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Best portable amp for commuting to school by train?

This post makes me think back to late 90’s going to college in Boston and taking the greenline to the redline to go to Havard sq, for band practice carrying my bass on one shoulder, the 30 lb amp pulled from my Fender BXR300c tied to a strap on my other shoulder, and a Hartke 210 cab.
It was brutal…
So, Im not sure what to recommend to the OP, but I can certainly warn him NOT TO GET an old Fender BXR or Hartke 210. Lol

edit: just checked specs: amp 19lbs, cab 46lbs. Lol
 
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One of the new GK combos could work, Markbass has some great sounding smaller stuff, and Fender and Ampeg make some very nice small combos. While Traynor is often hard to find where I live, I've always had great luck with the gear. The PJB items mentioned are pricey, but their stiff is pretty darn impressive IME.
 
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Fender Rumble 40, incredible lightweight, sounds great on both electric and upright and its cheap! Truly and really an amazing deal. I never paid attention to those until I saw a colleague and friend (who was gigging at the same place as me) coming with this rumble in one hand and the upright on the other one. I was very surprised by the sound and weight, never mind the price! I take my rumble to gigs often instead of other amps/cabs such as Aguilar, Tecamp, Audiokinesis, Markbass and QSC.
 
What would you guys said would be a decent amp for commuting to college by train? Most days the train isn't crowded and only really heading home Thursday I would say it's slightly crowded. For a little bit about myself, I'm not sure how many watts I'll need, I'll say it's safe to say roughly 40 watts or 100 since most of the school players are using acoustic instruments un-amp as some live there and with some brass and reed instruments. Is there anything smaller that can maybe handle those type of just hang out jams I plan to do? Some students also may bring a PA system, what's y'all thoughts on this? I was honestly thinking maybe even getting an ukulele bass with some tiny Blackstar amp, but not sure, thinking to get something a little bit more powerful

Thanks for any info and help, have a great day everyone!
Here's a really nice sounding set-up that I use at small venues.

TN226PlusEX112_600x846.jpg


It's an Eden TN-226 amp (225-watts rms into 4Ω, weighs 4.7-lbs.) into an Eden EX-112 cab. I would suggest getting the TN-501 amp (500-watts rms into 4Ω, weighs 5.3-lbs) instead of the one I have because the 500-watt version is so much more versatile. It will put out 250-watts into one 8 ohm cab or 500-watts into two 8Ω cabs. One of the EX-112 cabs is all you need for the acoustic groups or a group jam in a small venue. Add second one for medium to large venues. The Eden EX-112 cab handles 300-watts rms; has a Neo 12" speaker with whizzer cone for high-mids and highs; and weighs 30-lbs.

Street price on the TN-501 500-watt class D amp is $549 to $649 but can often be found Used for quite a bit less. Street price on the EX-112 in 8Ω is $279, but it's discontinued so once stock is gone, there won't be anymore.

Notice how nicely everything fits in the chair. I put my gig bag under the chair along with the shoulder bag for the amp. I can put the amp in its shoulder bag over one shoulder, my green gig-bag over the other shoulder; grab my bass in one hand; grab the cab by its handle (center back edge) with the other hand; and away I go. Load in/out is done.

The sound is really clear, clean, articulate, warm, and full with a very nice bottom end. When you run two of them together the bottom end is even better because of sonic coupling (true for virtually all 112's). It has two semi-parametric controls besides the normal bass and treble EQ's, an Enhance control (Shape) that boosts bass and treble ansd scoops out mids which is nice for bedroom practice or for playing with an acoustic group without a drummer.

I turn that Enhance off when playing in a group though because it scoops out the low-mids and you need those for presence and definition when playing in a group. With my passive Jazz, I run the bass and treble flat (straight up) and use one of the two semi-parametric controls to select ~250Hz and boost it to about 1:30. If you want more bottom end, just push in the bass boost button and that will boost the lower frequencies without scooping out the mids or boosting the treble. It's really a great sounding set-up and certainly light enough to take on the train.
 
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Maybe prices are completely different in the US that here in Australia, (well, apart from the fact that everything is more expensive here) but something like a Warwick Gnome or small TC Bam 200 amp head are way cheaper here than a Quilter pedal, plus they're more powerful, which might be an advantage down the track. Both those units are around the 250 AUD mark here, so I'd guess they're way cheaper in the US of A.
 
This:

Trace Elliot ELF 1x10" 200-watt Bass Combo Amp

or this:

Trace Elliot ELF 1x8" 200-watt Bass Combo Amp

I have carried the ELF 10" cabinet with me on NY subway with no issues. I have not heard the combo version, but at a school context it should be more than satisfactory. Also, you can use this at small cafe/restaurant gigs and at a later stage you can buy the extension speaker(s) for either of these and put the full 200 watts to work.

I can see the budget issue, yet amps are not something we buy on a daily basis (or on a yearly basis as a matter of fact) apart from some who feel urged to check every single option out there. :) Making a decent and useable investment once from the start is always good.
 
I'd also check to see if they have a PA in the practice space and look at something that can provide a good signal to that and something you can monitor on very close you you, be that a small FRFR speaker or wired IEM, as that would be much lighter.
 
Another vote for leaving a cheap used cab at the practice place - just the cheapest bass cab you can find. Then get something like an ELF or other tiny amp to carry with your bass.

I know that 14 pound combos are pretty light but start to feel heavy after holding them long enough. And tougher to keep them from the elements if it is raining.

The other upside is you might find an old Peavey cab for real cheap with a 15” or pair of 10” speakers, and playing through that would probably sound better than most 1x8 enclosures. If you want to prevent theft of the cheap cab you leave at the practice place, pull the speaker out and drop some barbell style weights at the bottom of the cab. A pair of 20 pound weights would deter most people from trying to run off with a now near 100 pound cabinet!
 
First, how many miles you need to walk with it.
Second, how crowded the train is.
Third, how loud you need to be.
Forth, how bad can be the tone you can still accept.
Fifth, how much money you have to spend.

The smallest and lightest amp I ever had is Joyo 10MB.
Looks poor, sounds poor, plays from 150Hz to 3KHz (I think, had no chance to test yet) is quiet BUT is laughingly cheap (35EUR, ~40$), laughingly small (big lunchbox) and laughingly light (below 3 lbs) - and uses 6 AA batteries (230/120 is possible, too). According to reports, it can keep up with a single acoustic guitar. And has AUX input.

Master of portability. You'll toss in backpack.

EDIT
I reread first post in thread. I'd try - based on specs - TE 110 Elf or Markbass 110.
 
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