+1 on Donovan.
I downloaded your Coppolo mp3s and have listened to them dozens of times BTW, so I mean it when I say I'm looking forward to hearing your comparison.
Of course there is more than sonics to compare. George (as Dave pointed out) continues to refine his craft and definitely made playability improvements over the classic jazz bass with his VF5 line.
I'm sure it's because my main bass for years was that 76 Jazz bass and I grew to really love it, but I love both the classic Jazz and the neo-Jazz George has designed.
+1 I'll put up some clips for the heck of it, with the LM as comparison.
Yeah, there is a fine line between doing an 'Updated J' type feel (like Sadowsky) and changing things so much that you lose the whole thing (like the Nordy basses... at least the original models IMO and IME).
This seems to be close to the Sadowsky thing in 'design logic'... modified but still somewhat J like body, more modern higher radius board, etc., etc..... so I'm hoping it stradles the 'vintage versus update' nicely. Of course, the A-C line of basses really try to cop the 'feel' of an old J bass, and they really do that well with the old school non-compound low radius board, the very traditional, full size J body, etc., etc.
Tone wise, from my discussion with Narud, I hope this is the most 'Fendery' of the bunch!
I'm glad to be getting back in the FBass family. While the BN model was not my thing for a number of reasons, I sure appreciated the fit and finish, and also very much dig George's business ethics, etc. Nice guy from my limited dealings with him back in the day.
I'll dip in in a few days with the scoop!

