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Club Sadowsky!!!

I had a Sadowsky hardshell for a few months. It's a really nice case (of course!), but I sold that bass (and case), and when I got another Sadowsky I selected the Portabag. Sure, the hardshell will provide better protection, but same as others I transport my own gear, and the Portabag gives me all the protection I need and then some, with significantly less bulk or weight.

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This photo was from late '09 or early '10. Looks like the large white logo may have been discontinued in favor of a stealthier one. :ninja:
 
Listened to early mixes today of the first two track of the CD project I am delighted to be a part of. The MV524 was tool at hand. One DI line. One mic line off my RH450 with the TCE 210 just for a little fur around the edges. He's running it about 75-25 or maybe even a touch more favoring the DI.

I can honestly say I couldn't pick a bass tone off any recording I have ever heard that I would like better.

Awesome!!
 
Listened to early mixes today of the first two track of the CD project I am delighted to be a part of. The MV524 was tool at hand. One DI line. One mic line off my RH450 with the TCE 210 just for a little fur around the edges. He's running it about 75-25 or maybe even a touch more favoring the DI.

I can honestly say I couldn't pick a bass tone off any recording I have ever heard that I would like better.

Awesome!!
Welcome to my ash/maple Sadowsky JJ fanboi club. :)
 
Vic said:
Welcome to my ash/maple Sadowsky JJ fanboi club. :)

I get it. I just need to figure out how to make it translate to live performance. Granted, I haven't tried in a straight rock lineup, but with piano, acoustic, two electrics, key pads, kit and aux perc, the plasma torch character of the 24-5 seems to better serve me.

I would say this mv524 is the best of rest of all the Sadowskys I've tried. Man it's fun to play.
 
I get it. I just need to figure out how to make it translate to live performance. Granted, I haven't tried in a straight rock lineup, but with piano, acoustic, two electrics, key pads, kit and aux perc, the plasma torch character of the 24-5 seems to better serve me.

I would say this mv524 is the best of rest of all the Sadowskys I've tried. Man it's fun to play.
Favor the bridge pickup just a little, and then maybe boost the bass just a touch.
 
Is the MV5-24 still available for order or has it been discontinued? I don't see it featured anywhere on the Sadowsky site...

I don't think that it's discontinued, but they just don't do a whole lot of them. You can't really "order" any Metro. You just have to pick from the stock that comes in. They do have a list of future incoming Metro basses at the Sadowsky site. Best advice is to watch that list and be prepared to make a "first dibs" deposit.

Also, Bass Club Chicago posted a Demo recently on the Sadowsky page of Facebook. They may still have it:

YouTube - Bass Club Chicago Demos - Sadowsky MV5-24 Jazz Trans Black

Of course the NYC shop can make you one.

Or, I'll trade you mine for an two NYC jazz fives (one SC, one HC), a '63 Fender jazz, 12 NY style cheesecakes to be delivered once-a-month for a year, two cases of Blue Moon and a bushel of South Carolina peaches.
 
Sorry for the thread derail, but I just wanted to mention that I was in Nashville this past weekend and went to a Grand Ole Opry performance Saturday night. Two of the four bassists were playing Sadowskys - one MV5 (I think), one Vintage 4 (that ironically was identical to mine - Dakota Red with a pearl white guard). The other two were a newish-looking Fender Jazz and what looked like a Stingray 5 - though this one was really hard to see from where I was sitting. All fine players, of course.

I get a kick out of seeing all of the professionals using these basses in many different genres of music, from metal to country swing. Just goes to show you how versatile Roger and Co's instruments are.
 
Sorry for the thread derail, but I just wanted to mention that I was in Nashville this past weekend and went to a Grand Ole Opry performance Saturday night. Two of the four bassists were playing Sadowskys - one MV5 (I think), one Vintage 4 (that ironically was identical to mine - Dakota Red with a pearl white guard). The other two were a newish-looking Fender Jazz and what looked like a Stingray 5 - though this one was really hard to see from where I was sitting. All fine players, of course.

I get a kick out of seeing all of the professionals using these basses in many different genres of music, from metal to country swing. Just goes to show you how versatile Roger and Co's instruments are.

I'd play either of my Sadowsky jazz-type basses on a country gig in a heartbeat, and they would sound perfect for it.