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Plus oneHow could it hurt? You gain experience, and maybe some notoriety as a bassist. Take your Dad along.![]()
I've never approached anyone that I don't know to talk about playing together before, and I have an interaction I'd love your thoughts on.
I saw an ad on Craigslist this afternoon from a guy who is a singer/songwriter type and is looking for people to play with and improve with. I am also looking for people to play with and help me improve, so I contacted him. He said he plays a little guitar and has another guy he plays with sometimes, but was looking for a bassist and a drummer. I told him I'm a beginning bassist, but can learn quickly and have similar goals to the ones he stated. He had a SoundCloud page and had some folksier type music on it, which I am not opposed to, and I sent him the only recording I have of me playing with another person. It's from a jam session (my very first ever) with my dad at Christmas when I had only been playing about 6 months. It's not bad at all, but I like to think I've improved since then. I told him this was from months ago and my first ever jam, so it's not necessarily an indication of my best.
He wrote back and said a few things that concern me a little, and I'm not sure if I'm being overly sensitive or if I should be a little wary. He said, "I listened to your jam with your dad. He's really good! I'm not saying you're not, but it was more of a keyboard showpiece. For me, bass is something I don't really notice unless it's just all wrong. But you obviously got a little swing in you!"
Um. Ok. There's a bit of a compliment at the end, but it's also kind of a dig at bass in general and maybe at me personally. Anyway, it was really off-putting to me.
He also said, "I'm definitely interested in talking some more and/or just getting together to see what happens music-wise. Sounds like we have the same aims-- just to get better and for me, to flesh out all these songs that are driving me crazy."
And it's the "all these songs that are driving me crazy" line that gives me pause, too--he doesn't seem to think bass is all that interesting/important, and he's also got his own stuff swirling around in his head, so I wonder how much of this would be collaborative and how much would be just him trying to get his own stuff done.
So... what do you make of this? Thanks!
I've never approached anyone that I don't know to talk about playing together before, and I have an interaction I'd love your thoughts on.
I saw an ad on Craigslist this afternoon from a guy who is a singer/songwriter type and is looking for people to play with and improve with. I am also looking for people to play with and help me improve, so I contacted him. He said he plays a little guitar and has another guy he plays with sometimes, but was looking for a bassist and a drummer. I told him I'm a beginning bassist, but can learn quickly and have similar goals to the ones he stated. He had a SoundCloud page and had some folksier type music on it, which I am not opposed to, and I sent him the only recording I have of me playing with another person. It's from a jam session (my very first ever) with my dad at Christmas when I had only been playing about 6 months. It's not bad at all, but I like to think I've improved since then. I told him this was from months ago and my first ever jam, so it's not necessarily an indication of my best.
He wrote back and said a few things that concern me a little, and I'm not sure if I'm being overly sensitive or if I should be a little wary. He said, "I listened to your jam with your dad. He's really good! I'm not saying you're not, but it was more of a keyboard showpiece. For me, bass is something I don't really notice unless it's just all wrong. But you obviously got a little swing in you!"
Um. Ok. There's a bit of a compliment at the end, but it's also kind of a dig at bass in general and maybe at me personally. Anyway, it was really off-putting to me.
He also said, "I'm definitely interested in talking some more and/or just getting together to see what happens music-wise. Sounds like we have the same aims-- just to get better and for me, to flesh out all these songs that are driving me crazy."
And it's the "all these songs that are driving me crazy" line that gives me pause, too--he doesn't seem to think bass is all that interesting/important, and he's also got his own stuff swirling around in his head, so I wonder how much of this would be collaborative and how much would be just him trying to get his own stuff done.
So... what do you make of this? Thanks!
For me, it wouldn't matter what else he said. That's a deal breaker.For me, bass is something I don't really notice unless it's just all wrong.
Definitely overthinking it. There's nothing to be lost by at least getting together, see what work (or doesn't), and get a better feel of what each of you wants. If it turns into him mostly fleshing out his songs, there's still nothing lost and possibly a lot to learn on your part. If, once you've heard each other and have a better feel, it's still not right for you, you walk away without burning a bridge. There's nothing really lost if another contact for the future has been made. I can't tell you how many times something seemingly not worth my time turned into a good gig down the road simply from that initial contact, even if the initial thing did not work out.So... what do you make of this?
One thing you need to keep in mind as a bass player; Guitarist and Singers never acknowledge the bass player. We are a necessary evil, and something they do no t understand. Why do you think there are so many bass player jokes out there? I am stereotyping a little here so bear with me, most guitar players have no idea what you are to play, but do know when something sounds wrong. If you stay in the pocket and stay tight with the drummer, you really will just blend in. Don't be over sensitive about this, just understand that you are to be invisible and always maintain the groove. Keep at it, do your best adn keep in mind that we also have the job of playing with egos more than musicians.