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Best Precison pups for finger playing?

Fender's '62 reissue p'up gets a lot of love here on TB but, in truth, there aren't too many really bad P pickups out there - just varying degrees of good. It's a formula that's been so dialed in that even the cheap stuff sounds pretty decent. You won't go wrong with a '62 reissue for nice tone and clarity, but you're not likely to go too far wrong with nearly anything.
 
Anything not stock. There are a TON of good ones out there. Heck, even stock fender pickups will do the job.

+1. It really depends on your tonal aspirations and budget. A Seymour Duncan Antiquity II and a Dimarzio model P will both be really nice with finger playing but will sound radically different. The pickup has to play nice with your instrument and your strings as well. It's not as simple as plug and play if you really want to dig into it.
 
Seymour Duncan Quarter Pounders. Back in my high school days I had Joe Zon install them
in my 1980 P Bass,when he had a small repair shop in Buffalo NY. And now back to the point,
they sounded great then,and still sound great 34 years later.
 
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Seymour Duncan Quarter Pounders. Back in my high school days I had Joe Zon install them
in my 1980 P Bass,when he had a small repair shop in Buffalo NY. And now back to the point,
they sounded great then,and still sound great 34 years later.

I've always like the sound of QPs. But I would make the case that folks spend WAY too much time agonizing about correct tone from their gear and not nearly enough time focused on tone from their playing. How you play has a MUCH bigger impact on how you sound than any gear, provided you have at least decent kit to being with.
 
I love my Squier now that I upgraded to Dimarzio model P pups, the clarity is there without losing the low end. Well worth the price, I upgraded the pots and cap too but I'm not sure they changed the tone at all.
 
I've always like the sound of QPs. But I would make the case that folks spend WAY too much time agonizing about correct tone from their gear and not nearly enough time focused on tone from their playing. How you play has a MUCH bigger impact on how you sound than any gear, provided you have at least decent kit to being with.

Are you suggesting that bass players practice and use their ears? Nah. Gear will show us the way. :D
 
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If you want to sound better, practice more. A great player will sound great, because he/she practices and plays great, not because this or that brand of pickup is used.

I get the case to be made for using more responsive pickups - what I don't get is the hair-splitting folks do over which exact flavor of which brand is just right for what type of music. I guess that's why I really liked the SD QPs - they were very responsive and quite strong - better harmonic output than stock Fenders (or at least every stock fender I've ever played). I'm sure the same can be said for any good pair of aftermarket pickups. But yes, the coolest aero/lindy fralin/unicorn drool pickups won't make as big of a difference of learning how to user those fingers better.
 
If you want to sound better, practice more. A great player will sound great, because he/she practices and plays great, not because this or that brand of pickup is used.

Some gear will still have the tone of a goblin fart, no matter who plays it. I'm no gear snob, and technique certainly plays a mega crucial role, but it just makes it that much better when it's done through something the player can feel good about using where there is an obvious difference in texture.
 
When I listen to a bass player live, I don't care what pickups he/she is using, I care only about what notes they are playing. I know that may bother some gear heads but that's me. The same goes for strings, active/passive, fretted/fretless, what brand of bass it is or how many strings the bass has. The musician, and music come first, not the equipment.
 
Well made point! Great players can make it happen on a Mattel ukelele. That having been said, most of us are trying to get the best gear to support our meager skills. I wonder why you even posted here in a gear thread? You already know the gear is unimportant, and talent is all one needs!
 
I get the case to be made for using more responsive pickups - what I don't get is the hair-splitting folks do over which exact flavor of which brand is just right for what type of music. I guess that's why I really liked the SD QPs - they were very responsive and quite strong - better harmonic output than stock Fenders (or at least every stock fender I've ever played). I'm sure the same can be said for any good pair of aftermarket pickups. But yes, the coolest aero/lindy fralin/unicorn drool pickups won't make as big of a difference of learning how to user those fingers better.
This, a thousand times this. Having said it, don't overlook Bartolini. I recently installed a Classic in my '08 USA Std. which is generally regarded as having a rather thin sounding stock pickup. Instant improvement. Styles? Finger style is punchy, warm and clean with excellent note definition. Slap is very loud and aggressive but is easily tamed with the tone knob, and with a pick it nails the classic 'P Bass with a pick' sound. Zero noise. Excellent pickup, but again, there are many.