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Ambient/Post-Rock/Textural bass playing thread

Just had a wall-punching 3 hours. Trying to get full MIDI control of the H9 and Ventris for my main pedalboard via my RJM mastermind. RJM are actually great on documenting and allowing deep customization. It's the other 2 with unexpected behaviours (had this with an HX Stomp as well). It seems like everything I own claims full compatibility with everything else, but then has all these undocumented dimensions and incompatibilities, which means unpredictable behaviour and emails to tech support. If they'd just document it in the first place, it wouldn't be such a hassle.
 
Just had a wall-punching 3 hours. Trying to get full MIDI control of the H9 and Ventris for my main pedalboard via my RJM mastermind. RJM are actually great on documenting and allowing deep customization. It's the other 2 with unexpected behaviours (had this with an HX Stomp as well). It seems like everything I own claims full compatibility with everything else, but then has all these undocumented dimensions and incompatibilities, which means unpredictable behaviour and emails to tech support. If they'd just document it in the first place, it wouldn't be such a hassle.
I'm sooooooo overdue to completely annihilate something.
(Sorry....the 16 yo in me will never leave....ever....)
tenor (3).gif
 
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@dukeorock
Since I know you're also a huge Autechre fanboy like me....how did you like the latest releases??? (Sign and plus)

I only had known about Sign, honestly, but listened to Plus today as a matter of fact!
I like Sign a whole lot. Most of Plus is a bit random for my currently jumbled brain, but the stuff that’s good is really good. Sign is really great to me. Less weird than normal Autechre, but I still think it’s a great sounding record. The drum sounds on Sign have been a bit of an influence lately :)
 
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I only had known about Sign, honestly, but listened to Plus today as a matter of fact!
I like Sign a whole lot. Most of Plus is a bit random for my currently jumbled brain, but the stuff that’s good is really good. Sign is really great to me. Less weird than normal Autechre, but I still think it’s a great sounding record. The drum sounds on Sign have been a bit of an influence lately :)
Your Autechre is showing!!!! (thats a very good thing IMO, )
:)

Ill go back and listen to them (Ill take your word for it) , I found them good but not incredible. The last one that I found incredible was EXAI.

All the Elseq and NTS sessions are on one huge random playlist so I have no clue what song is on what record, but I really dig some of those tunes.
 
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This quanrantine thing is getting to me.
I've been overthinking strings gauges and tuning for the last week.
C standard....B standard????
60-125.....65-130....?!?!?!?
Do I need to file the nut?!!??
Flat..round...flounds?!?!?!

I've never done that.....ever.
Same strings and gauges for over 15 years.
(I feel so dirty.....the dirt isn't coming off....ahhhh)
CapitalRawAssassinbug-small.gif
 
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@uglybassplayer I've done tons of experimentation with string gauges and alternate tunings over the years. What do you want to know? Here's what I've learned:

Within a brand, a diameter makes a difference. Across brands (or types or at least factories) it doesn't tell you anything. Also, there are no rules. If you can get a tuning to work with existing gauges that's fine. Examples: for years in my instrumental band I would take a Sunbeam 105 and tune it to C, C#, D, D#, E, or F depending on the song. By C things get a little dull around the 11th-12th fret but it's a sound. Sometimes I'd tune my G string down to C or D.

For the touch guitar, the factory set comes with a .105 low Bb, which kind of sounds like ass, but I think they are making their strings too stiff. Other brands .105 or .110 sound fine at that pitch (technically B is the lowest pitch since open strings don't ring). So the same gauge and style (hex core nickel plated round wound) in different brands can sound totally different.

Only file the nut if it won't fit at all AND you are sure you're going to stick with the gauge for awhile. I restrung my Lull from BEADG to EADGC and did nothing to the nut, and it sounded great. Made a whole record with it and gigged it for quite awhile. It's still set up that way.
 
@uglybassplayer I've done tons of experimentation with string gauges and alternate tunings over the years. What do you want to know? Here's what I've learned:

Within a brand, a diameter makes a difference. Across brands (or types or at least factories) it doesn't tell you anything. Also, there are no rules. If you can get a tuning to work with existing gauges that's fine. Examples: for years in my instrumental band I would take a Sunbeam 105 and tune it to C, C#, D, D#, E, or F depending on the song. By C things get a little dull around the 11th-12th fret but it's a sound. Sometimes I'd tune my G string down to C or D.

For the touch guitar, the factory set comes with a .105 low Bb, which kind of sounds like ass, but I think they are making their strings too stiff. Other brands .105 or .110 sound fine at that pitch (technically B is the lowest pitch since open strings don't ring). So the same gauge and style (hex core nickel plated round wound) in different brands can sound totally different.

Only file the nut if it won't fit at all AND you are sure you're going to stick with the gauge for awhile. I restrung my Lull from BEADG to EADGC and did nothing to the nut, and it sounded great. Made a whole record with it and gigged it for quite awhile. It's still set up that way.
Dont worry, I’ve done my homework and tried a (*&^&*& load of strings, brands and gauges.
Also Eucerine cream is an essential in my tool kit to kill all new strings.....flats and rounds. I hate new string sound.

I know what I like. Thus, using the same stuff for the past 15 years or so.
10 previous years was pretty much trying everything and scrapping enough $$ when in school to get a set before the semester started if I ever broke a string.
(Only broke 2 in over 25 years and it was due to a sharp bridge saddle edge)
No jams or gigs = Too much time thinking about inconsequential stuff.
So my back up instruments are basically doubles that serve zero purpose right now and I may want to try out another tuning or something to change things up.

Thanks for the offer.
Side note: 1=.105 for a Low C.....wow must have been loose like a rubber band.
I use a .125 for low C.

I basically tune either EADG or CFBbEb. SO maybe a BEAD would be in order or DGCF.....???!?!?!??!?!
See.....now I’m overthinking again......
 
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my take on strings is that tension at pitch is more important to me.

i’ll have to look up eucerine.

a friend hipped me to his technique of using vaseline and beeswax and baking the strings to deaden them. was pretty effective on one set.
Eucerine cream is magic.
I leave the string on the instrument (so there is tension and more space between the windings) put a towel between the bass and the strings and rub in a thick amount of the cream from nut to bridge. Soak for about 6 to 8 hours.
Repeat if you want to kill them further.

Please inquire tension to pitch relation you seek.
Been using 60-125 for C standard for the past 10 years or so, but might want to go to 65-130 for a little higher tension.
Been playing more in EADG recently and going back on my usual C standard bass the strings feel a little flabby.
 
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