TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Hmm... I thought it was mostly the mids in their own vortex, like the Flex. Quantum leap forward from Flex-land?I had a long conversation with Mr. Arnopol today about the new cabinet design. In his words "a quantum leap forward", not just an incremental progression or design refinement. I don't want to speak for him, but the design allows for all the punch, volume and clarity typical of his cabs but allows the midrange and high end to be much better controlled and, most importantly, projected by the MWV design of the mid chamber.
Let's see...all the punch, low end extension, transient response and volume of an MAS cab plus better, more articulate and three dimensional midrange and high end....
I've already sold my MAS112 in anticipation of buying the 12" version.
Hmm... I thought it was mostly the mids in their own vortex, like the Flex. Quantum leap forward from Flex-land?
With that said, either way I'm at a point where my sound (and the potential in my gear) is way better than my abilities or gigs, so I'll stick with what I've got. Sorry Mike, your stuff is too good already.
Hmm... I thought it was mostly the mids in their own vortex, like the Flex. Quantum leap forward from Flex-land?
With that said, either way I'm at a point where my sound (and the potential in my gear) is way better than my abilities or gigs, so I'll stick with what I've got. Sorry Mike, your stuff is too good already.
I had a long conversation with Mr. Arnopol today about the new cabinet design. In his words "a quantum leap forward", not just an incremental progression or design refinement. I don't want to speak for him, but the design allows for all the punch, volume and clarity typical of his cabs but allows the midrange and high end to be much better controlled and, most importantly, projected by the MWV design of the mid chamber.
Let's see...all the punch, low end extension, transient response and volume of an MAS cab plus better, more articulate and three dimensional midrange and high end....
I've already sold my MAS112 in anticipation of buying the 12" version.
Thank you, Matt. That is interesting. Like some others, I will hold for now.
Though my MAS-112 (Eminence and switchable B&C tweeter) is not beyond my ability to play or hear, for the size, weight, and money it is so good that my current non-gigging status doesn't justify replacing it.
That said... If eventually multiple experienced MAS-112 players give firsthand accounts of Mike's latest designs retaining the best qualities of the MAS-112 yet bettering it overall, then I will consider switching.
Thanks for taking the chance! I'll wait to hear.
I've had a Fearful 15/6/1, but not with the sub.So does anybody here have experience with the flex 210 vs Fearful 15/6/1 + 15 sub?
Much more mids huh? Thats kinda what I'm looking for. The fearfuls sound super low and clear in the highs, but have me missing my old Ampeg 6x10 for the mids.
The flex mids are crazy good. The pic of the new 15 looks to have traded the 10s for a 15 with the same top section. I bet it's brutal.The mid detail will drop your jaw. That's literally what happened to me when I first played through my Flex110. I have not experienced the Feafuls. I also smile every time I play through my Flex110+sub also and have thoroughly enjoyed being completely spoiled by Mike's MVW speakers. And again, I never tire of hearing myself so well and sounding better than I have any right to...![]()
If you're talking an Ampeg 610 HLF, I've played one of those. Everything this cab does, including the mids, it does better than the Ampeg. Not so much a matter of more mids (though there's plenty of mids on tap) as it is the quality of the mids -- the detail, the dispersion -- and the tweeters (two -- you can switch them on or off individually) are worlds better. Lows are deeper and more articulate.Much more mids huh? Thats kinda what I'm looking for. The fearfuls sound super low and clear in the highs, but have me missing my old Ampeg 6x10 for the mids.