...and in the queue for a MAS26. Stoked. Thanks Mike
Happy New Year Folks!
Congrats! Great decision, that should be awesome with a Walkabout!
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...and in the queue for a MAS26. Stoked. Thanks Mike
Happy New Year Folks!
Shuttles sound good with any of the MAS cabs.
Streamliners sound great with the Flex cabs but are a bit too thick with the 45's or 46's IMO.
The woofer in the Flex cabs is very tight by nature so it offsets the tubbiness.
That being said--and to be honest I'm surprised with this--these cabs are pretty amp-friendly.
I'm not a huge fan of the GK's but I've had a bunch of guys here with them and they worked really nicely. Have to try the Carvins--they are so reasonably priced and offer so much power.
Gallien Krueger---lots of honest power but I've never liked the voicing. With the MVW (Big E) cabs I find that I can get a nice sound with the GK's.
Congrats! Great decision, that should be awesome with a Walkabout!

So it sounds like for micros, the Puma 900 seems the overall favorite with Big E cabs and tubes sound great with the Flex series. From early impressions, the new Baer Valkyrie should be very nice with a MAS66 or Flex 210...

M109 name was truly based on the physical properties of the cab

All that being said---I thought that the Puma 900 was the end-all until the mean spirited Tom B. played the Reeves. The midrange and upper end detail were stupid.
I hear ya
That's why I'm a bit bummed that I took the mighty 210 out on a gig. I'm enjoying playing more. I'm 5 gigs in with the Flex 210 and it's just more fun. I'm actually playing a bit softer but hearing and feeling myself better. A bit of a revelation for me. As I've stated before---with the 210 the portion of the note that makes me feel like I'm doing my job (thump and pants flapping) is more prominent. Playing lighter and getting a bigger thump.
It's the same with the 48 that Mountaingrown has mentioned. That crazy cab has about 20% more output than even the 210.
A bit of honesty here---it's costly starting a business (something I have no previous experience with---all of my previous experience has been answering the phone ---or email and showing up for the gig). So---the OEM buys can be challenging (as far as $) So---the 6's have evolved and improved but the 8's have been on the back burner as I ran out of my first OEM purchase. And developed the Flex series.
But we're looking at the 8's again. We've changed the design (with Eminence) to reflect some changes and improvements.
I'll have samples soon and we'll be messing with the 8's again.
We're thinking of a vertical arrangement with an uber high end horn on top. Maybe we'll call it the "Tower of Power". Probably around 43" tall. No prob hearing the mids and highs with that one!
Mike: a couple of questions --
Do you know if the new cab using 8" drivers will be a 2-way design?
Not sure if you've had the chance to try this: how would driving two 110 Flex compare to one 210 Flex (in my case with electric bass guitar)?
I was considering two MAS-46, but it sounds like those are going to be 4 ohm cabs now which would give less options on powering them.
The cab with the 8's will be 2 way. It's still on the drawing board. Tom and Steve have been building knock-down cabs to try small changes everywhere in the sound path. These guys just keep on reworking, testing, and measuring. They are improving all of the cabs in small increments and will continue to do so.
The 8" cab will be big---likely around 41" tall and 24" wide by 15 deep. And around 75#. The high frequency driver and horn will be way above what you see in a bass cab.(Faital HF10AK) I used it in Thumbsandfingers' cab and was blown away. Again, the 48 has about 25% more output than the 210.
As far as the Flex and 46 cabs---
For now the 46's will be 4 ohms. I had to make a choice---an economic one. I figure a lot more guys will buy the 46 to use alone and 4 ohms makes more sense in terms of amps. These will take 500 watts and 500 watts at 4 ohms is a lot cheaper than 500 at 8.
If these sell well than I'll make a driver buy of 8 ohm drivers. It's just that I have to buy 50 drivers at a time.
I don't think that you need two Flex 110's to equal a Flex 210. A Flex 110 and a 110 sub will give almost all of the benefits of the 210 flex. The 210 switches will function a bit differently and the 210 has a couple of different options as far as switching. But a 110 Flex and a 110 sub will sound pretty much like a 210 Flex. Same dynamic range--same punch--same basic sound and lots of switching options. The 210 has two tweets but the default setting is one tweet. I use the 210 and always use one tweet. One will handle all of the volume you need and can still be goosed a little to give more highs if needed. The 210 has one mid position that is more aggressive but it's pretty extreme. The switches on the 110 give a lot of sonic options.
I'll be moving toward a 110 Flex and 110 sub for myself. Lots more flexibility as far as shlep and little downside.
I was thinking dual-purpose use on the dual cab thing (bass guitar & home stereo system).
If I went with a Baer Valkyrie or a Genz SM12.2 the 4 ohm MAS-46 should work fine.