Not sure which is which.... but I'm hearing more midrange presence in A and prefer A overall. B sounds a bit darker/bassier.... might have a bit of brightness on top, but seems a tad lacking in the midrange.
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Unfortunately I'm not near my home system so I can't listen to the samples right now but that's a good point, considering the OP's chicanery in his Alder/Ash thread one has to wonder if this is believable.
If it isn't a hoax, the only thing that could be revealed by this comparison is that two necks can sound different since the comparison sample size is precisely 1 and there is no way to isolate the tonal effects of the fingerboard wood from the effects of the rest of the wood in the neck.
12bass said:Not sure which is which.... but I'm hearing more midrange presence in A and prefer A overall. B sounds a bit darker/bassier.... might have a bit of brightness on top, but seems a tad lacking in the midrange.

I don't understand why so many people felt so offended by the little trick on the other thread.
I couldn't tell. IMHO, fretboard wood is less important than body wood, which is less important than strings. I strongly prefer maple to rosewood, based solely on looks.
IMO, having experience in choosing the materials to build an instrument is kinda like chef's experience in cooking. you have to know what ingredients to use and how to use them. it doesn't take any experience to know if the result tastes good (and even that's subjective), but if you're creating something you should be very familiar to what degree each ingredient will do in order to have a desired outcome.
for example, to make spaghetti sauce, anyone can throw some tomato sauce in a pot, add garlic, basil, oregano, mushrooms & wine, you just have to know how what type, how much of each, and when to add them to yield balance and taste great, instead of having one ingredient overtaking another.

By op's definition of snappy and warm, I would guess 'A' is maple and 'B' is rosewood.
