LilRay
Commercial User
- Dec 27, 2007
- 4,166
- 39
- Disclosures
- Owner: Cockeyed Cow Custom Leathercraft
Well, the lawsuit says I am not supposed to talk about it...![]()
I thought you were kinda gimpy in your NAMM videos.

God Bless, Ray
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Well, the lawsuit says I am not supposed to talk about it...![]()

+1Was someone proposing that a speaker might spontaneously combust or go thermo-nuclear if it wasn't broken in first? I guess I don't get where the "safety" thing is coming from. Most people whom I have heard discuss the merits of breaking in a cab were talking about making a more fair evaluation of the tone after a break-in period.
Well, the lawsuit says I am not supposed to talk about it...![]()
I thought you were kinda gimpy in your NAMM videos.
God Bless, Ray
Cool. I noticed a slight increase in the low end response over the first hour or so. You should be good to go after your first set tonight!
My case seems to have been a bit more drastic. I was ready to pack everything up and send it back. On first playing through it it sounded thin and dry. Some lows and very prominent highs. I thought this cab is defective, not even near the ballpark of my ae410. This couldn't be the cabinet that Ken and Greg Beckstom are raving about. This couldn't be a Bergantino. But I stuck with it and lo and behold it got warmer and fuller after about an hour. I remembered that Ken had said that there was a break-in period so I hooked up my DOD Meatbox. Nothing like sending those 35hz frequencies to get a cabinet working. It's a keeper!
So with a resounding YES, there is a breaking period with the AE212.
+1 That first hour does make a difference with this particular cab for some reason.
I was so disappointed when I first started playing through the cab. My AE410 was plug and play and sounded remarkeable from the very first moment. This deal with the ae212 was the first time I had experienced this with a bass cabinet. Although when I was highly involved with hi-end stereo hifi I did get a set of speakers that did take awhile to open up.
I'm sure most dealers would play through there demo ae212 a bit before letting a perspective buyer try them out.
And let me try this one more time... I didn't bring this up as a concern, so I'm confused as to why you keep bringing it back up when responding to me.I'll try this one more time:
1) Safety issue...
How about this? I have an AE212 and Shuttle 9.0 that will soon be here.

And let me try this one more time... I didn't bring this up as a concern, so I'm confused as to why you keep bringing it back up when responding to me.
Seems like the rest of yer post is kinda' "dancin'" a bit, but that's ok.![]()
Gets popcorn and sits back...
I read that Ken is saying that with the AE212 and all of the newer speaker designs that this break-in period may become a normal thing. We probably won't have to play just Steely Dan CDs though. I'd like to recommend the DOD Meatbox as a tool for breaking in new speakers.![]()
I read that Ken is saying that with the AE212 and all of the newer speaker designs that this break-in period may become a normal thing. We probably won't have to play just Steely Dan CDs though.
Eublet said:How about this? I have an AE212 and Shuttle 9.0 that will soon be here.
Ken,
Honestly(!) for the record, my jabs are friendly.
But back on topic, I have three words for you, my friend... "I blame you".
Yeah, it's been a long time since I've had cab GAS, and now I have it again. Ok, not just you, it's also the other fanboys here, but mainly you. Our tonal prefs aren't 100.00% aligned, but for the most part, they really are, so I generally trust your tonal assessments when you talk about how a cab sounds.
I've had the pleasure of gigging with the AE112 cabs as singles and a pair, and been VERY impressed. In fact, I may have even selected those over the pair of AE210's I currently have, because I was really surprised at how much was going on in the upper mids on those cabs, which is unusual for 112 cabs (at least IME), which is why I've generally favored 10's.
So if the diffs between the AE112x2 and the AE212 are as described here, then I think I'd like the AE212 even more than I did the AE112x2, which is a LOT.
On a more general note, I've been pretty much of a fanboy of another maker for the most part in the past, but ever since Jim came out with the AE series, that's not been true anymore. I just have to say how impressed I am with this product line. My AE210 cabs have been my main gigging rig since I got them, and my "other" cabs, well, are collecting dust for the most part now.
Anyway, I really doubt I can make it happen this year... would require some painful decisions I'm not quite ready to make, but suffices to say, I'd be surprised if I didn't at least give one of these a very serious audition in early-mid 2011.
Musicman20 said:Cool! Were you not tempted to wait for the Streamliner?
No because I've put off owning a Shuttle for a while. I bought a used one so I can just flip I later if I want.
Hey, you know me... I LOVE a little bit of back and forth
I hope you do get to hear one of these... very, very impressive box!