Thanks this is good info. That warmth, sag, compression, harmonics, and heft to the notes is a core part of the tone I love to play with. I'm not heavily into effects but a bit of good compression and overdrive is part of the sauce and not having to set up extra pedals is a plus. I also built a pair of 1.6 cu-ft cabs loaded with Beyma 12WR400 drivers and Eminence BGH25-8 tweeter I'd like to check with the 2xHD112 profile. Looks like I might have to take a road trip to Dallas to check one out...5, while I haven't played the Demeter I can unequivocally say that the B Amp can give you the warmth, sag, compression and harmonics of a good tube pre. I know this draws fire from the tube purists and I also know there's physics involved but Jim has managed to bottle up some incredible magic that let's this amp be a chameleon. It can literally give you any bass tone you seek (save time based effects like Chorus, delay, flange, etc).
The latest updates let you use the aux in volume dial as a blend feature for the drive circuit. This EXTREMELY useful when dialing in just the right amount of fur/grit/harmonics/drive to your clean signal. Very intuitive and easy to use on the fly and under gig duress. It needs to be heard to be believed and I have extensively A/B'd the B Amp with a host of my tube amps and fooled some very discerning ears. It's that good.
Also, with the newest parallel compression circuit that's about to come out, well, just when I thought it couldn't get any better...
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