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Club Sadowsky!!!

Brought the Modern 5 to a punk gig last night. She's in good hands @ElMon - fear not :D. We happened to be the, ahem, "elder" of the bands on the bill :dead: - I was approached by some "young 'uns" after the set who had many compliments about my tone. This was my favorite interaction and thought I would share...

"Man, that bass sounds great, like an Ibanez! Is that an Ibanez? It looks like an Ibanez I used to own..."


I believe that's the new marketing campaign for Sadowsky - "Sounds just like an Ibanez!"

:roflmao::laugh::roflmao::D:laugh:
 
@gustobassman @ElMon I had a similar reaction from the guitarists I was playing with, when I returned excitedly from my November vacation to share that I visited Sadowsky’s shop. Crickets and confused expressions.

Later when I asked on TB, I learned Sadowsky guitars seem to be more favored by jazz players.
Same expressions I got when I brought my Sadowsky to rehearsal this week. Until they heard the thunder. Now they know. I also received the same with my Alembic the first time around. Now they know.
:bassist::roflmao:
 
Same expressions I got when I brought my Sadowsky to rehearsal this week. Until they heard the thunder. Now they know. I also received the same with my Alembic the first time around. Now they know.
:bassist::roflmao:
Fine. Brands like Sadowsky and Alembic can be bassists’ secrets.

Actually, the guitarists loved my FBass BN6 best and they were shocked to learn there are companies that only make basses.
 
But I guarantee you if Sadowsky made stratocaster style guitars, the blues and rock guys would eat them up.

I believe the T and S style are NYC only, with pricing to match of course. If they become more popular, then perhaps Metro (etc) versions can be offered, and more guitarists will be able to join the Sadowsky party.

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Did a bunch of gigs several years ago with a guy slinging a Jim Hall Signature Sadowsky ... and OH ... MY ... JEEBUS.

Just angelic, bell-like tones all the way up the fretboard. Something that doesn't get talked about enough, and this applies to Roger's basses of course:

If you hear an instrument built by a true luthier that is made to the same standards as a master violin maker (I'd put guys like Roger/Mike Tobias/Vinnie Fodera/Ken Smith on that level) it really does make a difference on the bandstand.

That guy on the Jim Hall was good enough to make ANYTHING sound good, but interestingly enough, I wasn't as inspired when he brought out his Gibson Archtop.

That Jim Hall made me swing harder and comp differently as he soloed.

I feel the same way about my Sadowsky basses. The tone coming out of the speakers is so satisfying that it makes me play differently, and my band-members (their words) are hearing 'what bass is supposed to sound like'.
 
Pre-sound check at Tupelo Music Hall in NH! I’m really loving my Satin Series Modern 4. Punches like crazy!

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I believe the T and S style are NYC only, with pricing to match of course. If they become more popular, then perhaps Metro (etc) versions can be offered, and more guitarists will be able to join the Sadowsky party.

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We’ve had a few Satins in the past as well.