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Double Bass Azola EUBs Megathread

I heard back from Steve Azola quickly; he was friendly but it wasn't too helpful. I spent some time today focusing on my tone (more than trying to be decent at playing, which is my usual task on EUB or DB), and actually was able to get a tone I was happy with. It seems that the issue I was having was more in the midrange, because when I brought that down, things were still natural but much more pleasant. I'll still be swapping out strings to see what my perfect set is, but I'm happier with it already.

You're in good company: I seem to recall the late, great, Ray Brown emphasizing the importance of getting a good sound on double bass as one of the most important aspects of getting hired repeatedly.

When I'm learning a new song (or relearning and old one), as soon as I feel comfortable with the form and changes, my emphasis shifts to achieving a consistently good sound. If I'm using an amplifier, my preference is to hear my bass (and hands), only louder.

It's more difficult to achieve a great sound using only my hands than it is to modify my sound by twisting knobs on an amp, but it's definitely worthwhile. :)
 
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You're in good company: I seem to recall the late, great, Ray Brown emphasizing the importance of getting a good sound on double bass as one of the most important aspects of getting hired repeatedly.

When I'm learning a new song (or relearning and old one), as soon as I feel comfortable with the form and changes, my emphasis shifts to achieving a consistently good sound. If I'm using an amplifier, my preference is to hear my bass (and hands), only louder.

It's more difficult to achieve a great sound using only my hands than it is to modify my sound by twisting knobs on an amp, but it's definitely worthwhile. :)

Thanks for that. If I'm being honest, I've been somewhat phoning in my bass guitar playing the past few years; with easy music, I can obsess over tone. On DB and EUB, I'm much less confident so I'm just trying to get through the changes. I'm enjoying the challenge but still, it's worthwhile to pay attention to tone too.
 
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I ended up buying this as soon as I saw it, lol! Ebony fingerboard, leather mute still intact, original stand included, original case in excellent condition, Bow included, and I talked them down a few bucks because of the damage on the bout adjusting knob... sounds absolutely amazing!!! Here it is next to one of my Ampeg's..
 
Glad someone here picked it up!

View attachment 4868068 I ended up buying this as soon as I saw it, lol! Ebony fingerboard, leather mute still intact, original stand included, original case in excellent condition, Bow included, and I talked them down a few bucks because of the damage on the bout adjusting knob... sounds absolutely amazing!!! Here it is next to one of my Ampeg's..
 
OK, Azola people, here's my question. I have a Gypsy (34" scale ) I bought when the Azolas were still in production. Is the bridge fixed? I ask because the action is too high and the fret markers are not aligned with the strings, i.e. if I play the octave on the E string at the 12th fret marker, the pitch is way sharp. It has a neck tilt adjustment and I used the included hex wrench to set the action as low as possible. I expect a bridge adjustment might sort things out, but I am inclined to believe the bridge is fixed. I don't have the original strings on the bass. I replaced them with D'Addario tapes.

Can anyone set me straight, please? I love this bass and would love it even more if I could get it to play just a little easier.