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Can You Tell The Difference??? MAPLE vs. ROSEWOOD

WHICH IS WHICH?

  • Clip A is Rosewood, Clip B is Maple

    Votes: 49 24.1%
  • Clip A is Maple, Clip B is Rosewood

    Votes: 154 75.9%

  • Total voters
    203
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No difference, and I'm having a bass built for me with roswood because the builder told me rosewood is warmer. I'm thinking of giving him a call now. I prefer the look of maple.

I would definitely encourage you to get a maple if you like that look. I don't think you are going to find them that disparate that you couldn't use EQ to obtain the sound you were after if you got a maple and wanted to take some of the "snap" out of it. (Assuming the particular neck you ended up was necessarily snappy sounding.)
 
I think A is slightly brighter / clearer so I'm going A=maple

For me, the amp and speaker cabinet are 100 times more important for tone than the same style bass with either ash/alder or mape/rosewood

Thanks Dan
 
danclaro said:
Maple vs Rosewood is a question that I find perplexing because of the conventional wisdom (that they are very different) vs my own experience with different basses and different strings... I chose 1 for maple because it seemed a bit brighter and snappier right from the start. However, 2 is also bright, so if I was choosing between these two P-basses I'd have to go by looks and feel.

Dan - What P-pickups are these?

Seymour Duncan SPB-1.
 
Actually, I find it much easier to tell a difference in fretboard wood than body wood.

Except you're not actually telling the difference between fretboard wood per se.

The fretboard wood is attached to the main neck wood which also contributes to the tone. What you're "telling" is the difference between two necks, not specifically fretboards.
 
Agreed! So in other words, things like body wood and fretboard wood are actually small contributors to the overall tone, and it's more about the sum of all parts?

:hiding:

Every component is a contributor to the tone and tone is always the result of the interactions of the parts.

It's not as simple as what a component is or what it's made of, it's the interaction of all of them that determines the result.
 
Now what we need is a test with identical necks except for reinforcing bar content. One with none, then one with graphite and one with steel.

Hmmm.... I just happen to have a P bass with an Allparts neck (no reinforcing rods, I believe) on hand, and a Warmoth neck (steel rods), and a 2004 Fender Am Std neck (that year would have graphite reinforcing rods, I think) sitting nearby.... All with maple boards....

How many choices would that make in a poll? 6, I think, to list all the options for matching up sound clips to 3 different neck?
 
Except you're not actually telling the difference between fretboard wood per se.

The fretboard wood is attached to the main neck wood which also contributes to the tone. What you're "telling" is the difference between two necks, not specifically fretboards.

This came up in a previous thread.

And you know what? You're EXACTLY RIGHT. You're actually supporting my argument that the conventional wisdom about fretboard wood contributing to tone (in a signifcant way) is probably greatly exaggerated. :smug:
 
In theory maple is a hard wood, harder than rosewood. Take a piece of metal and insert into both woods then tap gently with a piece of metal.

In theory the Maple would have a higher pitched clank sound since the wood is more dense whereas rosewood would still clank but in theory at a lower register.

All in theory, but's that why I chose A as maple.
 
They sounded so similar to me and when I finally made up my mind I was surprised to find that I voted with the majority. On your first test I couldn't tell a difference. So is the conclusion that it's quality of the build that affects the tone more so than specific woods? Keep up the good work Dan.
 
To be honest, I find it difficult to tell a difference.

To guess, I would say A rosewood and B maple. B maple only due to some of the fret noise I heard near the beginning of the clip.
 
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