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Ambient/Post-Rock/Textural bass playing thread

Looks like there is a website with a tutorial and a free player with a sound library. I might kill some time here.
 
"An alternate take of an ending scene for a fictive sci-fi western movie"...

The long anticipated sequel to the absolute classic fictive sci-fi western movie... (if anyone remember I posted such a track for about a month ago)

Solo bass, single track, improvisation, played on my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass, tuned to A standard tuning (as in the 4 uppers strings of a 6 string bass in regular B standard tuning, plus a high F), recorded through my "amp-less" setup directly into my Zoom H4n handheld recorder, and only edited through a simple Wav editor.


 
"An alternate take of an ending scene for a fictive sci-fi western movie"...

The long anticipated sequel to the absolute classic fictive sci-fi western movie... (if anyone remember I posted such a track for about a month ago)

Solo bass, single track, improvisation, played on my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass, tuned to A standard tuning (as in the 4 uppers strings of a 6 string bass in regular B standard tuning, plus a high F), recorded through my "amp-less" setup directly into my Zoom H4n handheld recorder, and only edited through a simple Wav editor.


View attachment 7357382
The ending to the second season of Firefly we Browncoats never got.
 
I’ll be watching this today. For the granular fans.

Missed your post, was about to post about it - well, different review so I should post it!



I've been pretty good about avoiding new gear since I dropped a bunch on a 360 video camera, I think the name of this one got me 👹 😸

Edit to add: I like the stuff starting at 3:25

And I liked this comment: "The name of this effect is a reference to the fact that the processing is being done by the ghosts of all the Tamagotchis that we let die."
 
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"An alternate take of an ending scene for a fictive sci-fi western movie"...

The long anticipated sequel to the absolute classic fictive sci-fi western movie... (if anyone remember I posted such a track for about a month ago)

Solo bass, single track, improvisation, played on my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass, tuned to A standard tuning (as in the 4 uppers strings of a 6 string bass in regular B standard tuning, plus a high F), recorded through my "amp-less" setup directly into my Zoom H4n handheld recorder, and only edited through a simple Wav editor.


View attachment 7357382
I enjoyed this - do you have it on Soundcloud or YouTube or someplace like that? Bandcamp?
 
Missed your post, was about to post about it - well, different review so I should post it!



I've been pretty good about avoiding new gear since I dropped a bunch on a 360 video camera, I think the name of this one got me 👹 😸

Edit to add: I like the stuff starting at 3:25

And I liked this comment: "The name of this effect is a reference to the fact that the processing is being done by the ghosts of all the Tamagotchis that we let die."


If you have Reaktor, you can try a similar device for free. I’ve used GrainCube for several projects over the years. It’s 4 granular samplers and a unified reverb.
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I'm happy enough not to be that thrilled about granular for the most part -- I have a couple of FX I like in Eurorack, which are enough. I'm also really not into the new Whimsical Raps Atrium.

But I did recently get myself a used u-he CVilization. I had one before, and decided my mixing needs were too simple to justify it. But this year between Silhouette and the whole Make Noise NUSS thing (*) that's changed. I've been wanting a simple way to place some number of related audio signals in the stereo field and then move them around. Silhouette does it, but there is a "magnetic attractor" in its rotation that means slow movement has this wild lurch to it -- it's great for feedback patching but not smooth rotation. But CVz has a quad panner mode that does exactly what I want, plus a matrix mixer with CVable rotation for its inputs and outputs (relative to the matrix settings).

(*) New Universal Synthesizer System -- the theme of which is generally to take one CV and generate multiple signals for it. The only one of them I actually have is Multimod, which records the input into a buffer and then plays it back at different phases/speeds/shapes, which is just super useful both for CV and audio. I'm a lot less interested in the polyphonic oscillators/function generators but I do think they're clever.

And now that I have it, I kind of want a multitap delay to have one more thing to feed into it. Multimod can work that way but it's a bit awkward, and longer buffer lengths give you lower sample rates which isn't *always* what I want. Kind of thinking about Xaoc Sarajevo, but I'm looking into other options.
 
(*) New Universal Synthesizer System -- the theme of which is generally to take one CV and generate multiple signals for it. The only one of them I actually have is Multimod, which records the input into a buffer and then plays it back at different phases/speeds/shapes, which is just super useful both for CV and audio. I'm a lot less interested in the polyphonic oscillators/function generators but I do think they're clever.
i saw tony rolando do a performance with the nuss during his swing through l.a. (missed the perfect circuit demo due to a rehearsal).

his performance was really good and the potential of the nuss is very interesting for me. sliding in and out of monophonic and polyphonic (sort of layered monophony?); divergent sequence lines (i think).

anyway, color me very interested in what they’re doing with it.
 
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I played a synth gig last night and had to pull an audible. It was a short 20-minute set so I slimmed down my gear to two instruments, a recently acquired Casio keyboard (more on this in a moment), and my girlfriend's Minimoog Voyager, and my girlfriend played the theremin, making us a 2-piece band. We had rehearsed several times, and the set was a sort of "3 act" thing, starting with something hand-played and high energy, followed by a middle drone part, and finishing with a sequenced part.

Well, act 3 hits, I start the Korg SQ-1 sequencer up, and...nothing. The Casio was continuing the drone thanks to my usual drone method of shoving a piece of cardboard between the keys, and bandmate continued with the theremin, so I spent a few moments wiggling cables, but no luck. So time to sequence the old-fashioned way, with my fingers. I am not a good keyboard player, but I can manage a monosynth okay. I was running through a Boss Space Echo pedal, so I had to time my notes to get the dotted 8th note thing and it went well enough. I later found out I had plugged the SQ-1's gate signal into the wrong gate jack on the Voyager. You know how these multi-band shows go, you never have enough time to do a thorough double-check and zero sound check. But in the end we pulled it off.

About the Casio, it's an LK-S250, basically a modern version of the Casio keyboards we had in the 80s (I still have my brother's from then), but it sounds way better. Has 400 sounds, does a pretty good grand piano, has aftertouch and full-size keys, a teaching mode to try and make you learn Fur Elise, etc. Can run on batteries and has decent internal stereo speakers for portable use. I got it for free, my employer has a sort of rewards program for employees who don't suck, and I've been there for quite a few years now so I had amassed many points. They were going to switch to a new system so I had to cash them all in, and that's how I wound up with a badly-needed polyphonic keyboard that is dirt simple to use. It also weighs next to nothing, I think the plastic casing is the heaviest part of it. Probably a single tiny chip inside for sound. There's something to be said for something so simple and easy as a basic Casio.

That said, there is NOTHING like the sound of a Minimoog Voyager in the lower octave cranked up loud with the filter sweeping. Thing weighs a ton and your back hates it, but wow, what a glorious sound.