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...and they don't even have heaters on stage???

1977 I think...


1969
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I saw Ann Wilson a couple of months ago in Austin. Her backing band, called Tripsitter, are the same guys appearing in this video as "Heart." She was great. Did some Heart songs, some of her solo material, and some covers. She seemed a little unsteady on her feet, and couldn't hit the high notes, but she still had that great tone and power. My 36 year old son took me to the concert, which was special because the last time he and I saw Ann Wilson was about 24 years ago at the Teatro ZinZanni dinner theatre in Seattle when Ann stood at our table and sang "Need A Little Sugar In My Bowl." That was incredible.
Four guitar players. Move over Skynyrd.
 


I've loved Ann and Nancy for as long as they've been around. They are huge Zeppelin fans (I often think Ann is one of the few vocalists that could do Zep covers justice in terms of singing Robert's parts), and here, the two of them do a duet version of 'The Battle of Evermore'. Obviously recorded through the room off the mains, nonetheless a powerful performance with Nancy on the Maggie Bell 2nd part and JPJ's mandolin riff, and Nancy on one of their signature Martins and powerful lead vocals. She really catches fire on the outro, then looks over at Nancy with this sort of 'OK, where was I/I'm back' from the rush of her performance. Exceptional.

Two hippie chicks with their thumb out for a ride to The Black Country. What an absolute gas. I love it when the truly talented can conjure magic and call down the lightning right before your eyes.

Maggie Bell, who had an entirely different voice(much like Janis Joplin), was from the Scottish band Stone The Crows and sang on Rid Stewart's "Every Picture Tells A Story".
 
Ann sounds cold to me - either cold in the literal sense or in the sense that she didn't get her vocal warm up in. I've seen her sing that song several times in the last few years and she generally still hits all the notes. Mostly though I notice she's not sustaining where she usually would. That's a cold thing.

She is 73 though, and from what I can tell they are still playing that song in the original key. Let's just call that good.
 
20 years ago, my band was asked to kick off the winter holiday season by playing for an hour at a local park where they decorated the entire park with Christmas lights and such. We were going to play in the gazebo they had in the park at the end of November. A cold front came through that day and plunged the temps down to the 20s. They brought out some of the portable propane heaters for us, but they didn't help at all and by the end of the first few songs, we were stiff and having trouble playing.

It was a miserable hour of play...that we didn't even get paid for. I have sworn I will never do an outside gig in those temps ever again.
 
She gets a pass from me. A lot of performers can't hit the high notes like they used to. No shame in that. She still has a wonderful voice.

Rob Halford, whose vocal high notes could shatter every window within a five mile radius back in the day, hasn't been able to hit those notes for years. The last time I saw Judas Priest was 20 yrs ago, and I noticed it then. He still sounds good.

Agree and this is the same thing that happens to every vocalist that sings in the upper range. They all lose it over time. Just the way the body ages and the cleanest living and best technique can't stop it from happening. On the other hand, I saw Peter Gabriel the other day and he sounded pretty much like he did 40 years ago. But he doesn't sing in the upper register without going falsetto.

All that said, I give singers a lot of latitude when they perform live and don't expect it to be pitch perfect in a rock setting. Just give me a good show.
 
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