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. . . I'm amazed by the weight!!! . . .
It's amazing how quickly you get used to these ultralights. My NYC 24-5 is about 7.8 lbs. Now, I pick up a 9 lb. bass and think it's heavy!!!
Yeah, but not by a ton. I think the rods in the neck change the resonant behavior a little, which I think contributes to the fact the B string on this bass is a little better, and I do believe the chambers in the body also matter, giving me a bit bigger bottom end, but honestly, I can easily see where someone wouldn't consider the diffs to be worth the extra money. Totally personal choice there. Don't get me wrong tho, I'm not an NYC snob. I kinda' used to be a long time ago, but either they've gotten better, or I just didn't have a typical Metro experience back then because at this point, I wouldn't hesitate to purchase a Metro instead of an NYC if it had the features/config I wanted. My Metro PJ5 is going NOWHERE.Cool bass!!!
I get that it having the nice top and being a pound lighter makes it worth it, but do you think it offers much tonally different than your (now my!!!) Metro?
Vic said:. . . I think the rods in the neck change the resonant behavior a little, which I think contributes to the fact the B string on this bass is a little better, and I do believe the chambers in the body also matter, giving me a bit bigger bottom end . . .
Just converted my NYC PJ5 from VOL. PAN to .... VOL.VOL.. World of difference .. An already great bass is now stellar!
Can you quantify that difference Kirk?
Chef 10686717 said:Can you quantify that difference Kirk?
The mids seem to be smoother.. the super up top 10k stuff is not as separated from the rest of the notes and just sitting up there all alone... And the bass seems to have better low mids.. It seems it used to be somewhat mid scooped even with the preamp off... with the highs separated from the rest of the note but there is a difference.. It all sounds more up close and intimate... Im leaving it like this...
The mids seem to be smoother.. the super up top 10k stuff is not as separated from the rest of the notes and just sitting up there all alone... And the bass seems to have better low mids.. It seems it used to be somewhat mid scooped even with the preamp off... with the highs separated from the rest of the note but there is a difference.. It all sounds more up close and intimate... Im leaving it like this...
Can someone explain this to me please?
I have Vol+Pan on mine.
If Vol is 100% and Pan in centre then how is this difference to 2xVol on 100%?
Is there something in volume knob variance?
I'm no tekko. A truss rod tweak is about it for me.
I like up-close and intimate!

It's actually one more potentiometer, not one more capacitor. There are three pots in the vol-pan and only two in the vol-vol. The tonal diffs have more to do with the pickups loading against each other when connected via ganged blend pot.See the post above yours
While there is a mechanical difference between the two systems, with the vol/blend having one more capacitor or whatever in the system versus the vol/vol., the effect is VERY very subtle.
However, if you replace a volume/blend with two volume pots with different capacitance levels, you can get a bit of a different tone. Of course, as Roger recently did, if you spec a new volume pot in the volume/blend circuit, you will get a similar result (mostly impacting the treble range of the instrument).
. . . I'm happy with putting up with them to get the convenience of the master volume control. Others may not be. Personal pref. . . .