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I did put an email out to Chris Stambaugh last week, but have not heard back from him. I remember him being slow on the emails.Good things come to those who wait.
Get another Stammie.
If this is just a fad bass that you have to have now, save some coinage and go to Invalid Link Removed to get all the stuff for it. You can probably get everything routed and ready for assembly for less than $1000. Take it to a local luthier and have him set it up & tighten up the wiring for another $150 and WHAMMO! 6 weeks, and $500 saved.
They've talking about shortscales for months now, but nothing yet.Yeah, but wait for Warmoth to put out the short string necks first!
Interesting idea. I'll have to give that some thought.Yeah, that would be the Decade. No Skyline shorty planned; so, that pricepoint is probably accurate.
Noe more DarkStars there either.
I had a Decade, and while it was great quality, it wasn't for me sonically.
If it were me doing your project-and clearly it ain't!-I'd move the pickup a little more towards the neck than standard P position, with the poles facing the fingerboard. And, make the route big enough to "reverse" the pickup so you can rotate the poles 180 degrees.
Why? More depth, more heft, and then, when you reverse the pickup, it puts the poles in more or less True P Territory.
Gratuitous Tele-DS porn:
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Well I have already committed to Landing. Its more important to me to get a good bass than to save a few bucks.
Thanks though!
The necks on Landing are super smooth and mine is very stable. The fretted neck was probably the smoothest neck I've ever played though I did exchange my neck from a fretted to a fretless (I mostly play fretless).
I have both a Landing and a Birdsong and if I had to choose I'd most likely keep the Landing over the Birdsong. I'd love to get a Darkstar Landing and will when I could afford to. Also the finish on my is incredible. Also Jimmy is a great guy to deal with. I only wish he'd update his late 90's web site.
Wow, you like your Landing more than your birdsong?You have my attention! I was under the impression that Birdsongs were peerless in the shortscale realm. I know there's a lot of preference and personal opinion that goes into bass selection, but could you clarify how your Landing is better/different than your Birdsong? This may make me want to jump ship!
If you read the Stambaugh mega thread many Stammie owners who own also own multi-thousand dollar basses say that Stambaugh is at least as good or better than those Foderas, Sadowskys etc. That meant alot to me.
Did Stambaugh do the shortscale justice. Absolutely 100%. Like I said its a superbly built instrument. I agree with what you said about crappy quality production basses and I wanted the best ss money could buy (within reason). Stambaugh did not disapoint.
The hard thing for me will be when I get my Landing in three months. If its as spectacular as I hope it will be, I will have a difficult time because that would mean that my Stambaugh wont get much playing time as the tele bass much more suits my roots rock & rockabilly band. If its just sitting around I'll have a hard time justifying keeping it, but at the same time, I dont want to sell it since its so nice.
One way I justify keeping the Stambaugh is in thinking that no band lasts forever and when Dick Cash does part ways someday, my Stambaugh can once again be the stage bass. But again, its all really very minor and I guess I'm just a bit spoiled. I will have a hard time justifying owning close to $4000 in basses though. I am far from rich.
I'm one of those musical instrument/equipment junkies who can't decide what instrument to play or which side of the studio glass to be on. I have three guitars (used to have more), three basses, amps for the above, a drumset, a whole basic home recording setup... One the one hand, I feel like a materialist, but on the other, music really is what keeps me going... Even if I were to just be a hobbyist, I feel that my "materialism" in that sense is justifiable to me...