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Club Sadowsky!!!

Spent our afternoon practice session with the fretless today...I get into the habit of playing my NYC PJ or JJ config’s, I sometimes forget how lovely (or gnarly) the modern soaps can be... Yep, the Sadowsky team makes such great basses!
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Today, I went to Corner Music in Nashville to get a Sadowsky onboard preamp installed into my Fender Elite 5 jazz.

While there I ran into JD who is in charge of the bass department and he pulled this beauty off the wall and said I had to try it out...

akY631y.jpg



lQWNjG5.jpg



Now I have to say with a little bit of embarrassment, I intentionally try to avoid playing NYC Sadowsky basses.

This is for the same reason that I avoid buying $200 bottles of wine - because it may actually taste way better than my normal wine and I'll go bankrupt from booze.

Well, I was right (at least about the Sadowsky).

The best bass neck I've ever played was a 1962 Fender Precision that was on sale at a small shop downtown for about $10K. The neck on this Sadowsky might be my new favorite.

When he handed me the bass the first thing I noticed, aside from the amazing finish work, was how light it was. I'd be really surprised if it was more than 7 lbs.

The preamp of course was the normal amazing Sadowsky warmth and goodness, and the pickups were so crisp and punchy you'd be hard pressed to need a tone that this bass couldn't conjure up.

But it really was all about the neck for me. You will never find anything that comes off of a production line that feels like this. I absolutely love my Metro Modern 5, but this neck was a truly a piece of art. It had such a buttery, broken in feel to it like the best old-school basses. Super high quality wood and meticulous shaping and fretwork, I could even tell a big difference in the way the fingerboard felt compared to other basses in the shop.

I've heard people say that they felt Sadowsky's cost too much (and I was admittedly one of those several years ago), but when you get your hands on something like this - even after playing loads of high quality basses - you then realize what it's all about.

Because of this experience, I'm gonna be putting my pennies aside and saving for my first Sadowsky NYC. I seriously doubt this one will still be around when I come up with the dough, but if it is I'm gonna grab it.
 
Today, I went to Corner Music in Nashville to get a Sadowsky onboard preamp installed into my Fender Elite 5 jazz.

While there I ran into JD who is in charge of the bass department and he pulled this beauty off the wall and said I had to try it out...

akY631y.jpg



lQWNjG5.jpg



Now I have to say with a little bit of embarrassment, I intentionally try to avoid playing NYC Sadowsky basses.

This is for the same reason that I avoid buying $200 bottles of wine - because it may actually taste way better than my normal wine and I'll go bankrupt from booze.

Well, I was right (at least about the Sadowsky).

The best bass neck I've ever played was a 1962 Fender Precision that was on sale at a small shop downtown for about $10K. The neck on this Sadowsky might be my new favorite.

When he handed me the bass the first thing I noticed, aside from the amazing finish work, was how light it was. I'd be really surprised if it was more than 7 lbs.

The preamp of course was the normal amazing Sadowsky warmth and goodness, and the pickups were so crisp and punchy you'd be hard pressed to need a tone that this bass couldn't conjure up.

But it really was all about the neck for me. You will never find anything that comes off of a production line that feels like this. I absolutely love my Metro Modern 5, but this neck was a truly a piece of art. It had such a buttery, broken in feel to it like the best old-school basses. Super high quality wood and meticulous shaping and fretwork, I could even tell a big difference in the way the fingerboard felt compared to other basses in the shop.

I've heard people say that they felt Sadowsky's cost too much (and I was admittedly one of those several years ago), but when you get your hands on something like this - even after playing loads of high quality basses - you then realize what it's all about.

Because of this experience, I'm gonna be putting my pennies aside and saving for my first Sadowsky NYC. I seriously doubt this one will still be around when I come up with the dough, but if it is I'm gonna grab it.

Agreed on the NYC 5'er neck. Only Sadowsky I've played so I don't know from experience, but doesn't Roger himself say the specs are the same except the chambering/weight on the Metros/Express?
 

Great bass! And just 7.83lbs:

FINISH Natural
BODY Okume with a Quilted Maple Top
WEIGHT 7.83 lbs
NECK Maple with thin matte nitro finish
FINGERBOARD Brazilian Rosewood 12″ radius, 1.875″ nut width. For US shipping only (email [email protected] to ask about international shipping).
PICKGUARD None
HARDWARE Black
PICKUPS Sadowsky humcancelling
PREAMP Sadowsky preamp with vintage tone control
 
Today, I went to Corner Music in Nashville to get a Sadowsky onboard preamp installed into my Fender Elite 5 jazz.

While there I ran into JD who is in charge of the bass department and he pulled this beauty off the wall and said I had to try it out...

akY631y.jpg



lQWNjG5.jpg



Now I have to say with a little bit of embarrassment, I intentionally try to avoid playing NYC Sadowsky basses.

This is for the same reason that I avoid buying $200 bottles of wine - because it may actually taste way better than my normal wine and I'll go bankrupt from booze.

Well, I was right (at least about the Sadowsky).

The best bass neck I've ever played was a 1962 Fender Precision that was on sale at a small shop downtown for about $10K. The neck on this Sadowsky might be my new favorite.

When he handed me the bass the first thing I noticed, aside from the amazing finish work, was how light it was. I'd be really surprised if it was more than 7 lbs.

The preamp of course was the normal amazing Sadowsky warmth and goodness, and the pickups were so crisp and punchy you'd be hard pressed to need a tone that this bass couldn't conjure up.

But it really was all about the neck for me. You will never find anything that comes off of a production line that feels like this. I absolutely love my Metro Modern 5, but this neck was a truly a piece of art. It had such a buttery, broken in feel to it like the best old-school basses. Super high quality wood and meticulous shaping and fretwork, I could even tell a big difference in the way the fingerboard felt compared to other basses in the shop.

I've heard people say that they felt Sadowsky's cost too much (and I was admittedly one of those several years ago), but when you get your hands on something like this - even after playing loads of high quality basses - you then realize what it's all about.

Because of this experience, I'm gonna be putting my pennies aside and saving for my first Sadowsky NYC. I seriously doubt this one will still be around when I come up with the dough, but if it is I'm gonna grab it.

7.83lbs!

[Invalid or Expired Link Removed]
 
It was really unexpected to hold a jazz bass that was so featherweight and had such a great tone.
Maybe try one of the Metro Expresses... I felt exactly the same way when I played mine for the first time, though I wouldn't say "unexpected" with a Sadowsky... for me, more like just "pleasant". :)
 
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Maybe try one of the Metro Expresses... I felt exactly the same way when I played mine for the first time, though I wouldn't say "unexpected" with a Sadowsky... for me, more like just "pleasant". :)

I've played a couple of those MetroExpress basses and they really are great and super light as well.

But for me, the matte nitro/Brazilian Rosewood NYC necks are just so amazingly good that it's hard for me to focus on anything else right now.
 
I'm not sure how I never stumbled onto it before but... I just tried the 'cut VTC and boost Treble' trick. Wow, super cool. That setting while favoring the bridge pickup on my MV5 is killer. Thanks for the tip TB'ers!
I agree. Great tip that I’ve been using all week. Any others?
 
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So would it be redundant to own an NYC Standard PJ and Verdine White?

yes, and no

yes, both are P/Js, and both are Sadowsky NYCs. So there will be much in common.
But there will be subtle differences that might matter to some. they'll both be awesome, so how can you say you don't want both?

I'm seriously considering keeping my 4-string Verdine around once my 5-string Verdine is completed. They will be different enough, plus one is alder/morado, the other is ash/maple.
 
I'm not sure how I never stumbled onto it before but... I just tried the 'cut VTC and boost Treble' trick. Wow, super cool. That setting while favoring the bridge pickup on my MV5 is killer. Thanks for the tip TB'ers!

I'm doing almost the same thing on a Modern 5 - cut VTC about 50-75%, boost that treble, but slightly favor the "neck" pickup. Play anything with a pick and you get one heck of a meaty, grindy rock tone.