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Club Alleva Coppolo (part 3)

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Mike,
That's a really great version (and one of the best synced audio/video clips I've seen on youtube)! Your B string sounds huge from 3:40 till the end.. and it looks like you're really having fun. Thanks for posting,

Matt
 
Okay dudes, grab a cold one and make yourself comfortable. Sorry, this is going to be long. Here's how it went down this weekend...

I had someone interested in buying my Limited...well, in actuality there were many who were interested, but I had someone local. "Great," I thought, "I'll drive down and let him play it and see what happens." The night before, I took it out "one last time" to play it a little to make sure I was doing the right thing. And even though it hurt just thinking about it, I could stand to part with it.

The next day, I arrived at his place and I could hear him thumpin on his Fender inside. We exchanged greetings and I noticed he had been playing through a Berg IP stack. I had played through an IP before, but not ever with this bass. So we sat down, he tuned up and plugged in. I explained the control layout, and he started off in passive. Man, sure did sound good. And the guy could play, so already I was thinking at least it'll be in good hands if he decides to buy it.

It didn't take long for him to declare, "It's a f***in Fender!" Now, that could have meant a couple of things...like in disappointment, "Ah man, that's it? This is just like a piece of crap Fender." Or it could have also meant in amazement, "Wow man, this is just like a killin' vintage Fender!" I think he was leaning towards the latter sentiment. And it was sounding really really good through his IP stack.

He then started messing with the preamp, setting bass and treble to varying degrees, and at one point had both dimed. Amazing thing was, even then, it never got out of control. It was on the brink of being out of control, but it never went there. I believe this speaks volumes about two things in particular. One, Jimmy's preamp is fricken amazing. At one point in our conversation, it was agreed that the preamp just takes the passive tone and makes it way huge. Second, that IP is one killer stack. In fact, I've never heard my bass sound so good. Btw, the bass went straight into the Berg, with no external preamp.

I'd say we spent the better part of an hour putting this bass and his Bergie through its paces. We briefly messed around with an MTD he had and my Hanewinckel. And then one last time with the AC. "It's a f***in Fender!" By then, he had already said that a handful of times. He wanted to sleep on it and would contact me the following day. He was nice and sent me home with some avocados.

So here's a summary of our phone coversation that took place yesterday:

Me: I was crazy to even consider selling this bass.
Him: I was crazy to let you leave my house with that bass.
Me: I'm going to sleep on it, put on some fresh strings.
Him: Yeah, it'll sound even better with some nickels. I hate you.

So I picked up a set of Sadowsky blue label nickels yesterday. I have always had GHS Progessives on there since I first got the bass, and while it sounded great, I always felt that a good set of nickels was what this bass really wanted. I put the strings on at around 10pm last night. Between playing and dialing it in all night, I didn't go to bed until 6am this morning. I have never heard my bass sound and feel so good. Game over. It's perfect.

I feel like the prodigal son coming back home. I get to stay in the family!
 
Great story man, you own a very unique AC and it's nice to know it stayed with a TBer!

I also just put Sad Nickle Blues on my LG5, and I gotta say...they aren't doing it for me! lol. I love the Blues on my 4 strings since they sound great and they just feel fun...if that makes any sense. But, on the AC I find the low tension in combination with the radius or something causes my technique to be poor and inaccurate. And if you're like me...BLAME THE GEAR! lol.
Glad you're happy,
Matt
 
:D What a great story man! I've been doing the same thing with my F Bass BN5 (thinking about selling it to help fund the balance due on my LG5 in progress.) I had a local buyer too and thought; "Great, this will be easy.", Then before showing it to the local bass player, I took my F Bass to a gig, and played it. I remembered why I dug it and why it was my main bass for a few years. But then I played my other main bass which is getting 99% playing time. (Nordy VJ5) Then I thought; "I can sell the F Bass no problem." My VJ5 is just scratching my itch tonally.

But the thing is this; I believe if you are afraid you are going to regret letting go of an instrument, .... you will regret it. ... Sooner or later. So good for you for giving your AC another listen, and trying some new strings. Strings can make a world of difference huh? :D

And for what it's worth; It's a f**king Fender sounds like a compliment to me. :D



Okay dudes, grab a cold one and make yourself comfortable. Sorry, this is going to be long. Here's how it went down this weekend...

I had someone interested in buying my Limited...well, in actuality there were many who were interested, but I had someone local. "Great," I thought, "I'll drive down and let him play it and see what happens." The night before, I took it out "one last time" to play it a little to make sure I was doing the right thing. And even though it hurt just thinking about it, I could stand to part with it.

The next day, I arrived at his place and I could hear him thumpin on his Fender from outside. We exchanged greetings and I noticed he had been playing through a Berg IP stack. I had played through an IP before, but not ever with this bass. So we sat down, he tuned up and plugged in. I explained the control layout, and he started off in passive. Man, sure did sound good. And the guy could play, so already I was thinking at least it'll be in good hands if he decides to buy it.

It didn't take long for him to declare, "It's a f***in Fender!" Now, that could have meant a couple of things...like in disappointment, "Ah man, that's it? This is just like a piece of crap Fender." Or it could have also meant in amazement, "Wow man, this is just like a killin' vintage Fender!" I think he was leaning towards the latter sentiment. And it was sounding really really good through his IP stack.

He then started messing with the preamp, setting bass and treble to varying degrees, and at one point had both dimed. Amazing thing was, even then, it never got out of control. It was on the brink of being out of control, but it never went there. I believe this speaks volumes about two things in particular. One, Jimmy's preamp is fricken amazing. At one point in our conversation, it was agreed that the preamp just takes the passive tone and makes it way huge. Second, that IP is one killer stack. In fact, I've never heard my bass sound so good. Btw, the bass went straight into the Berg, with no external preamp.

I'd say we spent the better part of an hour putting this bass and his Bergie through its paces. We briefly messed around with an MTD he had and my Hanewinckel. And then one last time with the AC. "It's a f***in Fender!" By then, he had already said that a handful of times. He wanted to sleep on it and would contact me the following day. He was nice and sent me home with some avocados.

So here's a summary of our phone coversation that took place yesterday:

Me: I was crazy to even consider selling this bass.
Him: I was crazy to let you leave my house with that bass.
Me: I'm going to sleep on it, put on some fresh strings.
Him: Yeah, it'll sound better with some nickels. I hate you.

So I picked up a set of Sadowsky blue label nickels yesterday. I have always had GHS Progessives on there since I first got the bass, and while it sounded great, I always felt that a good set of nickels was what this bass really wanted. I put the strings on at around 10pm last night. Between playing and dialing it in all night, I didn't go to bed until 6am this morning. I have never heard my bass sound and feel so good. Game over. It's perfect.

I feel like the prodigal son coming back home. I get to stay in the family!
 
Great story man, you own a very unique AC and it's nice to know it stayed with a TBer!

I also just put Sad Nickle Blues on my LG5, and I gotta say...they aren't doing it for me! lol. I love the Blues on my 4 strings since they sound great and they just feel fun...if that makes any sense. But, on the AC I find the low tension in combination with the radius or something causes my technique to be poor and inaccurate. And if you're like me...BLAME THE GEAR! lol.
Glad you're happy,
Matt


I have a couple sets of Sadowsky Blues (Stainless) that I'm looking forward to trying. Will keep you posted. I've been using DR Nickel Sunbeams. Personally, I love the low tension. Go figure.
 
Dude, you keep the bass and still get AVOCADOS!!!?!?!??!?!?
That rocks!!!!!

LOL. Ah man, you guys are the best. Seriously.

It's so funny how subjective some things are. I mean, I love these Blue Nickels, and wish they were even a little lower tension. But that's only natural from a guy who loves TI's.

Thanks everyone for sticking through these hard times with me. ;)
 
NP B3bopbass,
It was your spault that actually got me to google "spaulted" to find out just what the heck makes those crazy veins. I happened upon this site, Link Removed which begs me to tell you that your bass has crabs.

:p
 
NP B3bopbass,
It was your spault that actually got me to google "spaulted" to find out just what the heck makes those crazy veins. I happened upon this site, Link Removed which begs me to tell you that your bass has crabs.

:p

Oh, no Matt. You got it all wrong.

Crabwood is a totally different species, and resembles mahogany.

This spalted alder is made out of air.

:)
 
lol...

Guess what strings I thing I'm gonna try next?
AC-Bass-KIRKP-copy02.jpg


KIRK POWERS SIGNATURE SERIES NICKLES!

AC STRINGS ARE UP ON THE WEBSITE GUYS!
 
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