Yes to the folks that are using bags - the first thing I did when I got the bass home was to see if it would fit in the gigbag that came with my 1991 Jazz Plus when I bought it new. It does!
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Welcome to my ash/maple Sadowsky JJ fanboi club.Listened to early mixes today of the first two track of the CD project I am delighted to be a part of. The MV524 was tool at hand. One DI line. One mic line off my RH450 with the TCE 210 just for a little fur around the edges. He's running it about 75-25 or maybe even a touch more favoring the DI.
I can honestly say I couldn't pick a bass tone off any recording I have ever heard that I would like better.
Awesome!!
Vic said:Welcome to my ash/maple Sadowsky JJ fanboi club.![]()
Favor the bridge pickup just a little, and then maybe boost the bass just a touch.I get it. I just need to figure out how to make it translate to live performance. Granted, I haven't tried in a straight rock lineup, but with piano, acoustic, two electrics, key pads, kit and aux perc, the plasma torch character of the 24-5 seems to better serve me.
I would say this mv524 is the best of rest of all the Sadowskys I've tried. Man it's fun to play.
Vic said:Favor the bridge pickup just a little, and then maybe boost the bass just a touch.
Is the MV5-24 still available for order or has it been discontinued? I don't see it featured anywhere on the Sadowsky site...
This is incorrect according to what I've been told. You can add a model to the queue.You can't really "order" any Metro. You just have to pick from the stock that comes in.
+1This is incorrect according to what I've been told. You can add a model to the queue.
This is incorrect according to what I've been told. You can add a model to the queue.
Sorry for the thread derail, but I just wanted to mention that I was in Nashville this past weekend and went to a Grand Ole Opry performance Saturday night. Two of the four bassists were playing Sadowskys - one MV5 (I think), one Vintage 4 (that ironically was identical to mine - Dakota Red with a pearl white guard). The other two were a newish-looking Fender Jazz and what looked like a Stingray 5 - though this one was really hard to see from where I was sitting. All fine players, of course.
I get a kick out of seeing all of the professionals using these basses in many different genres of music, from metal to country swing. Just goes to show you how versatile Roger and Co's instruments are.