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A physics-defying speaker array(?)

The Bromer Sound speaker is based on two things: one is a property of air, and the other is symmetry. The property of air is the ratio of pressure to density, and it means that air flowing from a circular ring of speakers can't be compressed inside the ring, so it becomes pressurized. That's what turns wind into sound (puts the pressure in phase with the speaker cones' motion). Symmetry lets you reduce the number of speakers from the number needed for a full ring.
Our patent issues in early March and has a full explanation. In the meantime I will be happy to post more info and answer questions about the theory, the beer can woofer, etc.
There are engineers here. Please enlighten as to how it works.
 
I think it is only fair that the principles behind it are not divulged yet until the patent process is concluded.

Not necessary. Patent protection is effective as of the date of the filing, not the issuing, which is generally years later. You also are afforded a one year window between publishing a design and having to file with no loss of protection. OTOH, if you publish and don't file within a year it goes into the public domain and no one can file a patent on it.
 
Hello everyone, and thanks for your interest. I will try to answer some of your questions.

First, it is definitely practical for a gig because it weighs 45 pounds, folds up to 30 by 30 by 8 inches, and has good sound. We collected comments on the sound at NAMM, see our website.

I'll try to straighten out the five-foot thing. Due to the arrangement, the little speakers retain their own response but gain a bass response; the whole arrangement has an effective diameter of five feet, and therefore acts as a five-foot speaker would, but without the problems of large speakers because the cones are small. With a five-foot diameter, theory predicts that radiation efficiency is down to 50% at about 40 Hz, so it is theoretically flat to a low E. However, it seems to work fine with a five-string, giving a solid low B.

The punch is the punch of the small speakers plus the punch of the virtual five-foot woofer. It starts putting out bass as soon as the cones move, not after a resonance is built up.

Unlike a line array, there won't be problems with wave interence or frequency cancellation because the spacing of the speakers is not uniform.

The formula with the del operator represents the idea that, as mentioned above, the air can't compress inside the arc of speakers, so there is no wind (w) in that volume.

Nick Bromer
 
Other patented "woofer" improvements :)
patent-dog.gif
 
Hello everyone, and thanks for your interest. I will try to answer some of your questions.

First, it is definitely practical for a gig because it weighs 45 pounds, folds up to 30 by 30 by 8 inches, and has good sound. We collected comments on the sound at NAMM, see our website.

I'll try to straighten out the five-foot thing. Due to the arrangement, the little speakers retain their own response but gain a bass response; the whole arrangement has an effective diameter of five feet, and therefore acts as a five-foot speaker would, but without the problems of large speakers because the cones are small. With a five-foot diameter, theory predicts that radiation efficiency is down to 50% at about 40 Hz, so it is theoretically flat to a low E. However, it seems to work fine with a five-string, giving a solid low B.

The punch is the punch of the small speakers plus the punch of the virtual five-foot woofer. It starts putting out bass as soon as the cones move, not after a resonance is built up.

Unlike a line array, there won't be problems with wave interence or frequency cancellation because the spacing of the speakers is not uniform.

The formula with the del operator represents the idea that, as mentioned above, the air can't compress inside the arc of speakers, so there is no wind (w) in that volume.

Nick Bromer

How about the second question that we will all ask. How much??
 

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