No, l wouldn't think you Should, how low and what kind of output do you get with a Carbon Fiber Neck?
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Best low B string in the Biz?
- Thread starter Zanderwestcoast
- Start date
No the Neck was a Custom Order back in 1998. I bought it this way. It originally was made for the former Bassist of the "Fabulous Thunderbirds". So l bought this Bass of all places, Rapid City So.Dakota at the city's premier Music-related, to perform 15 shows a the Sturgis Bike Rally. So l haven't this Bassinet,with Seymour.Duncan Pickups in it too.
I may not be the Expert that alot of you fine players responding, but l play with GHS Boomers med. Brite strings. They give me that Grand Piano Bass str.sound. And the combination of everything else.l am banded from some clubs here in the Branson,Mo. Area to LOW, to LOUD.so l use my 4 str. Jazz, smaller Amp Rig, then Fine. JohnBurns
I don't mean to be rude, but I have no idea what you just asked me
.
DiabolusInMusic
Functionless Art is Merely Tolerated Vandalism
Which is quicker, to Philadelphia, or by bus?I don't mean to be rude, but I have no idea what you just asked me
Yamaha RBXJM2 John Myung Signature 2 guitars.
Incredible tight B string, but then Myung plays the hell out of the B string, so it had to be good. It is VERY good.
Incredible tight B string, but then Myung plays the hell out of the B string, so it had to be good. It is VERY good.
I am really interested in that beast. What's it like playing that close to 40 inch neck?
I cant say what the best is, but I'm really digging my spector 5 35 scale. Love that growly, deep, chest evacuating B.
A proper set up helps. I have played a lot of fivers that sounded terrible and had floppy B strings. A truss rod adjustment, proper nut and bridge height as well as pickup height adjustment works wonders!
A bit more of a stretch, more like an upright in some ways, but I've never had too much of an issue with different scales - regardless of the scale, the proportions remain the same. Not that I can play everything quite as well - I don't practice on it and my other upright-scaled basses enough. But I absolutely love the tone playing around the 5th-9th frets - get the same "singing" tone as any fretless in that range, except, of course, a full octave lower. So I can play those "regular low notes" like E1, but get the singing mwah of a fretless played mid-neck. It's as much about that as it is the extended range, honestly.
Pretty relative question, IMO.
One answer is: the best B string in the biz is the B string in the hands of the best player in the biz.
Back to the instruments, we all understand scale length matters a lot for lower string projection. Upright players have struggled with this for literally centuries. Yes, plural. The 4/4 full size upright was made a few times; but pretty much everyone agreed you can't really play it. Some players soldier along with the 7/8 these days; and they do sound fantastic. But, they can be more work than fun. Most upright players use 3/4 with scale lengths around 42" +/- and call it good.
Back to electric bass guitars, same thing but different gigs. I'm sure some here are playing in styles where the low B response is a high priority. For traditional cover band situations, the B simply needs to be even with the other strings, rather than a long range howitzer. Most of the respected builders now produce pretty dependable B strings that will get the job done. If you really need the long range howitzer, then the answer is probably one of the 35" basses or the Dingwall; or, if you have unlimited funding, a custom long scale Alembic with ebony stringers and the Series electronics.
I don't need that kind of low B. In fact, very few cover tunes, even the newer ones really require notes below D, which I can actually get with better projection on the 4 with a HipShot. And, while the Modulus does have a thunderous B, I personally never really liked the way the rest of the bass handled. For me, the 35" scale is kind of like the 7/8 upright. Sounds great, but more pain than gain. I'll stick with my 34" B strings, thank you very much, from builders like Sadowsky, Zon, and Tobias (yeah, I know Mike has mostly gone to the 35"). That is what is "best" for me. In production axes, the SR5 has had a VERY respectable B for a long time now, and I have a gigged a Fender MM5 which also had an outstanding B. Of course, YMMV.
One answer is: the best B string in the biz is the B string in the hands of the best player in the biz.
Back to the instruments, we all understand scale length matters a lot for lower string projection. Upright players have struggled with this for literally centuries. Yes, plural. The 4/4 full size upright was made a few times; but pretty much everyone agreed you can't really play it. Some players soldier along with the 7/8 these days; and they do sound fantastic. But, they can be more work than fun. Most upright players use 3/4 with scale lengths around 42" +/- and call it good.
Back to electric bass guitars, same thing but different gigs. I'm sure some here are playing in styles where the low B response is a high priority. For traditional cover band situations, the B simply needs to be even with the other strings, rather than a long range howitzer. Most of the respected builders now produce pretty dependable B strings that will get the job done. If you really need the long range howitzer, then the answer is probably one of the 35" basses or the Dingwall; or, if you have unlimited funding, a custom long scale Alembic with ebony stringers and the Series electronics.
I don't need that kind of low B. In fact, very few cover tunes, even the newer ones really require notes below D, which I can actually get with better projection on the 4 with a HipShot. And, while the Modulus does have a thunderous B, I personally never really liked the way the rest of the bass handled. For me, the 35" scale is kind of like the 7/8 upright. Sounds great, but more pain than gain. I'll stick with my 34" B strings, thank you very much, from builders like Sadowsky, Zon, and Tobias (yeah, I know Mike has mostly gone to the 35"). That is what is "best" for me. In production axes, the SR5 has had a VERY respectable B for a long time now, and I have a gigged a Fender MM5 which also had an outstanding B. Of course, YMMV.
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Thanks for the reply. There are hardly any videos of this beast on the internet and needless to say you can't feel the vibration through the pc. So it won't do any justice.... Yours is a bolt on or thru? How do you think a fretless version of the quake would sound?
There were a few people here last year talking peavey cirrus bass. Just a heads up they announced at namm that they will be building these again.
Last I heard, they were only offering it as an import. Not sure how good it will be. As for the USA Cirrus. Good B for the money and perhaps one of the better store brands. A good luthier can still build one slightly better for a higher price tag, of course.
My Pedulla Thunderbass ET-5 has a very Usable B string. It is consistent in volume and tone from the 1st to last fret. I have D'Addorio XL's on it which I have grown to really like. I gigged a Sadowksy MS-5 for 2 years and this Pedulla is as good if not even better. However, the overall sound of the Sadowsky Vs, Pedulla is significantly different.
They both have great B strings though. Also, both Sadowsky and Pedulla are 34" Scale.
I have played many many 35" scale basses only to be disappointed by the floppy B string.
That may be attributed to the Factory supplied strings but it was enough to disprove the hype about longer scale being better for B strings.
They both have great B strings though. Also, both Sadowsky and Pedulla are 34" Scale.
I have played many many 35" scale basses only to be disappointed by the floppy B string.
That may be attributed to the Factory supplied strings but it was enough to disprove the hype about longer scale being better for B strings.
Best B string I've encountered is with my Benavente SCB5 35' scale. With Flats on this beauty it is thuderous through my new Mesa D-800.
