Actually no, they never did that except for the simplest, all analog pedals that pretty much are open source nowadays.That was absolutely a shot.I'm ready to be corrected here, but this is where reputation comes into play - as any more I automatically assume that if I see something from Behringer, or their most closely associated sub-brands, that it's just a reverse engineered clone of something else. Can you argue that there isn't a history there? Reputations are hard to change.
What Behringer does is offering similar looks and functions as established brands. They copy the shell, not the guts.
For example, the inside of a BX4500H has nothing in common with an Ashdown MAG. They achieve similar tone through completely different means.
When it comes to ClassD they use their own housemade modules, not the usual OEM suspects.
I'm ready to be corrected here, but this is where reputation comes into play - as any more I automatically assume that if I see something from Behringer, or their most closely associated sub-brands, that it's just a reverse engineered clone of something else. Can you argue that there isn't a history there? Reputations are hard to change.
