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Club Bordwell Part 2.

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Well, I got it and it arrived in flawless condition. It's not a featherweight, but not terribly heavy. It's still lighter than my Conklin. I'll be fine tuning the set-up soon and figuring out the electronics. I'll have to dig up the e-mail where Cliff explained everything. Despite a lack of figuring, the walnut still looks pretty nice. I'll probably get a nice strap for it in a few days as I start playing with various lengths for it to be in the perfect location.

It sounds and plays quite well out of the box. I'll need to take the strings off to install the Bass Mute. The Rami shape feels pretty good.

I should have a better review once I have time to dial everything in.
 
I'm guessing you're considering a 32" or 33" scale 6er, which seems to be his specialty! I'm considering a 32" scale fretless 7 for my next one from Cliff.

I certainly would be considering a 33" or 32". Being a wee guy, 5'6", some of these big basses are just TOO big, don't mind the weight of a bass so much, it's more the stretch for the left hand (with me being right handed) and the horrible wrist angle that can create.
I used to play a Warwick Thumb and I loved it, but man it was tough to play...
I currently have 2 custom 33"ers, but I'm really keen to explore 32" or maybe even shorter if it's possible, but I reckon the low B might get a bit too flabby.

Anyway, congrats once again on your awesome bass mate :)

Eude
 
Haven't had a whole lot of time on my Rami 6, but so far so good. Normally, I can figure stuff out on my own, but needed to double check what did what.

Setting up the Bass Mute didn't take too long, but it's an interesting piece of gear. It makes palm muting seem so outdated! :p

I played with the set-up a little more and it has some pretty nice action.

Still figuring out the electronics. The EQ was nothing new, but it's a little odd the way the Z Modes are louder with the pickups in different phases.
 
I certainly would be considering a 33" or 32". Being a wee guy, 5'6", some of these big basses are just TOO big, don't mind the weight of a bass so much, it's more the stretch for the left hand (with me being right handed) and the horrible wrist angle that can create.
I used to play a Warwick Thumb and I loved it, but man it was tough to play...
I currently have 2 custom 33"ers, but I'm really keen to explore 32" or maybe even shorter if it's possible, but I reckon the low B might get a bit too flabby.

Anyway, congrats once again on your awesome bass mate :)

Eude

There are actually several CB owners, semi-regular, that own 32" scale basses with a low B. I haven't played one myself, but they say it's good.

I'm fine with 35" scale basses, but am looking at the shorter scale to improve the higher strings, as well as tuning the high C and F to B and E. I figure the 1/2 step will allow me to use thicker strings and sound a little less nasal. I have thought about ditching the low B and getting a fretless 6 string in 30" scale.
 
There are actually several CB owners, semi-regular, that own 32" scale basses with a low B. I haven't played one myself, but they say it's good.

I'm happy with the switch to 32". I notice the difference when I go back to my 34" Warwick.... i'm gonna sell it now.

I'd love to see someone order a high five SCB a la Matt Garrison, Janek Gwizdala, Tony Grey style highly figured Foderas. Maybe drop in a Pope preamp too.
 
I'm happy with the switch to 32". I notice the difference when I go back to my 34" Warwick.... i'm gonna sell it now.

I'd love to see someone order a high five SCB a la Matt Garrison, Janek Gwizdala, Tony Grey style highly figured Foderas. Maybe drop in a Pope preamp too.

I could imagine that something like a Warwick or any bass without a longer top horn and/or bridge that's 3" or more from the end pin would be work compared to something like Cliff's 32" scale.

I've been hoping someone orders a Pope with Cliff's bass. I have one in a Stambaugh and it's an interesting pre for sure. I wouldn't call it a flexible pre-amp that can fake a lot of tones, but it's a very signature sound. I have EMG PJ pickups with mine and it's a pretty awesome tone.
 
Haven't had a whole lot of time on my Rami 6, but so far so good. Normally, I can figure stuff out on my own, but needed to double check what did what.

Setting up the Bass Mute didn't take too long, but it's an interesting piece of gear. It makes palm muting seem so outdated! :p

I played with the set-up a little more and it has some pretty nice action.

Still figuring out the electronics. The EQ was nothing new, but it's a little odd the way the Z Modes are louder with the pickups in different phases.

For what it is worth with mine
High Z mode works with Pickups in Series
Low Z mode works with pickups Parallel
Both have a less drastic effect on the opposite pickup setting.
Single coils have much less output and don't respond as well with the z mode.
I frequently use the neck pickup in conjunction with the pickups in parallel and in low z mode for a huge dub/ p bass sound. I usually use the high Z in series with the bridge pickup soloed. Roll off some highs and it sounds great for doing chordal stuff. Also, z modes kill with slap (Low Z for thump heavy stuff and high z for pops!)
Love me my CB! :bassist:
 
For what it is worth with mine
High Z mode works with Pickups in Series
Low Z mode works with pickups Parallel
Both have a less drastic effect on the opposite pickup setting.
Single coils have much less output and don't respond as well with the z mode.
I frequently use the neck pickup in conjunction with the pickups in parallel and in low z mode for a huge dub/ p bass sound. I usually use the high Z in series with the bridge pickup soloed. Roll off some highs and it sounds great for doing chordal stuff. Also, z modes kill with slap (Low Z for thump heavy stuff and high z for pops!)
Love me my CB! :bassist:

That sounds about accurate. Apparently, there's a some sort of gain cut in the control cavity that can make the Z mode jumps less drastic, but I tend to like the configs and the higher output anyway.

I'm digging the tones, although a tad underwhelmed with the single coils. I still have plenty of time to play with stuff and try to dial it in.

I'm really enjoying the Bass Mute. I think you'd probably enjoy it. Sure, palm muting is basic technique, but you can really adjust it to some amazing precision and have the advantage of playing closer to the neck.

Speaking of slap, I ordered 26 frets. I wouldn't say it kills the slap and I don't slap a whole lot, but probably wouldn't suggest it for someone who slaps a lot. I don't regret the decision, but at the same time I don't really see myself ordering more than 24 frets again.

More thoughts to follow. I'm enjoying it, but not getting a ton of time to play it with my work schedule, getting things set up for my upcoming wedding, bike racing, etc.
 
That sounds about accurate. Apparently, there's a some sort of gain cut in the control cavity that can make the Z mode jumps less drastic, but I tend to like the configs and the higher output anyway.

I'm digging the tones, although a tad underwhelmed with the single coils. I still have plenty of time to play with stuff and try to dial it in.

I'm really enjoying the Bass Mute. I think you'd probably enjoy it. Sure, palm muting is basic technique, but you can really adjust it to some amazing precision and have the advantage of playing closer to the neck.

Speaking of slap, I ordered 26 frets. I wouldn't say it kills the slap and I don't slap a whole lot, but probably wouldn't suggest it for someone who slaps a lot. I don't regret the decision, but at the same time I don't really see myself ordering more than 24 frets again.

More thoughts to follow. I'm enjoying it, but not getting a ton of time to play it with my work schedule, getting things set up for my upcoming wedding, bike racing, etc.

Glad it's working out well :)
I get you on the single coil sound being underwhelming, but give it time.
The parallel setting on my ACG sounds enormous, but I tend to go for series or single coil now, there's a bit more detail and clarity to the sound, but it is a lot quieter.

What kinda bike racing you into?

Good luck with the wedding mate, we're looking at venues in London this weekend for ours, for next April, I'm ****ing myself!

Eude
 
Glad it's working out well :)
I get you on the single coil sound being underwhelming, but give it time.
The parallel setting on my ACG sounds enormous, but I tend to go for series or single coil now, there's a bit more detail and clarity to the sound, but it is a lot quieter.

What kinda bike racing you into?

Good luck with the wedding mate, we're looking at venues in London this weekend for ours, for next April, I'm ****ing myself!

Eude


I normally enjoy single coil setting, but the Nordstrand DCs and Audere aren't immediately flattering. Fortunately, there's a 4 band EQ, so there's really no excuse for me not finding tones I like! At the moment, I'm really liking the Lo Z in parallel. The neck pickup is very smooth and deep. Very thuddy with the Bass Mutes. The bridge pickup is very fat and I really like it for finger style. I'm not a huge fan of the Hi Z, but it seems to bring out a brittle high end that I normally associate with vintage stuff.

I'm a road biker. I used to be primarily a time trialer, but I seem a lot more suited to being a climbing specialist. Haven't had great results this year due to my work schedule, but hoping to hit it really hard next season.

Yeah, wedding planning is intense. I'll be extremely glad when it's complete and I can just relax.
 
I've tried photographing my CB with different lighting this time...

IMG_3407.jpg


IMG_3400.jpg


I wanna record some sound clips too, but I can't decide on a USB Audio-interface for my Windows laptop. Any suggestions in the sub-$500 range?
 
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