the 310 for exactly the reason I don't like it. Definition central!