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As I said---there is already compression on the bass channel through our digital mixer.
So the bass sounds OK in the house, but the sound on and around the stage is on the thin side--his amp has only 1 single 12 in it.
So that is why we were thinking of some kind of pedal.
Sorry, that’s not really how that works: how you sound in the house is ALWAYS up to the FOH engineer, even if you’re sending them a highly colored signal.
A great engineer who knows the venue and the band well can make everyone shine, a novice who doesn’t can make everyone sound like mud.
I always have a compressor on my board, but the compressor plugins on the modern digital boards are excellent.
No, that’s how it works, if you deliver a good compressed signal to your amp and DI you set can set your own sound, feed the house with it and that will feed the monitor sends. You are already feeding your amp. I owned a pro audio company for 20 years and installed hundreds of church PA systems. I can tell you first hand that there are very few great engineers in churches. Most of them are unreliable volunteers and sadly most churches don’t have a paid audio staff.
I now record for a living and I’ve yet to be impressed by a plug in, they are okay if you can’t afford the real thing but there is no comparison to a real analog tube la2a.
I am writing this for our bass player at our church---
If you were playing a gig that had all types of music (nothing wild or screaming) and could use ONLY 1 pedal--
WHAT IS THE 1 PEDAL THAT YOU WOULD USE?
* (Music is wide variety--smooth jazz--swing--easy rock--latin--etc...)
The group is a trio (for now) keyboards--bass and drums.
That’s exactly what I would have said.Hey guys, @Mike Fillion is a very old friend of mine from way back when I was a kid, and one of the best drummers you will ever hear. We've already discussed it, and my feeling is he'd be best served by trying a different amp EQ with more bass and maybe more mids dialed in. He says the bassist isn't currently using any pedals, either, so that might be a sticking point with him to use them. He's using a Yorkville 12" combo and small combos can often benefit from a bass/mid boost. Did not find out what kind of bass he's using, but my feeling is the same regardless. Whoever's running sound might want to try that in the PA as well. But I did suggest a tiny bit of mild overdrive as well, as I find it helps me for certain things, although I still feel the answer isn't in throwing money at the problem, but EQing.
I am writing this for our bass player at our church---
If you were playing a gig that had all types of music (nothing wild or screaming) and could use ONLY 1 pedal--
WHAT IS THE 1 PEDAL THAT YOU WOULD USE?
OP, Sounds like you want a preamp for your bassist. There's a whole world of them. You can get a Sansamp BDDI V1 for a very good price. That was considered part of a "professional" bass sound back in the 2000s.
Folks around here like the Sansamp, Mesa Boogie Subway, DP-3x, Aguilar Tone Hammer, etc.
Surprised that no one mentioned the Tech 21 Bass Flyrig. IIRC, Tuner + Comp + Chorus + OD + Preamp all in one housing.
Two Notes Le Bass Pre-Amp Pedal might be the best pedal ever made for bass, IMHOI am writing this for our bass player at our church---
If you were playing a gig that had all types of music (nothing wild or screaming) and could use ONLY 1 pedal--
WHAT IS THE 1 PEDAL THAT YOU WOULD USE?
* (Music is wide variety--smooth jazz--swing--easy rock--latin--etc...)
The group is a trio (for now) keyboards--bass and drums.
From reading a few forums, it looks like most players would prefer a mild overdrive and a chorus.