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Age Discrimination

I feel, as I get older, I need to give back. Lucky to be alive and I've led a very interesting and mostly enjoyable life. People who are old who can't get out still think back to when they were young. I know I do. So for me to give back by showing up and playing some old standards enriches my life and theirs. Payment? Some older folks swaying in their chairs. Bonus? If an old couple gets up and dances to one of my songs. This is my blessing.

EDIT: Forgot to mention. If I play at 1:00pm I'm invited to a free lunch!
How cool is that?

If you give an old guy or gal just five minutes of their youth back, you've done more for society than most have in a month. That's something to be proud of at any age.
 
Hey, there's no shame in that, none whatsoever. Pretty awesome in my opinion.

I worked for a couple years in a Country band with a guy who used to run a high school music department. When I met him, his main gig was principal bassist with the Springfield MA symphony orchestra. In the band, he was playing lead guitar, including laptop steel and violin. When I first joined, he gave me a lot of stink-eye, until he noticed that I was taking all the suggestions he made. These days, the bulk of his income derives from playing hits from old Broadway shows at retirement homes, senior centers, etc. He travels with a keyboard, a guitar, a clarinet, and one of those Tasco backing track gizmos. He makes far more money off this that he does with Jim-Joe Greedy and the '61 Ramblers.

My last gig with Jim-Joe (I took home $14):

 
Awesome pic!

There's really no excuse for not being in shape. It's laziness and gluttony.

So my wife the fitness instructor keeps telling me...
Not sure, which picture you were referring to. But, FWIW, here we are:
Dig Ups_noir.jpg


Regarding staying in shape; I will say that too much wear and tear on my knees has made staying in shape much more difficult. That and the obscenely dangerous roads in Tucson, which make biking a non-starter for me.

And, FYI, the gig I was referring to was Westward Look, where we've had some very successful gigs the past 6 months.
 
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It might be a bit different over there but Ive been running pubs and clubs in Australia and now New Zealand for over 22 years and worked in them as muso and dj for 10 years or more before that.

I can tell you that in general (and this is all generalisations) the 18 - 35 crowd have a generally higher disposable income for drinking. If they like a place they'll be there every week. The 35-55 crowd have kids, mortgages etc and might go out to see a band occasionally. They might treat themselves to a meal and drinks but won't party as long or hard. It is getting even harder for this group with much bigger mortgages than any previous generation, at least in this party of the world.

The youngsters might only have a total of $120 disposable each week but they don't have a problem spending every cent on their party night.

The middle age blokes are your bread and butter who'll turn up a few times a week or more and have 2-4 drinks (or more if they're single or divorced) every visit. They'll keep your venue alive...... If you really want to pull in big $$$$ you attract the younger crowd on Friday and Saturday nights. They can be fickle so you have to be careful.
I can agree with a lot of what you say..but I dont know any youngsters that have $120 disposable each week to spend on drinking and partying..
 
Let's see how that kid-stuff works out for them.

I just saw Al Di Meola in Chicago Park West - with large inflatable Rat right by the front door ( Trade Union vs. Jam Productions, but that's another story... ).

I was standing in a pretty long line with a lot of grey hair musician types like me. The place was packed with mostly grey-hair types ( except for Al's offspring, which I thought was pretty cool ). This might be his last Chicago show, too bad ( he said it, he's 63, and I don't think the rat helped either ).

The tickets were only $45 ( which is why we don't see him enough around here! ), and I think I am not alone in saying that I would have paid twice that to see musicians like that perform.

Young kids often think a $10 cover is too much. Not sure what the solution is, but that sure is a problem.
OK, sure, the problem is that we are getting too darn old too fast!

Best of wishes going-forward.
the "cell phone constantly in hand and face" generation is a lot of what is going on now in many clubs..like Bob Dylan sang "the times they are a changing"..the young muppets are all on a different mission than the baby boomers that supported the music scene years ago..so..there is a constant change in the way clubs are run..as well as the audience that comes in the door..
 
Not sure, which picture you were referring to. But, FWIW, here we are:
View attachment 3062872

Regarding staying in shape; I will say that too much wear and tear on my knees has made staying in shape much more difficult. That and the obscenely dangerous roads in Tucson, which make biking a non-starter for me.

And, FYI, the gig I was referring to was Westward Look, where we've had some very successful gigs the past 6 months.
yeah..if you can get out there and play and burn the house down..nobody cares how you look..not many actually get it done though..
 
I can agree with a lot of what you say..but I dont know any youngsters that have $120 disposable each week to spend on drinking and partying..

Probably depends on the part of town you play in, but what I see a lot of is the kids sharing a bucket of $2 PBRs while the older people are drinking craft beer and top shelf liquor. The kids stay in the bar longer, but the old farts are the better customers.
 
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Well, it's finally happened... Age discrimination.
After playing a particular local venue several times over the past few years with great turnout, a packed house of diners, drinkers, and dancers, then getting no replies & no return communication to our attempts to book more dates, we learned this:

A friend who plays in another band that has played this venue regularly and has also been getting the cold shoulder was told by his booking agent that the venue's manager said he doesn't want any more 'grey haired old guy bands' on his stage. He wants 'young bands who can draw a younger, cooler clientele and not players who look like their fathers'.

So I guess it's all about what you look like at this place.

This venue is dead to me now.

Whip out the Grecian Formula and give yourselves a makeover :)
Then remind the guy that The Fabulous Thunderbirds are still making big bank...
nobody really cares how old ya are, just care how well ya play!!
 
yeah..everyone can go on and on and talk about what clubs..bands..grey hairs do or not do....its a freaked out world out there right now..and everyone feels like they can do whatever they want to do because its their world..people are better at complaining than they have ever been..................just want to make a couple of mentions..first of all..clubs are owned and run by a variety of different people..in all cases..club owners have a LOT more invested than stage musicians..and their mission is certainly different..a club owner has a right to run his or her club as they see fit..regardless of how right or wrong it is..everyone of them make their own mistakes..and they also do a lot of things that are hopefully right..stage musicians are a dime a dozen..all of you have to churn your own path..and make your own way..and you each have your own mission..regardless of how right or wrong it may be..for all the musicians that think they know everything about how bars and clubs should be run..get out there and open your own place and gather all your musicians together and show us all how it is suppose to be done..as far as the grey hair goes..yes..grooming is an individual thing..people see images on the internet and TV and that sets the pace for them..some musicians appear to be satisfied to play in clubs and dives all their lives..others move up to bigger and better things..and they each have their reason why they did what they did..regardless of how old you are..if you have talent..you can play anywhere and always be in demand..like here in my town..Reese Wynans lives and plays here..he is an older guy..and a great player..I am fortunate enough to get to play with him from time to time..for those of you who dont know him..he played keys for Stevie Ray Vaughn..and many..many others..nobody age discriminates against him..his ability and effort always puts him over the top..oh..did I mention Reese has some grey hair..musicians stand in line to try and get him to play on their stuff....now...I dont play the little stage anymore..I have moved up the ladder..but I did it all on my own..and because I wasnt going to settle for anything less..and after all..isnt that what life is all about about..?..we each "settle" for a different level in life..we each have our own comfort zone..whether you can move beyond that is all on you..
 
The real problem is the entire industry is staked on people getting sloshed out of their gourd, and that's just not sustainable. Either they figure this old (and GET to be old and gray) or they don't (and never get to).
 
Well, it's finally happened... Age discrimination.
After playing a particular local venue several times over the past few years with great turnout, a packed house of diners, drinkers, and dancers, then getting no replies & no return communication to our attempts to book more dates, we learned this:

A friend who plays in another band that has played this venue regularly and has also been getting the cold shoulder was told by his booking agent that the venue's manager said he doesn't want any more 'grey haired old guy bands' on his stage. He wants 'young bands who can draw a younger, cooler clientele and not players who look like their fathers'.

So I guess it's all about what you look like at this place.

This venue is dead to me now.

Dang. I’m 65 and have no problem finding gigs. But I get where you are coming from. As for the venue, they have a right to hire whoever they see fit. It may or may not work. It’s my observation that the younger hip sorts don’t drop the cash like us grey heads.
 
$600 to get $2000 in sales may not be that great. He has to take out food and drink costs and added labor needed for that evening to cover a larger crowd. He probably needs to see $3000 or more or greater to make it worthwhile. Sports on TV is close to free unless you get one of the all games tickets.

Rich let me say again that we did $2k more in gross beverage sales at the bar alone AND cleared enough at the door to pay the band their $600.

The band began at 9:00 PM. The kitchen was closed by 10:00 PM so very little was sold in food once the music began. It was too packed so no one was eating. We did this as a special night to show we could make this work out profitably.

The cost of goods (draft beer, wine, alcohol) is no more than 25% in any place I've been associated with and many times less if a club jacks drinks prices a little when they have a band. So on that one night we made at least $1500 more net profit over the bar alone than a typical Sat. night when we may have done $1000-$1500 and that would have included at least 10%-20% in food sales which do have a higher cost of goods.

Any increase in labor costs was minimal at best. We still needed the same two bartenders one of whom was the bar manager who always worked Sat. nights and we might have added one more floor server. It was over 10 years ago so I don't recall but that would have been at the minimum wage for a server so maybe $3.00 an hour. The rest of the overhead costs (rent, etc.) are the same no matter how much business we did.

We made a killing that night but all one owner would focus on is that $600 we paid that band. They had a big following and no doubt that added to the night as well but we still had a ton of regulars who supported it and also paid the cover and spent heavily at the bar to encourage the place to keep this kind of entertainment going.

I'm not trying to say we could have done that well every Sat. night but we could easily have added enough to sales on any given Sat by hiring some decent bands and paying them $300 and shift drinks to justify it without a cover just by raising drink prices $.50-$1.00 and no one would have complained.

Instead that owner figured he rather just give the band a $100 bar tab period for them and whoever they brought in with them they wanted to share it with. So what we ended up with is an occasional lousy garage band who'd take that deal and who'd become a drunken lousy garage band by midnight as they and their 10-12 rowdy hangers on downed and spilled cheap pitchers of beer and shots of tequila and began to drive the regulars away early.

IMHO, that's not the way to run a successful live music club.
 
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My $0.02... If you look good and sound good you should get the work. All the guys in my band are in their 50s. We do mostly 60s, 70s, 80s rock covers. We play pretty well, and we get work about as regularly as we want it. We dress basically; jeans, tshirts or button-up shirts, no shorts or camo or running shoes. There are bars we play where young and old alike still want to hear Led Zeppelin, Cream, Bad Company... But there are bars with mostly younger audiences who'd rather hear Bruno Mars, Jason Derulo, Katy Perry... and we don't play in those. So you do you due diligence and find where your target demographic hangs out.

But people in throwing out names like Jagger, Richards, Springsteen, McCartney, Di Meola, The Fabulous Thunderbirds... saying "They're still rockin'!".

Well, sure. And they're well known artists who are outstanding in their fields/genres and have a massive back catalogue. If someone said to me "Hey, there's a couple of septuagenarians down at BarNameHere this weekend and I hear they're pretty good" I might go if I had nothing else to do but I wouldn't excatly clear my calendar for it. Of course, if I knew they were Page and Plant I'd be sleeping outside the bar for two days to make sure I got in. We all know they're shadows of their 60s/70s selves, but I'd still give anything to see those two guys play together again. What are you doing (or what have you done) to make people want to come and see you? You need to be able to answer that question to any owner/manager whose place you want to play in.
 
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yeah..everyone can go on and on and talk about what clubs..bands..grey hairs do or not do....its a freaked out world out there right now..and everyone feels like they can do whatever they want to do because its their world..people are better at complaining than they have ever been..................just want to make a couple of mentions..first of all..clubs are owned and run by a variety of different people..in all cases..club owners have a LOT more invested than stage musicians..and their mission is certainly different..a club owner has a right to run his or her club as they see fit..regardless of how right or wrong it is..everyone of them make their own mistakes..and they also do a lot of things that are hopefully right..stage musicians are a dime a dozen..all of you have to churn your own path..and make your own way..and you each have your own mission..regardless of how right or wrong it may be..for all the musicians that think they know everything about how bars and clubs should be run..get out there and open your own place and gather all your musicians together and show us all how it is suppose to be done..as far as the grey hair goes..yes..grooming is an individual thing..people see images on the internet and TV and that sets the pace for them..some musicians appear to be satisfied to play in clubs and dives all their lives..others move up to bigger and better things..and they each have their reason why they did what they did..regardless of how old you are..if you have talent..you can play anywhere and always be in demand..like here in my town..Reese Wynans lives and plays here..he is an older guy..and a great player..I am fortunate enough to get to play with him from time to time..for those of you who dont know him..he played keys for Stevie Ray Vaughn..and many..many others..nobody age discriminates against him..his ability and effort always puts him over the top..oh..did I mention Reese has some grey hair..musicians stand in line to try and get him to play on their stuff....now...I dont play the little stage anymore..I have moved up the ladder..but I did it all on my own..and because I wasnt going to settle for anything less..and after all..isnt that what life is all about about..?..we each "settle" for a different level in life..we each have our own comfort zone..whether you can move beyond that is all on you..
+1 to all of that. I have zero envy for what club managers face. Still, between their rate of turnover, lack of staying ability, and desperate experimentation, they can be extremely flakey folks to have to do business with. But, an essential part of the biz.
 
I had a discussion about this with my daughter about a year ago. I'm in my low 60's, she's in her 30's.

She said that, yes they will dance and party to the "old school" stuff, if they happened to already be there. But if you add in some newer music that THEY grew up with, they'll come back and bring their friends.

That makes sense so you do that. I see myself as a musician capable of playing nearly anything and no doubt any band can find newer material that fits into their basic style. My objective for any band I've had a hand in running is to be as eclectic as possible so you can bridge musical generations and tastes.

One of my pet peeves is when a band learns 50 tunes or so and then never rehearses to add to that list. IMHO we have to have far more than that and evolve and revolve that material so if you're playing the same club often enough you're not the same band each time you do. Never be lazy and/or complacent.
 
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