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I've learned that some people think that discerning these differences is something to do with experience (although for the life of me I can't figure out how that works).
IMO, it's these subtleties that make one instrument appeal to us over another. The neck wood difference is subtle. The body wood difference is subtle. The brand of strings is subtle. Pick ups, hardware, setup, etc... all subtle. Now start putting all these subtleties together and you start to get some real personality!
IMO, having experience in choosing the materials to build an instrument is kinda like chef's experience in cooking. you have to know what ingredients to use and how to use them. it doesn't take any experience to know if the result tastes good (and even that's subjective), but if you're creating something you should be very familiar to what degree each ingredient will do in order to have a desired outcome.
for example, to make spaghetti sauce, anyone can throw some tomato sauce in a pot, add garlic, basil, oregano, mushrooms & wine, you just have to know how what type, how much of each, and when to add them to yield balance and taste great, instead of having one ingredient overtaking another.
What? A well maintained maple fretboard is a very stunning, beautiful thing to look at and play. It feels clean to me, and I love that.
What? A well maintained maple fretboard is a very stunning, beautiful thing to look at and play. It feels clean to me, and I love that.
Says you. I don't like the look of maple fingerboards at all.
By that I mean, High end boutique vs cheap generic pedal
My maple necks look very nice...
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but:
I like the rosewood!
I have 8 rosewood + 1 pau ferro, 7 ebony and only 2 graphite/phenolite, 2 wenge and 2 maple fingerboards. Just counted them, 22 fbs!
Maple vs rosewood pedals wolud be just perfect!
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My maple necks look very nice...
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