This looks like the rarer, eight-inch deep body.I found this one on Craiglist years ago and so definitely worth having!
I love these threads, reminds me to go play it
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This looks like the rarer, eight-inch deep body.I found this one on Craiglist years ago and so definitely worth having!
I love these threads, reminds me to go play it
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Picture is deceiving, 6" thick and all I want. I don't think I would play it as much if it were 8" but I would like to hear one live some day.This looks like the rarer, eight-inch deep body
I never saw one, but then again I've only seen a few of the bowl-backed ones. There's a fretless for sale on reverb, same model as mine. It's been there for awhile.How common knowledge is it that when Ovation introduced their bowl-back ABGs they also introduced the more conventionally-shaped Montana?
That would be a double-bass, bass saxophone, or tuba.To me, it would being able to play in an ensemble with other "unplugged" elements like additional instruments and singers without getting drowned out, but isntead "blended". I would also add that being able to hear yourself in most if not all environments (good and bad acoustics) would be a big plus.
...Plenty of threads to ignore...This subject has pretty much been beat to death, so there are plenty of threads for you to explore.
Now THIS is interesting. Never seen one of these before.I found this one in New York several years ago. I believe it is Fillipino. I did some slight mods and tuned it in fifths. It is loud. I added a cello endpeg.
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The fretboard is flat. I need to replace the bridge and the nut, I'm also thinking about taking some of the thickness off the back of the neck. It is huge.
I've searched and I cannot find any references or example of an "Ovation Montana" ABG. I find examples of electric basses made overseas that were introduced under that brand by Ovation in '80's, but no ABG. Do you have an example you can post?How common knowledge is it that when Ovation introduced their bowl-back ABGs they also introduced the more conventionally-shaped Montana?
You are absolutely correct. I would never take an ABG to a jam. What I found mine good for is sitting on the bed working stuff out or practicing at late hours, not wanting to bother neighbors. I played it for solid 2 months when I restarted after 25 year hiatus 2 years ago, just so I could do so in privacy. I had to do a hard restart, full reset, went back to zero and did beginner lessons on up through intermediate until I was current again. One thing it can do - - if you want to play with classical fingering style, plucking it like a classical guitar, you can do things on it that you cannot replicate easily on an electric. Really it's a crossover instrument, in a class by itself, neither a guitar nor a true bass.What I will say is that amongst inexpensive ABGs, the one with the biggest body, and the loudest sound, is the el cheapo Dean. I have one of these.
If you want an ABG because you want to amplify it and you want a characteristic sound that's different from either a double bass with piezo pickup or an electric bass with electromagnetic pickups, then that's just fine.
If you want an ABG because you think you can play it unamplified in a group setting, it's going to be a VERY quiet group, or you'll be pulling the skin off your fingers and still being too quiet.
I have not tried one of the giant-bodied ones like the Earthwood or Lamont, but I'd suggest that their body volume is still quite a bit smaller than a double-bass (which, as groups get louder, is one of the first instruments that has to be amplified), and would expect that they're still not going to be as loud as a DB.
Of course a cheap overbuilt lousy plywood DB that sounds like a cardboard box, versus a many-thousands-of-dollars lightly and exquisitely built ABG with a very large body, might be a fair fight acoustically, but that $500 DB versus the $5000 ABG isn't really a fair comparison when cost comes into it. Put a $5000 DB (probably a rather mid-grade instrument, have you priced DBs lately?) up against that exquisite $5000 ABG and there'll be no contest on the ability to get good clear volume out of them.
I think some of my feeling about ABGs comes from that whole "unplugged" concept where supposedly everyone's just playing acoustically except the bass player's playing with an amp. What part of "no electric instruments" got misunderstood?
But on the other hand, the ABG with round wound strings and piezo pickup can have a sound and vibe of its own, with the assumption that it's going to be amplified.
Window-insulation foam and felt.Why are you sticking post-it note pads beneath the strings just ahead of the bridge?
Thanks for the clarification, but it doesn't answer the "why?" My guess would be to try to achieve a more DB-like "thump."Window-insulation foam and felt.
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Yes, I didn't feel like spending $20 for a string mute so I made a few.Thanks for the clarification, but it doesn't answer the "why?" My guess would be to try to achieve a more DB-like "thump."
I do applaud your choice of colors, though.
yeah, guitarron players pluck the hell out of those strings, i guessing they have strong fingers, or those string are pretty clack, OR BOTHThe way the guy in the video is playing isn't how you get volume out of an ABG. That bent wrist and plucking with fingertips gives lots of dexterity and speed, and is great on an amped instrument. But you cannot get unplugged power out of it. Go watch a vid of someone playing a guitarron, and look especially at his forearm and wrist.
Maybe just pick up an inexpensive Kingman and experiment?
a local store near me has a 1/4” DB at around $700 ish dollars. i might get it. the price and size seem ideal.But only if you leave out every other kind of acoustic bass. To limit the options to just DBs or ABGs creates a false dilemma since it omits other types of acoustic basses such as fractional sized DBs, mandobasses , bassoguitars and others, many, if not most, of which are plenty loud for the situations required. For years my choice of "acoustic bass guitar" where there are space limitations has been a 1/4 size Englehardt DB, I extended the tailpiece a bit so I could load the bass with LaBella tapes. It is plenty loud and has mwah forever. And I regard it as a big, "loud-enough" acoustic bass guitar, not a DB.
I tried this option because I finally grew weary of all the "ABGs can never be loud enough" arguments. These "ABGs" can. Even un-amplified they easily can be heard in Jim Croce, Gordon Lightfoot, James Taylor type settings where everything else -- both vocals and instruments -- is amplified. They can be played in a vertical position with the player seated on a common desk chair. They can be played seated, with the instrument across the player's lap, although less comfortably due to the extreme reach over the body. But it can be done, and IMO the sound is worth it. It all depends on the sacrifices one is willing to make to get "that" sound.