I finally got a chance to try out my new C112T at a gig this last weekend. For context, this was with a 5-piece cover band (focus on mid 60s rock and early psychedelia) in a small club that’s probably 2.5 to 3K square feet in size, with around 150 people in attendance. The band probably played with a bit more volume than necessary for the space, but was not over-the-top loud.
The Changeling (powered by a Mesa D-800+) was very easy for me (and for the drummer right next to me) to hear in the tight stage space. Also, the band leader from another, originals project I’m involved in attended this gig and his report from out in the house was that the cab sounded clear, articulate and had good bottom end without being overpowering or boomy. (He is also a recording engineer and I trust his feedback implicitly.) Based on my experience so far, this cab is everything I hoped it would be—a simple and small, great sounding, one-cab solution for smaller venues.
Over the last decade, my 1 x 12 experience has been with Aguilar, Epifani and GK. And they were all perfectly nice cabs. But what I have discovered about this particular cab (and was actually kind of surprised by) is that, in the isolation of my practice space at home, each of the 6 basses that I keep in my space (and which are all inherently quite different sounding basses) all sounded even “more different” from each other when played through this AK cab. (I did, in fact, try the same experiment through another cab just to compare.) I guess that’s a testament to how clean and relatively uncolored Duke’s designs are, and how more of the inherent sound of the bass can really come through.
Anyway, the point is, I love this cab, and Duke has been one of the nicest, straight-up people I’ve ever had the pleasure to deal with. I couldn’t be happier.
And, since no pic means no cab—here it is:
The Changeling (powered by a Mesa D-800+) was very easy for me (and for the drummer right next to me) to hear in the tight stage space. Also, the band leader from another, originals project I’m involved in attended this gig and his report from out in the house was that the cab sounded clear, articulate and had good bottom end without being overpowering or boomy. (He is also a recording engineer and I trust his feedback implicitly.) Based on my experience so far, this cab is everything I hoped it would be—a simple and small, great sounding, one-cab solution for smaller venues.
Over the last decade, my 1 x 12 experience has been with Aguilar, Epifani and GK. And they were all perfectly nice cabs. But what I have discovered about this particular cab (and was actually kind of surprised by) is that, in the isolation of my practice space at home, each of the 6 basses that I keep in my space (and which are all inherently quite different sounding basses) all sounded even “more different” from each other when played through this AK cab. (I did, in fact, try the same experiment through another cab just to compare.) I guess that’s a testament to how clean and relatively uncolored Duke’s designs are, and how more of the inherent sound of the bass can really come through.
Anyway, the point is, I love this cab, and Duke has been one of the nicest, straight-up people I’ve ever had the pleasure to deal with. I couldn’t be happier.
And, since no pic means no cab—here it is: