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All Things Must Beat. Share Anything Beatles!!

EMI Studios was an old place that had lots of atmosphere.

This is a room on the roof with four EMT140 echo units. You'd think that someone would take the time to clean up the place a bit. Maybe nothing was touched because everything had mojo. :laugh:

Remote control units for the EMT140's.
View attachment 4548162

The gray chasses are for tube amps for each of the four units. They were pulled outside for cooling. Note the wall sections with no tiles.
View attachment 4548163
I took a sound engineer course at a studio in Buffalo (Kenmore) called Select Sound Studios back in 1977. The first thing the engineer/teacher pointed out was how they had a superior reverb unit that cost over $10,000 that we would have access to. It was a huge unit. I’m just guessing here but 5’ long by 3’ high by 2’ deep. 10k was a lot of money in 1977. Now you can get that quality reverb in a rack mount unit or even a high quality pedal. Everything was big back then. Amazing how far it’s all come…
 
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Do we still have to wear the ugly white shirts and ties?
Love Me Do sessions:


Hey, Michael, why do I "not have permission to view this page or perform this action" when I click on your links?

Screenshot_20220118-152937_Chrome-01.jpeg
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Hmm I have no idea G-Dog. I noticed when I posted the pics it only posted as attachments and normally the full pic displays. Any ideas what happened? How I can fix it?

I just tried to open it and it won’t let me open them lol. I have no idea what happen. I didn’t change any settings


Hmmm, maybe they got downloaded to your system as read-only files, or something like that? Can you view their properties?
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Hmm I have no idea G-Dog. I noticed when I posted the pics it only posted as attachments and normally the full pic displays. Any ideas what happened? How I can fix it?

The way I normally post a pic here is to save the photo to my photos on my phone then choose that pic from my photo library to post inside the message. I did not change the settings and did not do anything different than I normally do.

In this matter it’s no biggie.

@beans-on-toast said even the Beatles couldn’t smoke in the studio lol. I’ve read several bios of the guys and remembered that for the early sessions shirts and ties were mandatory lol. It was studio policy! Think about that.

And they were down in this cavernous room looking up at god, umm, I mean George Martin, barking out orders from above lol. From pics I’ve seen it seemed the control room was on another floor level.

And only 4 tracks to record to. Lol. Often live takes. Playing and singing while recording those amazing harmonies and impeccable playing. I get nervous when I hit the record button in my basement studio. By myself. Lol.

Ok. It’s September 4th (UK single) & 11th (US single) 1962. It’s your first time in a studio. You have this cool little diddy you wrote called “Love Me Do.” God, umm I mean George Martin, is up above. The room probably sounded terrible by today’s standards. You are a fan of the Goons records and Peter Sellers and god, umm, I mean George Martin, made those records!
You set up your inferior equipment, probably old strings on the guitars (we all know you normally only changed strings if they broke back in the day because strings cost money! Your cables may or may not have worked properly all the time. You turn on you amps and hope the light jewel goes on. Ringo sits down (or was it Andy White) (or was it Pete Best) behind the drum kit with shaky single brace cymbal stands and inferior chewed up drum sticks and old drum heads (cause we all know you never changed drums heads unless they broke) Cause they cost money!

You are ready to perform your song to be recorded to very expensive tape. Yes the bean counters at EMI watched the tape expense. They had a tape budget. So don’t waste the tape!

Your gonna play your guitars and bass and drums all live while singing lead and harmony vocals all at the same time. You may get one maybe two overdubs. (Harmonica anyone?) And you may get to do it 5-10 times. But you can’t do it too much because there’s other songs to record or someone else coming in to the studio behind you.

To illustrate the time constraints:
On February 11th 1962, as a follow up to the successful singles “Love Me Do” and “Please Please Me”, they began to record the album “Please Please Me.” They needed 10 songs for an album because god, umm, I mean George Martin, said so. The session started at 10am that morning and at 10:45pm that evening the album was done!

Ok.
So you ready to record?!
No pressure.
Go!!!!!

(oh. And make sure you keep your shirt and tie on! And no smoking is allowed in the studio!)
 
@beans-on-toast said even the Beatles couldn’t smoke in the studio lol. I’ve read several bios of the guys and remembered that for the early sessions shirts and ties were mandatory lol. It was studio policy! Think about that.

The Beatles smoked all kinds of things in the studio back in the day. I was saying that they couldn't do that today.

Some studios are still proud to use EMT140 plate reverbs for their good sound. Then again, they use old microphones and other equipment.

BTW, you can send them your digital tracks and they'll run it through any of their vintage pieces of gear. They'll also mix and master your tracks. All remotely, you don't have to be there. All for a fee of course. They discuss this on their web site.
 
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... ... And they were down in this cavernous room looking up at god, umm, I mean George Martin, barking out orders from above lol. From pics I’ve seen it seemed the control room was on another floor level. ... ...


God's ... uh, that is, George Martin's view of Studio 2 at EMI on Abbey Road. The stairs at the right connect the studio floor to the control room.

love1 (1).jpg

... ... And only 4 tracks to record to. Lol. Often live takes. Playing and singing while recording those amazing harmonies and impeccable playing. ... ...



... ... Ok. It’s September 4th (UK single) & 11th (US single) 1962. It’s your first time in a studio. You have this cool little diddy you wrote called “Love Me Do.” God, umm I mean George Martin, is up above. ... ...


Actually The Beatles were fairly familiar with recording by the time they meet Go... uh, George Martin. Per The Beatles Timeline:

July 9, 1958 - In a Liverpool studio, The Quarrymen record Buddy Holly's "That'll Be The Day" and McCartney/Harrison's "In Spite Of All The Danger."

October 15, 1960 - At Akustic Studio in Hamburg, Germany, Lennon, McCartney & Harrison perform on a demonstration tape for Lu Walters of Rory Storm and the Hurricanes. Hurricanes' drummer Ringo Starr plays for this session, the first time the final line-up of the Beatles record together. "Summertime" is taped and possibly "Fever" and "September Song".

June 22, 1961 - The Beatles, credited as "The Beat Brothers", provide backing music and vocals for the two tracks of Tony Sheridan's "My Bonnie" single. Three other songs, plus two more by the group alone, are also recorded, all produced by Bert Kaempfert and under contract to Polydor.

January 1, 1962 - The Beatles record 15 songs for an audition at Decca's studio in West Hampstead.

March 7, 1962 - The Beatles record their appearance on the BBC Light Programme's Teenager's Turn (Here We Go).

May 24, 1962 - The Beatles record two more songs for Bert Kaempfert to fulfill their contractual obligations with Polydor Records.

June 6, 1962 - The Beatles go to Abbey Road Studios for the first time, to make a recording test for Parlophone. They record "Bésame mucho", "Love Me Do", "P.S. I Love You" and "Ask Me Why". Martin informs Epstein that for future recordings he will use a session drummer in place of Best.​

... ... On February 11th 1962, as a follow up to the successful singles “Love Me Do” and “Please Please Me”, they began to record the album “Please Please Me.” They needed 10 songs for an album because god, umm, I mean George Martin, said so. The session started at 10am that morning and at 10:45pm that evening the album was done! ... ...


February 11, 1963 - The Beatles record the 10 remaining tracks for their first album "Please Please Me."
I love your narrative! Just need to tighten up on the dates and facts. ;)
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God's ... uh, that is, George Martin's view of Studio 2 at EMI on Abbey Road. The stairs at the right connect the studio floor to the control room.









Actually The Beatles were fairly familiar with recording by the time they meet Go... uh, George Martin. Per The Beatles Timeline:

July 9, 1958 - In a Liverpool studio, The Quarrymen record Buddy Holly's "That'll Be The Day" and McCartney/Harrison's "In Spite Of All The Danger."

October 15, 1960 - At Akustic Studio in Hamburg, Germany, Lennon, McCartney & Harrison perform on a demonstration tape for Lu Walters of Rory Storm and the Hurricanes. Hurricanes' drummer Ringo Starr plays for this session, the first time the final line-up of the Beatles record together. "Summertime" is taped and possibly "Fever" and "September Song".

June 22, 1961 - The Beatles, credited as "The Beat Brothers", provide backing music and vocals for the two tracks of Tony Sheridan's "My Bonnie" single. Three other songs, plus two more by the group alone, are also recorded, all produced by Bert Kaempfert and under contract to Polydor.

January 1, 1962 - The Beatles record 15 songs for an audition at Decca's studio in West Hampstead.

March 7, 1962 - The Beatles record their appearance on the BBC Light Programme's Teenager's Turn (Here We Go).

May 24, 1962 - The Beatles record two more songs for Bert Kaempfert to fulfill their contractual obligations with Polydor Records.

June 6, 1962 - The Beatles go to Abbey Road Studios for the first time, to make a recording test for Parlophone. They record "Bésame mucho", "Love Me Do", "P.S. I Love You" and "Ask Me Why". Martin informs Epstein that for future recordings he will use a session drummer in place of Best.​




February 11, 1963 - The Beatles record the 10 remaining tracks for their first album "Please Please Me."
I love your narrative! Just need to tighten up on the dates and facts. ;)
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I read that in the early days they could NOT smoke in the studio and in fact had to step outside. That’s what I meant. But yes of course they smoked a lot. Everyone did.

Just doing it off the top of my head G-Dog. Yes of course 1963 not 1962. Gotta cross your tees and dot your I’s here huh. Was just trying to get a conversation going.

Sorry if I got it all wrong…
 
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I read that in the early days they could NOT smoke in the studio and in fact had to step outside. That’s what I meant. But yes of course they smoked a lot. Everyone did.

Just doing it off the top of my head G-Dog. Yes of course 1963 not 1962. Gotta cross your tees and dot your eyes here huh. Was just trying to get a conversation going.

Sorry if I got it all wrong…

There’s much disagreement on many of the details of this history even among people who were there.
 
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... ... Just doing it off the top of my head G-Dog. Yes of course 1963 not 1962. Gotta cross your tees and dot your I’s here huh. Was just trying to get a conversation going.

Sorry if I got it all wrong…


I really did like your writing approach. Putting the reader in their place. It's a very powerful perspective to use, and I really did enjoy it.

But, yes, what kinda fans would we be if we let such inaccuracies slide. I only thought you painted too much the "overnight success" instead of the seasoned professionals they really were by the time they met George Martin. He thought himself their headmaster, not realizing the contempt they had for such authoritarian figures. Although, early on, Paul let Martin know that, whatever happened to the band, he wanted to continue as a recording musician.

George Martin was a means to an end that they charmed to get what they wanted, at first. But, by the "Let It Be" sessions they simply ignored his production 'suggestions'. So, Martin refused to make an album out of that mess of tapes. It simply wasn't up to his production standards! If not for Phil Spector it might never have been released. The guys, apparently, learned their lesson and allowed "The Headmaster" to do his job on the next "Abbey Road" album.

But, I don’t think you got it all wrong! Pressure? I'm sure they all felt the pressure to succeed. But, fortunately, they had trained years for this moment and still hungered for it greatly. They still had to win Martin over musically as he said he signed them mainly on their personal charm and charisma.​

There’s much disagreement on many of the details of this history even among people who were there.


This^^^ No two people, who were there, seem to have the exact same recollections. But doubtless it was a heady time, being on the cusp of such great success! And you certainly captured that feeling, Michael. Thank you.
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I took a sound engineer course at a studio in Buffalo (Kenmore) called Select Sound Studios back in 1977. The first thing the engineer/teacher pointed out was how they had a superior reverb unit that cost over $10,000 that we would have access to. It was a huge unit. I’m just guessing here but 5’ long by 3’ high by 2’ deep. 10k was a lot of money in 1977. Now you can get that quality reverb in a rack mount unit or even a high quality pedal. Everything was big back then. Amazing how far it’s all come…

Agreed. I use a Line 6 Pod Go for bass and guitar at church and have learned to get some pretty good sounds from it. It is amazing to think I have all my amps, cabinets and effects in a unit that fits in a suitcase! If you told me 20 years ago this would be available I never would have believed you. I'm not big on certain technologies but I have embraced this one.
 
I'm in the middle of watching the Get Back documentary. So far I'm finding their workflow to be a bit tedious but I did learn something I never knew.

I always thought the line in Get Back was "Sweet Loretta Modern thought she was a woman but she was another man." but it turns out it's "Sweet Loretta Martin thought she was a woman but she was another man."

I think I like my error better.
 
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