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Acoustic Bass guitars worth having

The only acoustic bass worth having is an upright.
But only if you leave out every other kind of acoustic bass. To limit the options to just DBs or ABGs creates a false dilemma since it omits other types of acoustic basses such as fractional sized DBs, mandobasses , bassoguitars and others, many, if not most, of which are plenty loud for the situations required. For years my choice of "acoustic bass guitar" where there are space limitations has been a 1/4 size Englehardt DB, I extended the tailpiece a bit so I could load the bass with LaBella tapes. It is plenty loud and has mwah forever. And I regard it as a big, "loud-enough" acoustic bass guitar, not a DB.

I tried this option because I finally grew weary of all the "ABGs can never be loud enough" arguments. These "ABGs" can. Even un-amplified they easily can be heard in Jim Croce, Gordon Lightfoot, James Taylor type settings where everything else -- both vocals and instruments -- is amplified. They can be played in a vertical position with the player seated on a common desk chair. They can be played seated, with the instrument across the player's lap, although less comfortably due to the extreme reach over the body. But it can be done, and IMO the sound is worth it. It all depends on the sacrifices one is willing to make to get "that" sound.
 
I do not think he is. Believe me, the bass is that loud. I never plug in. It's a feature Ovations were known for, extreme loudness. Twice as loud as any other normal-sized ABG I've played or heard, though there might be some just as loud, like ones shown in this thread.
I've played four or five Ovation acoustic basses but don't remember them being any louder than the countless other acoustic basses I've tried...many Fenders, several Ibanez ABs, quite a few Warwick Aliens, Tacoma, Guild, Martin, etc, and every resonator bass I've ever seen.
Haven't played an Ovation in a few years, so maybe I'm wrong, but...
Other than that, definitely nice tone.
 
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I've played four or five Ovation acoustic basses but don't remember them being any louder than the countless other acoustic basses I've tried...many Fenders, several Ibanez ABs, quite a few Warwick Aliens, Tacoma, Guild, Martin, etc, and every resonator bass I've ever seen.
Haven't played an Ovation in a few years, so maybe I'm wrong, but...
Other than that, definitely nice tone.
The original deep bowl Ovation basses are loud. After those they went to a bowl that wasn't half as deep and the volume also declined significantly, though the playability increased dramatically. Might have also been a different sound from the elites, there was a reason they cost $2,000 in '91.

Strings also matter a lot. Bronze ABG strings give you 20 - 30 hours play time before they start to sound dead.

Other than the loudness factor, the tone is exquisite. It's just the ergonomics that suck, but all ABGs suck somewhat in that regard.
 
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The original deep bowl Ovation basses are loud. After those they went to a bowl that wasn't half as deep and the volume also declined significantly, though the playability increased dramatically. Might have also been a different sound from the elites, there was a reason they cost $2,000 in '91.

Strings also matter a lot. Bronze ABG strings give you 20 - 30 hours play time before they start to sound dead.

Other than the loudness factor, the tone is exquisite. It's just the ergonomics that suck, but all ABGs suck somewhat in that regard.
Not sure if I've tried any deep-bowl Ovations, but bronzewounds are definitely louder that flatwounds and tapewounds...I'm guessing he has bronzewounds on his bass in that video.
 
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But only if you leave out every other kind of acoustic bass. To limit the options to just DBs or ABGs creates a false dilemma since it omits other types of acoustic basses such as fractional sized DBs, mandobasses , bassoguitars and others, many, if not most, of which are plenty loud for the situations required. For years my choice of "acoustic bass guitar" where there are space limitations has been a 1/4 size Englehardt DB, I extended the tailpiece a bit so I could load the bass with LaBella tapes. It is plenty loud and has mwah forever. And I regard it as a big, "loud-enough" acoustic bass guitar, not a DB.

I tried this option because I finally grew weary of all the "ABGs can never be loud enough" arguments. These "ABGs" can. Even un-amplified they easily can be heard in Jim Croce, Gordon Lightfoot, James Taylor type settings where everything else -- both vocals and instruments -- is amplified. They can be played in a vertical position with the player seated on a common desk chair. They can be played seated, with the instrument across the player's lap, although less comfortably due to the extreme reach over the body. But it can be done, and IMO the sound is worth it. It all depends on the sacrifices one is willing to make to get "that" sound.
I took a slightly different route. My campfire bass is a cello. A few years ago, an injury left me wondering if I might have to take a break from upright bass for a while, and I was scheduled to attend a "fiddle camp." I bought an ABG to see if it could stand up to the job. Nope. Even a couple of strong fiddlers can bury it. It was a Breedlove "Pursuit" from the TB classified's.

On the other hand, fiddle music is flexible enough that the "bass" doesn't need to be a specific instrument. I found that I can actually make a lot of noise with my cello, especially with the bow. For me, hewing strictly to the traditional "bass" range was less important than just being able to participate in the music. I can be pretty obnoxious on the cello. ;)

It turns out I recovered from my injury before fiddle camp started, and the ABG has not gotten much use.
 
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For years my choice of "acoustic bass guitar" where there are space limitations has been a 1/4 size Englehardt DB, I extended the tailpiece a bit so I could load the bass with LaBella tapes.
Great, here comes the gas..

Bronze strings are a bit louder but I like the LaBella black tapewounds so much better for feel and tone than the EB bronze. And then there is the smell of bronze..
Tried other tape wounds but but liked the LaBella best for feel and volume.
 
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Its the Lyrachord!
You mean the plastic crap the bowl is made out of? Perhaps. Reminds me of Bakelite. One thing I will say about it, I think if they nuked my apartment that bowl would still be here, pretty much unscathed. Seems indestructible. The rest of the bass is not indestructible but some people treated it like it was, thus some problems developed with many of the earlier ones. Cracked tops, etc.
 
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some acoustic bass guitars I found that seem worth having.
I found this one on Craiglist years ago and so definitely worth having!
I love these threads, reminds me to go play it:)
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I took a slightly different route. My campfire bass is a cello. A few years ago, an injury left me wondering if I might have to take a break from upright bass for a while, and I was scheduled to attend a "fiddle camp." I bought an ABG to see if it could stand up to the job. Nope. Even a couple of strong fiddlers can bury it. It was a Breedlove "Pursuit" from the TB classified's.

On the other hand, fiddle music is flexible enough that the "bass" doesn't need to be a specific instrument. I found that I can actually make a lot of noise with my cello, especially with the bow. For me, hewing strictly to the traditional "bass" range was less important than just being able to participate in the music. I can be pretty obnoxious on the cello. ;)

It turns out I recovered from my injury before fiddle camp started, and the ABG has not gotten much use.
I have a friend who just switched from Cello to the Yamaha Silent Cello, the premium model, electric with a resonator chamber. He plays through a Fishman amp at home but could not fit the amp in his truck for the road, so I guided him to a Rumble25 practice amp. It sounds pretty good with the cello.

Cello is a pretty cool instrument. Electric cello even more so.
 
I took a slightly different route. My campfire bass is a cello. A few years ago, an injury left me wondering if I might have to take a break from upright bass for a while, and I was scheduled to attend a "fiddle camp." I bought an ABG to see if it could stand up to the job. Nope. Even a couple of strong fiddlers can bury it. It was a Breedlove "Pursuit" from the TB classified's.

On the other hand, fiddle music is flexible enough that the "bass" doesn't need to be a specific instrument. I found that I can actually make a lot of noise with my cello, especially with the bow. For me, hewing strictly to the traditional "bass" range was less important than just being able to participate in the music. I can be pretty obnoxious on the cello. ;)

It turns out I recovered from my injury before fiddle camp started, and the ABG has not gotten much use.
I'm glad you made your recovery, and I'm glad you found your mini-bass. I fully concede that an ABG is pretty much a niche instrument best used in the contexts I listed above; it is the blanket condemnation of "never loud enough" to which I object, especially in my case having prima facie evidence in both practice and performance that it can be heard just fine even in quartets. I think our impressions of "loudness" are too much dependent on where our ears are in relation the the direction toward which the instrument is firing.

Regarding your cello, I have a 3/4 cello body and many Fender-ish bass necks, and, much as it has been slammed on TB, I find the Bace intriguing. If I could figure out how to join the neck to the body I might take a crack at fashioning one of those. I also have a 1/4 size Engle body and (somehow) an in the white 3/4 Engle neck with the dovetail and I'm looking at joining those two to make a bastardized half-size. If that works out it will free me up from my three 1/4s. The next county over from me has a youth orchestra and I know a lady who gives bass lessons. Perhaps those 1/4s could find a new home with her.
 
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The next county over from me has a youth orchestra and I know a lady who gives bass lessons. Perhaps those 1/4s could find a new home with her.
I'm sure that would be quite welcome. One thing the students face is that it's now pretty common to use a school instrument at school and a rental instrument at home, to avoid The Schlep. And 1/4 bass comes just at the time when adolescents are growing so fast that nobody needs one for very long.