• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Before ... After. Warning: Jazz content.

I prefer the mint on there
smiley-scared003.gif


But then, I put black on my black jazz so ...

blackjazz77.jpg
 
I like them both. Tort on white looks good, especially aged white, but I like mint too because it's not seen as often and it has a surf vibe to it. Too bad they aren't designed to popped in and out on a whim.

I prefer the mint on there
smiley-scared003.gif


But then, I put black on my black jazz so ...

View attachment 1166749

That bass looks badass with the blocked maple and pickup cover. :thumbsup:
 
Alright, I gotta ask...what is the pickguard vendor of choice these days? I'm not really into spending $40 for my slice of tortloaf, but I've got an unlined fretless arctic white jazz and it's begging for a red or brown tort. If anyone would like to recommend a source I would appreciate it.

Note: First user to propose non-sequitor purchase of either a Fender Rumble or Mesa D-800 will get taken out back and beaten with a hose.
 
I have that same gap on a parts J I did - black PG and control plate on a dark grey body. I think I'll do the sharpie thing (or something black anyway) on it as some have suggested. It's always kind of bugged me but I don't gig that bass so I've just let it go.

But the tort on the white body combo... I like it! I just got my first five string P not long ago with that same scheme. Still waiting on the wonderful, mystical powers of tort to improve my playing though. And waiting. And waiting...