Two affordable basses come to mind : Hofner CT with Pyramid Gold flat strings, and the Epiphone Jack Casady with Thomastik-Infeld Jazz flats. Use just the neck pickup on the Hofner.
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The main key is to play the thing like an upright. The parts you choose to play are different, and the manner in which you hit the strings is different.
You want to kill your sustain too. Use heavy muting on your electric.
And, to state the obvious: flatwounds.
Most of the rest is e.q.
Fretless helps a bit, but is not necessary.
It'll never sound just like an upright, but playing it like an upright and making the bass sustain like a plucked upright will give you a lot of the elements.
Have you played anything under $1K that was as good or better than the Kala U Bass?
I have yet to hear an ABG that got as close as the Kala at this price point.
is there anything that even gets in the ballpark?
ThisI 'm sure this has been asked before, but I did not have much luck with my search.
I'm sitting here listening to some Charlie Haden and being blown away with his tone. I know a bass guitar is never going to sound exactly like an upright, but is there anything that even gets in the ballpark? And just to make it harder I would prefer something with frets. Thanks, and sorry if something like this has already been posted
Thank you to everyone for your interest and reply's. I had a Takamine, the cheeper one, for a while and it sounded more like a guitar tuned down an octave then an upright. It was large and I found it hard to play, so I don't think I will go for another ABG. I'm not sure I would like something as small as a U bass, but if I get the chance to try one locally, I would. The Allen and the Christopher are just more then I want to spend. That Christopher may be the most beautiful bass I have ever seen. The Wendler looks very interesting and is less then half the price. I think I may try to pickup a used cheep fretless, just to see if I can play it in tune. If that works out I may take a chance and order the Wendler. I will also try some of the playing techniques that have been posted.
Do you know what gage flats or tapes fit the El Cap? I bought mine over the phone after walking away from it in GC. GC did me a solid and threw on phosphorus bronze but it was the tapes that were on it in the store that I really liked. The bridge is so small that I cannot seem to find flats or tapes to fit.
There are some beautiful instruments in this thread. I would add that I can hardly play the "precision" bass, so when I wanted a fretless, I had to briefly question my sanity. I got an ESP B-204 lined, but fretless. It's now one of the few instruments that I'd never get rid of. (My Fender AO 60's 'Jamerson' is the other)Possibly buy the fretless and have it lined.![]()
Oh man, I drank the Kool Aid, I ordered a U Bass yesterday.+1 on the Kala Ubass. Nothing really sounds like an upright, but I found the Ubass to be better at simulating the presence of DB than some of the upright stick basses I've played. I also had somewhat of success with a danelectro longhorn bass with flats. There was something about the bloom of the note on that bass and the note decay that worked for simulating the presence of DB.
Hope you like it. I look ridiculous playing mine- big guy, small bass- but it's a lot of fun and sounds great!Oh man, I drank the Kool Aid, I ordered a U Bass yesterday.![]()
I couldn't agree more. The bass is a tool. The sound is your skill and technique.Joey Spampinato of NRBQ has always gotten very close to an upright sound using a fretted Jerry Jones or a Danelectro. The secret is in the technique and the ideas, not so much the instrument. Think like a bass player, y'all!