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AudioKinesis Cabs Part VI...

Back in this room again. Port plugged, gain noon, just a bit of eq, master not much. Hathor, mini drums iPad mixer and ip2000 in the back providing all the sound makes for a clean stage.


C87E6838-CD1B-4117-8076-8B81CAB8A286.jpeg
 
Back in this room again. Port plugged, gain noon, just a bit of eq, master not much. Hathor, mini drums iPad mixer and ip2000 in the back providing all the sound makes for a clean stage.


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I love the diffusor boards!!
 
Rumor has it, y'all might get a chance to try out some AudioKinesis cabs firsthand here in Ohio sometime in April... :cool:

It's true.

I'll be at a vendor's booth at the Invalid Link Removed in Fremont Ohio, April 20-22.
 
Is that they are? I thought they were old planks.

I think they're both! Looks to me like the old planks are angled slightly relative to one another, which would have the effect of diffusing the sound rather than producing strong, distinct reflections. Imo that's an ingeniously stealthy way to do acoustic treatment.

There may be absorption behind the boards, which would target the long wavelengths that would wrap around the boards, rather than the short wavelengths that would bounce off of them. Uusually it's hard to absorb longer wavelengths without overkilling the shorter ones, but placing absorption behind reflective or diffusive panels would be one way to do it.

How does the room sound?
 
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I’m willing to bet that Chuck Rainey is going to love your cabinets if he gets the chance to try ‘em

I just read Chuck Rainey's bio. WOW. It would be an honor just to meet him.
 
I think they're both! Looks to me like the old planks are angled slightly relative to one another, which would have the effect of diffusing the sound rather than producing strong, distinct reflections. Imo that's an ingeniously stealthy way to do acoustic treatment.

There may be absorption behind the boards, which would target the long wavelengths that would wrap around the boards, rather than the short wavelengths that would bounce off of them. Uusually it's hard to absorb longer wavelengths without overkilling the shorter ones, but placing absorption behind reflective or diffusive panels would be one way to do it.

How does the room sound?
The room is easy, except the raised hollow stage sounds much bassier on stage than on the floor. The port plug is perfect for this situation. I checked them tonight. Just old boards, no absorption material, I'm sure they were thinking decoration rather than acoustics when they put them up but it's cool they have that effect.

Good luck with Chuck.:thumbsup:
 
I just read Chuck Rainey's bio. WOW. It would be an honor just to meet him.

For my birthday one year, my wife got me a private lesson with Chuck Rainey,
and what a nice man even beyond an amazing player. We spent a little time talking about just building lines from playing the root on 1 and the 5th beat 3, but most of the time was spent talking about how we have to relate to each child or friend we have in a unique way and read the signs of what brings out the best in them, and it is the same with drummers and everyone we play with. I real treat
that improved my life.
 
I just read Chuck Rainey's bio. WOW. It would be an honor just to meet him.

That's how I felt. Met him at Victor's camp before his stroke - sweetest guy in the world and probably my favorite bassist ever. He put up with my questions about Steely Dan studio sessions. Then saw him the following year again post-stroke. Said to him, "Chuck it is great to see you" to which he replied, "it is great to be seen."
 
Said to him, "Chuck it is great to see you" to which he replied, "it is great to be seen."
That made me smile because I've got an old friend who had a brush with death and now always likes to reply, "I'd rather be seen than viewed".
 
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I just read Chuck Rainey's bio. WOW. It would be an honor just to meet him.
In the past 24 hours or so, I’ve reflected on the influence Chuck Rainey has had on me as a bassist. Even though I’m nowhere near his league in terms of ability, etc...I’ve stolen/borrowed many things from him. I learned double and triple stops from him and after almost 30 years of trying to figure out his in/out technique (one finger plucking technique which he uses for fast picking without using a pick/plectrum) I finally got my index finger pretty darn quick and use it frequently every gig...wish I knew how to do this when I was younger and single because women definitely take notice of it (haha!)...wish I could thank the man personally for his contributions to our craft and will forever be indebted to him as a teacher. I’ve never had a bass lesson but I’ve learned from some of the best through literature and recordings and watching them in performance. Can’t wait to read about this after the summit!