This may sound stupid but when turning the pickup selector, do most of you turn your knob clockwise in order to pan towards the bridge pickup? It seems that way on my mv5
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Stupid question from me:
Is the passive tone control knob wired the same way? Taming the high’s if turning knob counter clockwise?
This may sound stupid but when turning the pickup selector, do most of you turn your knob clockwise in order to pan towards the bridge pickup? It seems that way on my mv5
The way God, and Roger, intended it to be.
Roger is completely backwards from....well.....every other preamp and bass manufacturer in the world when it comes to the pickup selector. I understand that the newer preamps can be easily reversed, but I haven't looked at mine yet. For someone with 30+ years experience playing bass, having a reverse knob on a single basscan be hazarderous on stage.
I believe that would be an MS5
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Love the MS5’s but I’m curious what an MV5 looks like with the pick guard removed.
DUDE, you're right in my area! Send me a PM with your band's name/info. Been to the Curve many times!Here's a shot from this weekend...
I suppose Roger’s idea is that turning the knob clockwise in a tonal sense = getting brighter; so, for the pickups, that means CW for the bridge pickup. Many players tend to think in terms of the physical location. So, there’s the dichotomy.Roger is completely backwards from....well.....every other preamp and bass manufacturer in the world when it comes to the pickup selector. I understand that the newer preamps can be easily reversed, but I haven't looked at mine yet. For someone with 30+ years experience playing bass, having a reverse knob on a single basscan be hazarderous on stage.
I suppose Roger’s idea is that turning the knob clockwise in a tonal sense = getting brighter; so, for the pickups, that means CW for the bridge pickup. Many players tend to think in terms of the physical location. So, there’s the dichotomy.
Roger of course listens to players, and they have had screw terminals for quite a while that allow the player to decide.
So, OK, Roger is a bit of a crank. In a good way. I can relate. My NYC is and will remain wired Roger’s way. It’s a Roger bass. My other basses with the Sadowsky preamp are wired my way. So, I’ve got both. Confusing? Maybe. Like I said, I can relate.
Sounds like you are referring to the VTC, not the treble and bass controls. The VTC is somewhat subtle but ultra useful. All it does is roll off the perfect amount of highs to make the bass sound more “classic.” Really useful when you are using the neck pickup to get more P thud; also when favoring the bridge pickup to get that fat but tight sound going.I HAD NO IDEA AND THOUGHT MY BASS WAS BROKEN AND DEFECTIVE!!! Ahhhhhhhhh
Now here is a question: I feel as though my tone knob doesn't make much of a difference when I turn it up or down. I may take off the knob and re attach it (maybe it's not actually turning?) any advice? I notice a big difference when the tone knob off and when it's on on my fender jazz.
I suppose Roger’s idea is that turning the knob clockwise in a tonal sense = getting brighter; so, for the pickups, that means CW for the bridge pickup. Many players tend to think in terms of the physical location. So, there’s the dichotomy.
Roger of course listens to players, and they have had screw terminals for quite a while that allow the player to decide.
So, OK, Roger is a bit of a crank. In a good way. I can relate. My NYC is and will remain wired Roger’s way. It’s a Roger bass. My other basses with the Sadowsky preamp are wired my way. So, I’ve got both. Confusing? Maybe. Like I said, I can relate.
In my mind the sadowsky blend pot IS being physically turned toward the pickup that it's selecting. Turning it toward the bridge selects the bridge pickup.