Buy a bunch of broken pedals and put them as decorations, you can spray paint them pink or black if you want. Plug in come cables so that they look like they're connected.
Enjoy the benefits of a premium membership!
Upgrade Account
-
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Big Pedals
- Thread starter Thunderscreech
- Start date
- Dec 21, 2007
- 15,222
- 45,013
- Disclosures
- Lark in the Morning Instructional Videos; Audix Microphones
moogerfoogers, korg G5, vintage mutron (or vintage anything, pretty much..)
or a whole bunch of tiny pedals.
or a whole bunch of tiny pedals.
- Sep 3, 2003
- 3,312
- 756
- 41
- Disclosures
- Endorsing Artist: Fuzzrocious Pedals
Old EHX and anything Moog...it all works for metal...depending on how you use it.
Plus big pedals have more bass response.
I'm pretty sure I tried to start the rumor years ago... So it's gotta be true by now.
Plus big pedals have more bass response.
I'm pretty sure I tried to start the rumor years ago... So it's gotta be true by now.
chunks of wood the size of pedals, paint them with silly names like: Moofandertronic 2 or Deepreasureizer!
if someone notices that they are just lumps of wood, say you are trying to quit.
if someone notices that they are just lumps of wood, say you are trying to quit.
Spring reverb pedals are pretty darn big. And if you bump them they make all kinds of horrible noise.
Pick a pedal you can get cheap and used. Buy a few of them. Connect cables to them so they look like they are working, but don't hook them up to anything live.
Then take one the the dials, say drive or tone, and set each one just a bit different than the one before. Best if all the other dials are all the same, just one tweaked.
Then randomly stomp on the pedals during the gig. After each set, have fun explaining why you need slight changes for different parts of the song.
Then take one the the dials, say drive or tone, and set each one just a bit different than the one before. Best if all the other dials are all the same, just one tweaked.
Then randomly stomp on the pedals during the gig. After each set, have fun explaining why you need slight changes for different parts of the song.
You could go double decker. Cover your current board in plants, and mount a smaller one above it for pedals. That'd be metal. Metal as plants. KILLER ****ING PLANTS.
How about a giant home-made bradshaw-style mega ultra uber switching rig that controls nothing, or different mood lighting schemes via various LED's. Either that or Line6 M13 FTW.
Steve
Steve
microsynths, a lot ehx pedals, a whammy would be cool, a morely wah, the catalyst muff clone is pretty big...
and as its been said....MOOGS
or ashdowns as well i spose
and as its been said....MOOGS
or ashdowns as well i spose
Moogs good...........................
I think I could fill a PT pro with around six - seven pedals I have no problem: moog LPF, moog phaser, sovtek [green[ BMP, sovtek [green] smallstone, sovtec [black] bassballs, Budda Zenman [this is a really big pedal] EHX Q-tron, hmm, maybe that would over flow the thing now that I think of it
I think I could fill a PT pro with around six - seven pedals I have no problem: moog LPF, moog phaser, sovtek [green[ BMP, sovtek [green] smallstone, sovtec [black] bassballs, Budda Zenman [this is a really big pedal] EHX Q-tron, hmm, maybe that would over flow the thing now that I think of it
