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Anyone else totally happy with their basses?

I have a lifer (have had it for 20 years), but I wish it was lighter/better ergonomics in addition to having a very easy to play neck and tone to die for.

Thus, eyeing the Ibanez SRMD200 with interest... lightweight PJ with 32" scale skinny Ibanez neck might be just what the doctor ordered, and if the foundation is good enough, electronics can be upgraded into lifer realm.
 
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I'm at that point. I have 2 I'm selling to narrow my collection down to 4. They aren't great so I'm not selling them here, just locally. I have 2 Dean V's that I've modded the hell out of. I have an SX build that was a project my Dad and I did. The last of the bunch is an Ibanez SR800. All of these basses have ended up sounding an playing so well that the GAS for new basses has been gone for over a year and a half.
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I have had my L2500 for almost 22 years, I will never let it go.
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I have been on a search to get a #2 for more public use (travel, rehearsal, etc) as the L2500 never leaves the house. I know I should have just gotten an L2500 Tribute and call it a day. But in my search I have found a keeper in a 2014 Squier VM Jazz V. Sure I replaced some hardware, controls, and pickups, but it is such a wonderful player, I am amazed that is sounds and plays so dang good! And being that I have owned it for 4 years now, any surprises in poor construction or material should have reared it head by now...all good!

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I also put together a fretless Jazz which I absolutely love.

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At this point, I am content.
 
I have 2 Basses that get most nights out. My Precision V and Dimension Deluxe 5. I’d love a white Precision V or a Daphne blue one but, at that point, it’s a fashion statement. The basses I have do the job.

My Hartke LH and the LDS cabs do the rest. The PA, the room, the overall conditions of performing live aren’t hi-if enough to justify real high-end gear. Most ‘big-name’ acts I’ve seen with awesome gear still suffer the same physics of venue, and PA. So, for what tone I get, the enjoyment of playing, and audience appreciation, I’ll just change the strings & keep the frets clean & show up on time.
 
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I’m perfectly happy right mow.

Ok, ok…if a Wal Mark 1 happened to fall into my hands out of the clear blue, I wouldn’t say no. But that’s about as likely as a Wal Mark 1 falling into my hands out of the clear blue. So it’s easy to put that completely out of my mind and be content with what I’ve got.
 
So do you gig without a backup?
How's she strung?
I like the cream pickup covers and knobs :thumbsup:

Strings used? Any re-fret in 34 years? That's a lotta :bassist:
Primarily, I do not take any other bass with me at this point to my gigs. I do have a 5-string Rogue LX405 Pro that was made in Korea before they switched to Chinese manufacture. Groups I'm currently playing with don't do any songs I need a 5-string for, so it usually just sits in my man-grotto (no door, so can't be a man-cave) at home and gathers dust.

I got it quite a while back when the group I was playing with had about 3 songs where I had to tune the E string down to D to play. About the third time that I forgot to tune my E-string back to E after one of those songs I decided I really needed to get a 5-string for those songs.

I bought it because of a friend's recommendation who had two of Rogue's basses. I think I paid all of ~$219 for it. I was really surprised at how nice it was when I received it. Build, fit, and finish is superb and the neck is comfortable for me to play. It looks good too and has a good sound to it. However...it just doesn't have the sound that my Jazz does...I love my "white lady".

She's strung the standard EADG. I have not had a re-fret done and the frets still seem to be in good shape. I didn't really get to play her much until 1997 when I finally got another amp. Had 3 kids at home in 85 and no spare $ for an amp. In 1997 my son gave me a bass amp he was no longer using.

The frets on her have worn out strings though. You could feel the wear on last pair of Dean Markley Blue Steel strings that I used on her and the set of DR Black Beauties I had on her have really bright silver marks on the fret side of the strings where the frets have worn through the coating.

Took a bit of sleuthing to figure out she's a 1982 build because the serial number shows late 1977/early 1978. Had to look at part numbers in the control plate to see when they were made. There was no dating on the heel of the neck.

I really do like the look of the entire bass. It's pretty unusual to find an Olympic White bass with white pick ups, white pick guard, white strat-type control knobs, and white binding on a maple neck. I put a wide white leather strap on in in '85 when I got her and after only using round wounds on her for 33-years, I put La Bella Deep Talking Bass Tape Wound Flats on last May.

Of course I chose the white tape wounds instead of the black. They are really a milky-white semi-transparent tape but close enough. I really like those strings. Still have plenty of brightness to them and the sound balance across the strings is the best I've had. The D and G strings sound much fuller than the ones on either the Blue Steel or the DR Black Beauties did. Did I mention I really like these strings?
 
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Yeah I feel exactly the same way. I love a lot of basses that I don't own, but I'm really happy with what I have and I won't buy more (at the moment). I love my main bass: Fender MIJ Classic 60s Jazz Bass. To me, it's the best bass that I've ever played. I'm also still in the honeymoon stage with my last purchase: Yamaha BB735a. Still learning how to change to a 5 string. Also, my Epiphone Jack Casady and my Fender MP Dimension. I don't think I need more at this point.
 
Yeah I feel exactly the same way. I love a lot of basses that I don't own, but I'm really happy with what I have and I won't buy more (at the moment). I love my main bass: Fender MIJ Classic 60s Jazz Bass. To me, it's the best bass that I've ever played. I'm also still in the honeymoon stage with my last purchase: Yamaha BB735a. Still learning how to change to a 5 string. Also, my Epiphone Jack Casady and my Fender MP Dimension. I don't think I need more at this point.
If I ever buy another bass it will be the BB735A, I own RBX5A2 and it out jazzes a Jazz Bass. Yamaha makes great stuff, period.
 
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Primarily, I do not take any other bass with me at this point to my gigs. I do have a 5-string Rogue LX405 Pro that was made in Korea before they switched to Chinese manufacture. Groups I'm currently playing with don't do any songs I need a 5-string for, so it usually just sits in my man-grotto (no door, so can't be a man-cave) at home and gathers dust.

I got it quite a while back when the group I was playing with had about 3 songs where I had to tune the E string down to D to play. About the third time that I forgot to tune my E-string back to E after one of those songs I decided I really needed to get a 5-string for those songs.

I bought it because of a friend's recommendation who had two of Rogue's basses. I think I paid all of ~$219 for it. I was really surprised at how nice it was when I received it. Build, fit, and finish is superb and the neck is comfortable for me to play. It looks good too and has a good sound to it. However...it just doesn't have the sound that my Jazz does...I love my "white lady".

She's strung the standard EADG. I have not had a re-fret done and the frets still seem to be in good shape. I didn't really get to play her much until 1997 when I finally got another amp. Had 3 kids at home in 85 and no spare $ for an amp. In 1997 my son gave me a bass amp he was no longer using.

The frets on her have worn out strings though. You could feel the wear on last pair of Dean Markley Blue Steel strings that I used on her and the set of DR Black Beauties I had on her have really bright silver marks on the fret side of the strings where the frets have worn through the coating.

Took a bit of sleuthing to figure out she's a 1982 build because the serial number shows late 1977/early 1978. Had to look at part numbers in the control plate to see when they were made. There was no dating on the heel of the neck.

I really do like the look of the entire bass. It's pretty unusual to find an Olympic White bass with white pick ups, white pick guard, white strat-type control knobs, and white binding on a maple neck. I put a wide white leather strap on in in '85 when I got her and after only using round wounds on her for 33-years, I put La Bella Deep Talking Bass Tape Wound Flats on last May.

Of course I chose the white tape wounds instead of the black. They are really a milky-white semi-transparent tape but close enough. I really like those strings. Still have plenty of brightness to them and the sound balance across the strings is the best I've had. The D and G strings sound much fuller than the ones on either the Blue Steel or the DR Black Beauties did. Did I mention I really like these strings?
Caves don't have doors...