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Bassist with most UNIQUE tone

"RED" era John Wetton.


The sound of Zeus, in a fit of rage, stepping down from Mount Olympus.

Un-mistakable.


Chancellor fans should give listen to "RED" by Crimson sometime to hear where it all began...which brings me to another guy, Paul D'Amour - another influence on Chancellor's "10,000 Days" tone.
 
I don't know if anyone has said this yet, but Mike Gordon of Phish has developed a pretty unique tone. Picked Modulus with halfrounds I believe. But it's more his picking style that has to do with the tone. It's quite percussive, and at times sounds like knocking on wood.

Check him out if you get a chance, you may be pleasantly surprised.
 
Even when playing session for others I can always pick out marcus miller no matter what he's playing. It's just sounds like marcus.

A standard J bass with a preamp and a BA. The tone is all from his abilities IMO. And he just delivers big.

No special this and that gear head BS. Straight forward equipment and monster chops.
 
Faith No More's bassist, Billy Gould (I think...)... Who ever it was who played "Epic", "Falling to Pieces" - the sound of the bass on those songs was quite unique to me.

And of course - Geddy & Chris - very unique bass sounds even if they are similar in some ways to each other, they different enough to be considered truly unique.
 
Faith No More's bassist, Billy Gould (I think...)... Who ever it was who played "Epic", "Falling to Pieces" - the sound of the bass on those songs was quite unique to me.

How could I forget to mention him - that guy's tone from "The Real Thing" has been one of my pursuits since I was 15 years old:)

Hie tone is really killer in the title track - it's coupled with delay and flanger, and is out of this world...I was really sad when he went to a Zon w/Bartolinis - his bass lost that edgy, glassy *zing*
 
Alphonso Johnson...not so much nowadays, but back in the 70's when he was playing his fretless Lobue most of the time, everything he played had this very distinctive tone: every note would go "pom". Very cool, very distinctive.

But I'd agree that Mick Karn probably has the most unique tone in terms of being able to identify his playing instantly.
 
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