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Club Sadowsky!!!

Yes I'm very happy with it. It took me a while to get the setup the way I like it. Changed the strings (Sadowsky Blue Label Steelstrings 045-130T) to the bright nickels SBN40B. Much better. Doesn't sound exactly like my Fender PJ, but more neutral with more (possible) lows and highs, if you wish, controlled by the VTC. But still sounds the way you would expect: Round, warm and full in the P-position, Jaco-like in the bridge position and a nice rock sound in the mid. It's all there: from Motown to metal, from jazz to funk and from reggae to rock and roll. This weekend i'm gonna use it with my band Generate. We play rather heavy symphonic progrock and we are working on some new songs.
Good to hear.... interesting the nut spec has changed since I (we) ordered, it was originally Graphtec Tusq. Does the adjustable nut seem ok? Is the A String still lower level on the back pickup after the string change?
 
Shout out for the MIJ MetroExpress that I'm still in the honeymoon phase with. Got it just in time for two gigs before the shutdown arrrgh. Anyway.....great fretwork on this instrument, so consistent playing up and down the neck...best way to describe the playability..."polished".
 

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Good to hear.... interesting the nut spec has changed since I (we) ordered, it was originally Graphtec Tusq. Does the adjustable nut seem ok? Is the A String still lower level on the back pickup after the string change?
Nut seems ok. I had several Warwicks, but I don't think I ever needed to adjust the nut. A-string level is better after changing the strings and fiddling around with string- and pickup height, but it is still a little weaker. You hardly notice it when you play fingerstyle, but when you play with a pick you can hear it a bit. But hey, who uses a pick on the bridge pickup? I don't. The tuners are new ultra lights specially made for Warwick / Sadowsky. The super light bag is a new one and will also be used for the MetroExpress. And yes, bag is made in China.
 
Nut seems ok. I had several Warwicks, but I don't think I ever needed to adjust the nut. A-string level is better after changing the strings and fiddling around with string- and pickup height, but it is still a little weaker. You hardly notice it when you play fingerstyle, but when you play with a pick you can hear it a bit. But hey, who uses a pick on the bridge pickup? I don't. The tuners are new ultra lights specially made for Warwick / Sadowsky. The super light bag is a new one and will also be used for the MetroExpress. And yes, bag is made in China.
Thanks!
 
Nut seems ok. I had several Warwicks, but I don't think I ever needed to adjust the nut. A-string level is better after changing the strings and fiddling around with string- and pickup height, but it is still a little weaker. You hardly notice it when you play fingerstyle, but when you play with a pick you can hear it a bit. But hey, who uses a pick on the bridge pickup? I don't. The tuners are new ultra lights specially made for Warwick / Sadowsky. The super light bag is a new one and will also be used for the MetroExpress. And yes, bag is made in China.
i've owned warwicks with both versions of the just-a-nut... brass and graphite/graptech or whatever.

I'm not really a fan. I believe it's very rare you need to adjust it, even if changing string gauge, especially if the slots are cut right (which they always are on a Sadowsky), so then all you're left with is a lack of consistent coupling across strings at the headstock. yah, ok, maybe a subtle difference in the practical world, but nevertheless.

The other problem is, the graphit/tech version is prone to snapping if you're not careful when stringing the bass.

Seems like a "nifty" solution to a problem that doesn't really exist, with negative side-effects, IMHO.
 
i've owned warwicks with both versions of the just-a-nut... brass and graphite/graptech or whatever.

I'm not really a fan. I believe it's very rare you need to adjust it, even if changing string gauge, especially if the slots are cut right (which they always are on a Sadowsky), so then all you're left with is a lack of consistent coupling across strings at the headstock. yah, ok, maybe a subtle difference in the practical world, but nevertheless.

The other problem is, the graphit/tech version is prone to snapping if you're not careful when stringing the bass.

Seems like a "nifty" solution to a problem that doesn't really exist, with negative side-effects, IMHO.
Yes, I would rather have a standard nut, that's what Warwick have done, so we'll see when I get it. I'm surprised Roger went with this.
 
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Yes, I would rather have a standard nut, that's what Warwick have done, so we'll see when I get it. I'm surprised Roger went with this.
FWIW, Warwick has been in love with this feature of their instruments for years, so I'm not at all surprised they put this "upgrade" on their Sadowskys. That said, I don't want to blow the negatives out of proportion. It's not that big of a deal. I'd just rather not have it, personally.
 
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I personally don’t want anything “Warwick” on a Sadowsky: no adjustable nut, no Schaller-style straplocks - nothing. If the bass has to be made by Warwick then so be it (though I’m not a fan of the idea) but I’d prefer to see it strictly as an outsourcing of labour type of affair. Otherwise it just looks to me as if Warwick got hold of the relevant CNC data and slapped “Sadowsky” on the headstock.
 
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I’m sorting out my next Sadowsky, playing with the options, figuring out exactly what I want. When I’m done, I will order directly from Roger and Ellis at the NYC Custom shop, I’ll wait the 10-12months and Pay the custom shop price as I trust the quality from Roger directly. I have never Had to adjust anything coming from Roger everything has been spot on perfect when it arrived (I have ordered 4) that has always impressed me. There is a reason why so many folks speak so highly of Roger and his crew, they deserve it.
 
I’m sorting out my next Sadowsky, playing with the options, figuring out exactly what I want. When I’m done, I will order directly from Roger and Ellis at the NYC Custom shop, I’ll wait the 10-12months and Pay the custom shop price as I trust the quality from Roger directly. I have never Had to adjust anything coming from Roger everything has been spot on perfect when it arrived (I have ordered 4) that has always impressed me. There is a reason why so many folks speak so highly of Roger and his crew, they deserve it.


I did the same thing recently, for the same reasons. I’m honored to be able to play these fantastic instruments, and as good as the Metro series was in my hands, my NYC’s have a special ‘something’ to them.

Honored.
 
Question: what dimensions are a body blank? My neighbor is selling his property and has quite a stock on all kinds of wood that he’s had for years. He said I can have a bunch and I was thinking I’d donate to Sadowsky and maybe we could get some great instruments out of it...
 
Question: what dimensions are a body blank? My neighbor is selling his property and has quite a stock on all kinds of wood that he’s had for years. He said I can have a bunch and I was thinking I’d donate to Sadowsky and maybe we could get some great instruments out of it...

For a bass it is 22" x 14" x 2". Ideally you want a board 44 x 8 x 2". You then cut it in half to make a 2 pc. center seam body.

Roger
 
I personally don’t want anything “Warwick” on a Sadowsky: no adjustable nut, no Schaller-style straplocks - nothing. If the bass has to be made by Warwick then so be it (though I’m not a fan of the idea) but I’d prefer to see it strictly as an outsourcing of labour type of affair. Otherwise it just looks to me as if Warwick got hold of the relevant CNC data and slapped “Sadowsky” on the headstock.

Your last sentence is not a fair statement. I have spent a lot of time over the last year working closely with Marcus Spangler at Warwick regarding the Sadowsky production. Much more than sending over CNC files. If you don't like the Adjust-a-Nut or the strap locks, feel free to change them. Accurately cutting a nut is more difficult than you can imagine. You are always just one file stroke away from going to far. I have known so many players who are very sensitive to their nut height, you can't imagine. This gives the player the opportunity to see how low they can go and be able to reverse it if they go too far. You are also welcome to order your bass from the Sadowsky NYC Workshop if you prefer our level of craftsmanship and customer service.

Roger
 
Your last sentence is not a fair statement. I have spent a lot of time over the last year working closely with Marcus Spangler at Warwick regarding the Sadowsky production. Much more than sending over CNC files. If you don't like the Adjust-a-Nut or the strap locks, feel free to change them. Accurately cutting a nut is more difficult than you can imagine. You are always just one file stroke away from going to far. I have known so many players who are very sensitive to their nut height, you can't imagine. This gives the player the opportunity to see how low they can go and be able to reverse it if they go too far. You are also welcome to order your bass from the Sadowsky NYC Workshop if you prefer our level of craftsmanship and customer service.

Roger
I understand, I just don’t like to see Warwick’s footprint on a brand that has been dear to me. Admittedly, it’s mainly sentimental bias on my part. I’m just not a Warwick fan.
 
I have known so many players who are very sensitive to their nut height, you can't imagine. This gives the player the opportunity to see how low they can go and be able to reverse it if they go too far.
Roger

And I would be one of those players. I appreciate your making the point and personally I would love to be able to dial in string height at the nut myself with just a wrench.
 
I totally understand. Are you not a fan of their basses or the company?
I’ve had both good and bad experiences with the basses. The customer service I received when I had a problem with one particular bass was really unimpressive and it’s what, funnily enough, led me to Sadowsky. At that point I figured that if I was going to be spending a lot on a bass I wanted to deal with people who offered great customer service (something I have always gotten from Sadowsky).
 
I’ve had both good and bad experiences with the basses. The customer service I received when I had a problem with one particular bass was really unimpressive and it’s what, funnily enough, led me to Sadowsky. At that point I figured that if I was going to be spending a lot on a bass I wanted to deal with people who offered great customer service (something I have always gotten from Sadowsky).

No one does customer service the way I do! :hyper:
Honest Weights, Square Dealings!

honest weights.jpg
 

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