There [is] more info on the side of a tire ...
Sorry, I have nothing in this .. just following along as an innocent bystander. But I love that quote!
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There [is] more info on the side of a tire ...
Would you have it on the floor or on a table then? I'm in between bands currently, but in the last one we played gigs at venues that mostly had no form of stage, so the cab would be level with people's feet.
Has anybody test one of these to find out the total output?
They have, but no-one has agreed on a single way to rate that.
So there it is..just turn it down to protect your speakers.
Rule of thumb, as told to me by Bill Fitzmaurice, is that you can raise a cab up to 24" without losing low end. The reason why people think that they are losing the low end is because the mids are closer to your ears, and you are hearing them better than when the cab was on the floor, blowing at the backs of your knees. I routinely raise my cabs off the floor to hear them better, and I don't hear a loss of low end. However, I play a 4 string, and don't need a massive bottom in my gig situation.
I've noticed a loss in low end just by tilting a cab back. So decoupling is a real thing IME.
That isn't a loss of low end, that's an increase in midrange. Tilting won't affect low end because it has no direction. Midrange does and is the thing that changes. Scooping mids gives the impression of extra lows to the untrained ear/brain, that's how the ultra lo switch on Ampegs works.
Your ears being off axis to the speaker reduces mids, hence tilting or raising the cab so you are closer to the polar axis of the speaker means you can hear more mids, thus perceive the sound as less bassy. This is explained in that thing you linked under 'understanding sound dispersion'.
that's how the ultra lo switch on Ampegs works.