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Bassist for Michael Jackson?

Shortly after the album came out, a Yamaha newsletter to dealers had an article about Johnson talking about his work on the album. He said he tried a couple of other basses but when he played the BB everyone knew it was the right bass. It was the BB with the through-neck, and one split-coil PUP, ebony board- BB-2000?

John
 
Shortly after the album came out, a Yamaha newsletter to dealers had an article about Johnson talking about his work on the album. He said he tried a couple of other basses but when he played the BB everyone knew it was the right bass. It was the BB with the through-neck, and one split-coil PUP, ebony board- BB-2000?

John

Interesting! The BB2000 has two pickups, a split P-style and a straight bar-type in the bridge position. If it had all those other things but just one pickup, it sounds more like a BB1200.

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It seems there are different stories about the bass line floating around the net. Apparently, John Hall's "I Can't Go For That" inspired MJ to write the bassline to Billy Jean and MJ even confessed it to Hall during the recording of "We are the World". You have to admit, it is very similar.
Daryl Hall, you mean? ;)

Yes, I can see that.
 
A few years ago I was listening to Howard Stern. I forget if it was in regards to MJ passing or part of a retrospective thing they do on that show. Regardless, he somehow had gotten a hold of a tape of Michael singing various parts of songs that would become "Thriller". When I say "singing various parts", I mean he was singing the bass lines, synth parts, drum beats, various rhythm and harmony parts. Just each part individually, one at a time. One of the songs was "Billie jean". It was, in a word, amazing. While he might or might not have written the bassline to BJ, he pretty much had the idea on that tape. It was really cool to hear the audio notes of a true musical genius. I think my jaw dropped when he went from beat boxing the drums to then the bassline, then the "Hoo....Hoo" part in that sequence and I could hear the song in my head, just from those vocal parts.
 
I read the biography of Michael Jackson by Taraborrelli, and I believe he recounts the same thing. That was a very extensively researched book, so I have no doubt it's authentic (assuming that's where I read it, but I'm pretty sure I did read it there). MJ comes up to Daryl hall and says something like - "I got the bass line to Billy Jean from I Can't Go For That", and Daryl says "That's cool, it's what we all do, we get ideas from each other." (Although I'd imagine that Daryl had already figured that out...)

I thought it was a pretty cool reply, but now having seen his show "Live From Daryl's House" on the Palladium Channel I'm not surprised. He is a totally cool guy, and a terrific musician. Definitely a show worth watching. Both legends (Smokey Robinson) and talented newcomers to the scene perform with Daryl and his house band. I find it hard to find great new acts, (being that I'm an old f@rt by now...) so I enjoy hearing the folks he brings in.

FWIW

Jim

It seems there are different stories about the bass line floating around the net. Apparently, John Hall's "I Can't Go For That" inspired MJ to write the bassline to Billy Jean and MJ even confessed it to Hall during the recording of "We are the World". You have to admit, it is very similar.

Louis Johnson may have played it on the album (which I'm also finding contradicting stories that MJ played it, but on Louis' Yamaha bass). After reading this, I don't think Louis made it up though..??

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So many unfortunate things said about Michael Jackson and his apparently difficult life, but I'd have to think it was a big mistake to think he could produce his own music better without Quincy Jones. I can understand why he'd feel that way, but still to me a huge mistake.
 
So many unfortunate things said about Michael Jackson and his apparently difficult life, but I'd have to think it was a big mistake to think he could produce his own music better without Quincy Jones. I can understand why he'd feel that way, but still to me a huge mistake.
quincy jones wasnt really relevant in contemporary pop music by the 90's. dangerous was a huge record.
 
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