• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ambient/Post-Rock/Textural bass playing thread

Picks: I’m mainly a finger player but I love love love the tone of a picked distorted bass—probably goes back to Chris Squire and my teen years.

I was a blues then yellow Tortex guy for years. I would absolutely destroy the yellow ones, though.

When I started needing the gloves, I tried various thumb picks and cut the thumb off a glove to accommodate — also tried hockey tape inside the thumb pick with a full glove.

My favourite has a hinge but it’s a little harder than I’d like. I found a lighter one but I can’t seem to get it loose enough to be comfortable on my thumb. I tried glueing up a hinged one with a Tortex but the glue didn’t hold.

I eventually want to integrate a thumb pick with the touchstyle playing. But the tension is super low, so I may be better off using my hand (which hurts and wears out the glove but it my current method).

I bought some graphite picks awhile back. Never works for me..I should pass them on since they’ll last forever.
 
I really feel like the odd man out here with all this pick love. Just never something I've gotten into, even though a lot of my favorite rock players are pickers. Y'all have this down to a science.

Avoiding fatherhood, on the other hand # is something I've mastered. I'd rather have my basses.
 
  • Like
Reactions: Bob_Ross and JES
I like playing with a pick. I'm not particularly good at it, but I enjoy it. Especially when rocking out on my Rickenbacker. Just something about the design of Rickenbackers that they seem to lend themselves to pick playing. But mainly I'm a fingers player, played fingers only for many years.
 
I like playing with a pick. I'm not particularly good at it, but I enjoy it. Especially when rocking out on my Rickenbacker. Just something about the design of Rickenbackers that they seem to lend themselves to pick playing. But mainly I'm a fingers player, played fingers only for many years.
I think with me, since I've always been more of a modern tone guy that, picks just sound too damn trebly, and I have zero interest in putting flats on, as they wouldn't really mesh with anything I currently do.

Fun fact - when you pull out the volume knob on the Wal, it gives a tonal boost at a higher freq(can't remember what) that is supposed to give you a pick like sound, and it does, to an extent, but that don't get me jazzed up, either.
 
I think with me, since I've always been more of a modern tone guy that, picks just sound too damn trebly, and I have zero interest in putting flats on, as they wouldn't really mesh with anything I currently do.

Fun fact - when you pull out the volume knob on the Wal, it gives a tonal boost at a higher freq(can't remember what) that is supposed to give you a pick like sound, and it does, to an extent, but that don't get me jazzed up, either.

Well, I don't do flats. Nothing against them, just not my thing. Maybe someday.

As for treble, I get tons of treble and clank with my fingers, even more than a pick often, just because of the way I dig in and use a bit of fingernail. With fingers I can get extra fret buzz if I want. It's weird; I know a pick should give me a harder attack, but it's about the same. It's a different kind of attack than fingers though.

And for some lines with steady 8th notes a pick can give a more consistent tone than alternating fingers, or at least it feels like it does to me. Maybe because no matter how much I practice at it I'm never 100% happy with my finger technique. Maybe it's only me who notices, who knows.

When it comes to music and how you connect to your instrument it's just all so personal.
 
Well, I don't do flats. Nothing against them, just not my thing. Maybe someday.

As for treble, I get tons of treble and clank with my fingers, even more than a pick often, just because of the way I dig in and use a bit of fingernail. With fingers I can get extra fret buzz if I want. It's weird; I know a pick should give me a harder attack, but it's about the same. It's a different kind of attack than fingers though.

And for some lines with steady 8th notes a pick can give a more consistent tone than alternating fingers, or at least it feels like it does to me. Maybe because no matter how much I practice at it I'm never 100% happy with my finger technique. Maybe it's only me who notices, who knows.

When it comes to music and how you connect to your instrument it's just all so personal.
I use only one finger on the right hand for chugging steady 8th notes. Same finger, same tone on each attack.
Just like a pick using only downstrokes.

My 2 cents.
 
  • Like
Reactions: Spectrum
I use two to do that, but if I'm being honest, it's probably been at least 10 years since I've played a bassline like that.
Even walking bass I tend to do that. Comes from playing lots of upright bass probably...?
Unless it gets to 350 bpm, by then I usually quit the jam session or play half notes till the sax player turns purple and then looks at me and the drummer in a panic cuz hes completly lost in the changes.

But I haven’t played any of those in over 10 years....I dont miss a second of those.
 
Last edited:
I tried the Alex Webster technique of using three fingers for 16th note patterns. I never got proficient at it but it was a good learning experience, helping train independence and focusing on the "1" independent of where the index finger landed.
1234
IMRI
MRIM
RIMR